Tangerine live on Refuge Radio x Patterns of Perception 15.07.23

my live set from sustain release year 10 at the grove friday night. this was one of the wyldest vibes ive experienced while playing live and i hope you can feel the feral energy within and enjoy <3

xx

Sepehr (live) @ Sustain Release Year 10

Carrier & Emily Jeanne present unit::overlay with Turin based Ilian Tape affiliate Stenny.

🌐 "Outsiders" is our daily show hosted by labels, collectives, agencies, venues, clubs, ... worldwide
📡 Connect with the Outsiders, every day, at 9 am or 9 pm CET
🔗 kioskradio.com


Outsiders: Carrier & Emily Jeanne present unit::overlay w/ Stenny @ Kiosk Radio 25.12.2024

Full tracklist: https://bleep.com/bleep-mix-300-barker

Fresh from Stochastic Drift, Barker’s buzzing second album named Bleep Record of the Month alongside an exclusive 12”, Barker sends a mix that really digs deep into the unique sonic methodology he has constructed across his solo career width a suitable breadth for what is also a milestone in the series, Bleep Mix #300.

From Debiasing to Utility to Stochastic Drift, Barker has been reimagining club music without its definitive thump, instead driven by melody and tactile synthesis, and this selection of tracks expands Barker’s soundworld with a host of artists walking a similar path. “For this mix, I picked out some of my favourite uptempo ambient tracks, recorded at home with two decks and a mixer. It’s music I've used in a lot of different contexts, as a DJ and listener, and I hope you enjoy it.”

Though the occasional dancefloor thump makes itself known, such as on Adriana Lopez’ ‘What Lies Behind’, it’s mostly in quaking subs rather than actual four to the floor, providing some ground for this mix’s airy freeform variety to fly over. We have the wooden plunks and seaspray of Afefe Iku’s Kenyan island sound, the wonky gamelan of Tyler Friedman’s maze of bells and chimes, the dense atmosphere of shaker-produced rain and electrical chirps forged deep in the ruins of The Future Sound Of London.

The midsection of this mix contains some magic in particular: the maestro of drumless trance Lorenzo Senni creates motion from pure jagged synth energy on ‘The Power of Failing’, dissolving into the aether of an unreleased Barker track, which further discharges into the kaleidoscopic stutters of Caribou’s ‘Never Come Back’ with jubilant piano chords and vocal clips wrought into a glitchy, swirling maelstrom of Koreless' prickly warmth. Digital Justice’s ‘Theme From It’s All Gone Pearshaped’ follows, a timeless staple for anyone wishing to dabble in melodic motion and synthsmithery, or any DJ set seeking to add some lift without losing momentum, of which this mix is in no short supply.

Bleep Mix #300 - Barker

A Strange Wedding
@a_strange_wedding
instagram.com/astrangewedding

Smoke Machine Podcast 154 A Strange Wedding

DJ set recorded live at Garage Noord, Amsterdam, 03-05-2025

Tracklist: 
1	Signal – Synkro	(Information EP)
2	Shadow – Sciama	(Collapse of Order)
3	Sarkanda – Space Drum Meditation (SDMLP01 "Four Tusks")
4	Chuwangk Kyuh Hay (thrd mpct) – Paradont (Disk)	
5	Unbound Force – AINT.S	(Inner Temple)
6	Sigillo – Pianeti Sintetici & Simon Oak	(Amazzone)	
7	Firefly Guarantees Bliss _ Konsudd featuring Konduku, Aa Sudd (Mantis 15)	
8	Lenti Sistemi – Atoloi	(Eunoia DR011)	
9	Patent – Conna Haraway	(Spatial Fix)
10	FEAST – Brendon Moeller	(Blue Moon)
11	Sacred Unit – AINT.S (Inner Temple)
12	Reign (Konduku Remix) – Space Drum Meditation (SDM004 Remixes)
13	Emergent Forms – Sciama	(Collapse of Order)
14	Bird Call – AINT.S (A Wise Habitat)
15	Charon – Sciama	(Collapse of Order)
16	D-S-D – Sileni	(OPPOP21: Gifts From The Grid EP)
17	Heilen _ Konsudd (Heilen)	
18	The Calling _ AINT.S (A Wise Habitat)	
19	Station To Station _ Omni Trio & Deep Blue (GLR 061)	
20	Lifecycle _ Black Rain	(SCALE001LP)	
21	Unknown Dub – Unknown Artist
22	Unknown Dub – Unknown Artist
23	OKO (52.529686 13.401803 1996.1215) – Felix K (0000 030) --> https://hardwax.com/85236/felix-k/berlin/
24	FORM (52.523525 13.391171 2001.0123) – Felix K (0000 030) --> https://hardwax.com/85236/felix-k/berlin/
25	IF (52.539778 13.410567 2001.0616) – Felix K (0000 030) --> https://hardwax.com/85236/felix-k/berlin/
26	Unknown Dub - Unknown Artist

