@secondcousins

For the extended  Q&A plus OG pi pi pi track game... please visit our website -------> pipipi.life <---------

Introduce yourself? Pronouns? Where do you currently reside? 

Ello, I’m Jackson. Pronouns are He/Him. Residing in Eora/Sydney

Who/what currently inspires you music-wise that has nothing to do with music?

Water and light mostly 

What is your favorite party/collective where you reside and why?

Too many faves. Some heavy hitters off the top are Umami/Echo Flats/Heavenly/Community Chest. They are %100 in it for the experience. Community Chest is a joint force crew of about 7 great crews from Sydney – It’s kinda like when the power rangers come together to make that big robot fighter guy

What was your best moment at the supermarket?

They were playing Bill Withers in a Woollies once and it got me

What is your most recent favorite DJ mix and why?

Max D – Indie Rock on C- was maybe the last one that got me good. Max D only plays by Max D’s rules

Any advice to upcoming DJs/producers? 

Enjoy your life & be kind to others

What would you like to see in the future for the dance community?

More love and respect, always

Cousin - 8˚

Interview: https://truantsblog.com/2024/truancy-volume-327-command-d

Soundcloud: @commandd

Access the download and full tracklist (Added) on our Patreon. However if you need anything leave us a nice comment and either us or Command D will get back to you! Your support helps cover all our costs, allows us to now pay our guests and allows Truants to continue running as a non-profit and ad-free platform.

http://truantsblog.com

Command D

Truancy Volume 327: Command D

Command D summons the gods of the deep to have us completely submerged in a world of interdimensional dub techno, traversing us through an hour and a half of infinitely looped reflections and subaquatic soundscapes. 

@commandd

Q. This certainly feels like one of your most immersive mixes to date, deeply contemplative and full of dreamy dub techno atmospherics. What inspiration did you draw upon, and what type of setting or situation could you imagine it being enjoyed in? 

A. I started to get into this sound when I was putting together my mix for the Moonshoe mix series. I didn’t know what to call it at the time but I found all of those tunes and tied them together with a certain feeling that was really inspiring me then, it was very organic and that is still one of my favourite mixes. You can hear dub elements scattered throughout that whole mix.

As I started incorporating more dub elements into my productions I discovered artists like Stephen Hitchell and Rhythm & Sound that had created a kind of music that was really extremely satisfying for me to listen to, especially considering my developing love for hi-fi and larger sound systems. I incorporated those artists into my FHUO mix which was a much more considered exploration of the style. Looking back on the process of making the mixes and how much I enjoyed them really assures me that the deep and contemplative sound is a big part of who I am.

For this mix I’ve taken inspiration from the MDC series itself which I’ve been listening to for years. I wanted to add little hints of deep house sounds as a nod to the mixes of the past. I personally think mixes like this are the best to listen to when you’re travelling and looking out a window, otherwise maybe sitting at a desk on a rainy day doing some work. I’d like people to listen to this in a time where they won't be distracted by something else or feel the need to skip forward, I’d want people to just throw it on and let it play, drifting in and out of the tracks and their own thoughts.

Q. Are there any songs in the mix that are especially close to your heart, and what is it about these tracks that resonate with you so much?

A. My favourite tracks in the mix are Saftig Komposition by Rasmus Hedlund and Sedlec Ossuary by Persuasion. At a base level I love these tracks because they take a more modern approach to a dub techno track with tight production. Going deeper, the thing that really resonates with me is hard to put into words and best left unsaid. I think this kind of music (along with many other kinds) allows the listener to feel emotions that aren't able to be put into words, part of why I love it so much. I find that dub techno specifically can feel sad and happy at the same time like lots of jazz ballads. That to me is a really beautiful sound that kind of encapsulates life in general.

Q. Tell us about the development of your live set, and where things are currently at with it? Do you feel like you’re able to explore different shades of your sound when playing in a live setting?