Subscribe Bandcamp

Mixed by Felix K #1

One half of DJ duo Hagva and a key member in the Evolvere Crew, Not Mass's approach to DJing focusses on deep textures, layered sounds, and intricate drum patterns, which help build immersive atmospheres and keep the journey engaging.  

@notmass

𝘛𝘩𝘪𝘴 𝘪𝘴 𝘵𝘩𝘦 𝘴𝘦𝘤𝘰𝘯𝘥 𝘮𝘪𝘹 𝘧𝘳𝘰𝘮 𝘰𝘶𝘳 𝘯𝘦𝘸 𝘴𝘦𝘳𝘪𝘦𝘴 𝘷𝘪𝘴𝘶𝘢𝘭𝘪𝘴𝘦𝘥 𝘣𝘺 𝘱𝘩𝘰𝘵𝘰𝘨𝘳𝘢𝘱𝘩𝘦𝘳 𝘑𝘰𝘳𝘪𝘴 𝘝𝘢𝘯 𝘋𝘦𝘯 𝘌𝘪𝘯𝘥𝘦𝘯. 

---

𝗻𝗮𝗺𝗲 / 𝗽𝗿𝗼𝗻𝗼𝘂𝗻𝘀 / 𝘄𝗵𝗲𝗿𝗲 𝗱𝗼 𝘆𝗼𝘂 𝗹𝗶𝘃𝗲?
Antonio, He/Him , Milan (Italy)

𝘁𝗲𝗹𝗹 𝘂𝘀 𝗮𝗯𝗼𝘂𝘁 𝘁𝗵𝗲 𝗰𝗼𝗻𝗰𝗲𝗽𝘁 𝗼𝗳 𝘁𝗵𝗶𝘀 𝗺𝗶𝘅
This mix explores weird and experimental drum patterns. I wanted to create a journey through dark and weird rhythms that challenge the usual beat structures and that typically characterise my DJ sets. The drums are always different, sometimes off the beaten path, creating varied dynamics—moments that are upbeat as well as static, trippy moments—giving the entire set a mysterious and intense atmosphere. In my DJ sets, I like to bring together all the music and genres that have influenced and shaped my musical path over time.

So, thanks to Dj wiggles for the invite :)

𝗵𝗼𝘄 𝗵𝗮𝘀 𝘆𝗼𝘂𝗿 𝗲𝗻𝘃𝗶𝗿𝗼𝗻𝗺𝗲𝗻𝘁 𝗽𝗮𝘀𝘁 𝗮𝗻𝗱 𝗽𝗿𝗲𝘀𝗲𝗻𝘁 𝗶𝗻𝗳𝗹𝘂𝗲𝗻𝗰𝗲𝗱 𝘆𝗼𝘂𝗿 𝘀𝗼𝘂𝗻𝗱 𝗮𝗻𝗱 𝗮𝗽𝗽𝗿𝗼𝗮𝗰𝗵 𝘁𝗼 𝗺𝘂𝘀𝗶𝗰?
I was lucky to grow up in a family where music has always been a priority. I’m grateful to my parents for passing down this passion to me. My first approach to music was through acoustic drums—my father is a drummer and my mother took singing lessons. For me, playing drums was a moment of freedom, a way to vent, but also a love-hate relationship. I remember that at some point, I couldn’t express myself the way I wanted or with the people I wanted. 
Over the years, I got closer to the clubs in my area, and my love for the DJ figure was immediate. For several years, I lived in Puglia, my hometown, where I took my first steps as a DJ. Those were beautiful years, full of learning and hard work and research, all to start playing in clubs and illegal parties eheh

𝗰𝗮𝗻 𝘆𝗼𝘂 𝘁𝗲𝗹𝗹 𝘂𝘀 𝗮 𝗹𝗶𝘁𝘁𝗹𝗲 𝗯𝗶𝘁 𝗮𝗯𝗼𝘂𝘁 𝘁𝗵𝗲 𝗺𝗶𝗹𝗮𝗻 𝗺𝘂𝘀𝗶𝗰 𝘀𝗰𝗲𝗻𝗲?
Right now, I think the music scene in Milan is one of the most prolific and solid in Europe. There are so many high-level artists, each with their own background and unique sound. Moving here was a turning point for me since the beginning, I’ve felt motivated and inspired by all the artists I’ve connected with. I believe growing in an environment where the scene is this strong and innovative is essential for any artist.
That said, one of the biggest issues in the city right now is the lack of spaces to play, perform, and organize parties. Prices are also insanely high, which makes it really hard to access and self-fund events. What we’re doing is a form of resistance..we have a mission, and we need to keep it alive.

𝘀𝘂𝗺𝗺𝗮𝗿𝗶𝘀𝗲 𝘁𝗵𝗶𝘀 𝗺𝗶𝘅 𝗶𝗻 𝘁𝗵𝗿𝗲𝗲 𝘄𝗼𝗿𝗱𝘀
Textured - Percussive – Trippy

Full interview available via our substack: https://allmovingobjects.substack.com/p/kinetic-mix-039-not-mass-weirdscape

kinetic mix 039: not mass "weirdscape drums"

For CoziMix 21 we welcome Brooklyn based DJ, Maharam. Maharam is an American DJ and co-organizer of Final Passage, a Brooklyn-based event series emphasizing leftfield curation across both club and deep listening environments. Maharam's affinity for deeper sound is rooted in the melancholic landscapes of his Pacific Northwest upbringing, as well as his background as a guitarist and jazz vocalist. After moving to New York seven years ago, Brooklyn's rich DIY scene has been central to his life, acting as a constant source of inspiration and connection. During this mix he takes us on an atmospheric journey which he recorded spontaneously at 6am on a snowy Sunday dawn at his friend's apartment in the lower east side. 'I wanted to play in my collection of emotive moody trip hop, ambient, and dubby sounds for the cold season.'

CoziMix Questions : 

1. How and why did you get into dj’ing?
Living in Brooklyn, I feel very spoiled by the talent that comes through the city, and I've been very fortunate to have friends with great taste that have led me to some beautiful events. I had been going out for many years before I ever considered DJing, and picking it up after so long was very natural. I had set aside a lot of my musical life after moving to NY in 2018, but rediscovering it through DJing in the context of the scene has been very inspiring. 

2. Who, What/where was your most coziest gig you've been to or experienced and why?
I went to an event at one of my favorite DIY spaces in the fall of 2024 put on by Ballet (shoutout 320 and Blessing). It was a cozy deep listening vibe, where people were lying on mats on the floor. I was really blown away by Significant Other, who played a set spanning shoegaze, folk, and dub, but with a feeling of tender loneliness that left some of the audience in tears. Its not often I experience sets that hold you in the way that one did. 

3. Do you consider yourself an introvert or extrovert in the scene?
I'm probably more of an extrovert, I really enjoy being out and running into people that I've been connected with through music.

4. If you had to choose 1 track to vibe out too forever, what would it be?
Takeo.K - 時々

5. What is your routine when preparing for a gig? Do you have any special remedies/ mental/physical prep/ places to go to? :)
I usually just spend time at home digging, mixing, and playing around in rekordbox, regardless of whether I have a gig or not. I have a pretty intense organizational system that I rely on quite a bit. I've also put a lot of work into my apartment lately, so I enjoy spending a lot of time at home :) 



CoziMix 21 : Maharam

Sunju Hargun at Outrebleu - La Station Gare des Mines (July 2025)

BasedOn

wintersleep 20251012

Sometimes dance, sometimes ambient - I also score for film/moving image!

Live act, producer and DJ
-


I live, work, and make music on the un-ceded lands and waters of the Wurundjeri Woi Wurrung people of the Kulin Nation. 

Australia's institutional and legal foundations were founded on the myth that nobody inhabited this continent when the first fleet of boats coming from England arrived. Speaking for settlers like myself, the least we can do is redistribute our privilege (whatever forms it might take) earned off the back of a history and ongoing practice of dispossession, erasure and violence perpetuated against First Nations peoples.   

Making music against this backdrop will always feel fraught to me until we achieve real justice and honour the many Indigenous legal orders, polities, knowledges and traditions that are already in existence in this place but have been denied by the State of their rightful, sovereign legitimacy.  

If you have read this far down, I encourage you to: 
                           --> https://paytherent.net.au
                           --> read up on the treaty process happening right now in          so-called Victoria https://www.firstpeoplesvic.org/treaty/
                         --> Always was, Always will be. Free Palestine.