A. Putting together my first live set was an awesome experience. I got to play it all around Australia from clubs to rainforests. I’ve put the current live set to bed for now and am starting to work on a new one with a slightly different setup. Although it was a challenging experience, I loved making a live set because often when I would dig for tunes to play out I’d think ‘I wish I had a song like this’ and writing a live set meant that I could bring those ideas to life and curate a set exactly how I wanted. I think I’m really starting to settle into ‘my sound’ in production and DJing, but there are creative limitations in both like finding new music or learning new skills. Overcoming technical barriers in production allows me to get closer to my most true form of expression when it comes to what’s coming out the speakers so I’ve been really working on that recently. Hoping the next live set will be bigger and better : )

MDC.302 Command D

eora based angel fuchsia with an hour of deep squelches from the forest

Sunset on FBi Radio : fuchsia

We could not imagine a more fitting Podcast Series contribution to soundtrack the peak of our of summer than this lush dubby mix recorded by the New York via Chicago DJ & productress Eden Aurelius 🦋

Back in April last year, the inaugural record on the Glaswegian label co:clear lands in the crates at Phonica Records and it steals the show. It was the debut release by Eden Aurelius titled ‘Plateau’ with it’s soft-edged downtempo take on dub techno dancing through clouds of ambient textures and perfectly embodying that netherworld in between ambient and dance music that is the beating heart of Introspective Electronics. Over a year later, we are so grateful and proud to have Eden feature on our Podcast Series with this stunning hour-long recording 💕

Nothing else to do now but to plunge into the dubwise depths of this magick mix where tender energy ebbs and flows in the spaces between not-quite-ambient and not-quite dance. It’s in the liminal space of the soft cracks in between. Aren’t you curious to hear? ✨

Sounds by @edenaurelius
Visions by @marcomaldarella

Buy Music Club: https://www.buymusic.club/list/ie-podcast-series-54-eden-aurelius

TRACKLIST

Rhauder & Paul St Hilaire - No News (Assemblage Mix)
Purl - Hollow 
Attila Jahanvash - Morning Glory 
Rod Modell - Body Sonic
Illuvia - Khalani
The Urban District - 100.2
Purl - Saraide
DT-90 - Kone 
Alex Humann - Recovery Passage 
Rhythm & Sound - Aerial 
Electric Birds - Stem 
DJ Paradise - Ssumo
Fonica - 1899-12-31
Off The Sky - Cumulae Movement

Podcast Series 54 | Eden Aurelius

Luca Bartoli @ Kiosk Radio 04.07.2025

"roughly techno"

Reach out through mammo.works@gmail.com for DJ enquiries.

(66m06s)

@shoall

Today’s Deep Mind Music entry is a trip through the depths of the earth from Shoal 🌘🌙

Listening to this set I was transported into another realm of being, taken by the hand through the mists of time, into the molten core of the earth. A transmission from the collective unconsciousness of mankind, sinking into the faded memories of our ancestors. Megalithic drones contrast with intricate moments of delicate celestial harmony, as iridescent shimmers of light glint into a shadowed cave. As the mix concludes, we softly re-emerge, floating on a blanket of rainbow-hued clouds ✨🤍

This mix is a live set made entirely of music composed by Shoal, formed from a series of recordings. It features field recordings captured in Japan, as well as a jam session with flute (Urosh), contrabass (Julian Tjon Sack Kie), and sound exploring a tam-tam gong, all collaged together. Thank you Shoal for this moving and evocative journey taking listeners through the primordial beyond 🌌💠🌀

~~  
Downloads Enabled ~

Shoal ~ Deep Mind Music Vol.35

TGP Bandcamp

Sector X55

BUY NOW

Tarek JR - Wild Flowers (Original Mix)

first quater of Rec-2025-11-03_2

squelchy, wobbly, gooey, twisty

mama of:
@oomycota_label 
@dstreet_eora
@minutiae-festival

EU 2024 June - Oct <3 

Thursday Sunset @fbiradiosydney 94.5 FM 6-8PM
https://fbiradio.com/945fm/programs/sunset-tangela/

talia.j@fbiradio.com for promos / enquiries

Sunset on FBi Radio : fuchsia

Tangela