comment je l'aime cette musique laisse tomber :)

80's synth and Christmas...what could be better?

Music composed, performed, mixed and produced by Erik Nelson (Tape Loader). Lyrics and vocals written, performed and recorded by Lachi James. Guitars by Lachi James. All rights reserved.

A New Retro Wave release. 

http://www.lachijames.com/

Tape Loader and Lachi James - This Christmas (I'll Be Missing You)

Melbourne-based producer Future Fate's debut release, 'EP 1', is a warm and nostalgic journey into electronica that takes the listener back to the era of mid-80's futurism and through a maze of dreamy Electro soundscapes. 

Composed of two original tracks, Afterglow and Arcane, you could easily be forgiven into thinking that Future Fate had travelled back in time, armed with an arsenal of modern day production techniques and unleashed them all straight into the heart of a Commodore 64

Future Fate - Afterglow

The horns of the Rapture engulf the world in sound, beckoning the harbingers.
Upon the horizon they stand… Death, War, Famine, & Conquest. The Four Horsemen.
Together they are to set to cause a divine apocalypse upon the world.
The Last Judgment…

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Continuing down the darksynth path; this 4 track EP is yet another combo of religious iconography, apocalyptic themes and sinister sounding synths!

Death – A hard hitting demonic blend of synthesizers and orchestral instruments.
War – Fast paced, destructive and dangerous. This track oozes energy from every pore.
Famine – Dirty, filth ridden syths pave the way as the song builds tension, growing like a parasite.
Conquest – Contemplative yet powerful. Thematically symbolizing held-back aggression and control.

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A huge thanks to everyone who has been supportive of the music I’ve produced so far!
Please share the EP if you like what you hear and stay tuned for more!
credits
released May 23, 2017

Artwork and Music by Tom Stuart (Occams Laser)

Buy Full EP Here

Conquest

Link for purchase:

https://markdee.bandcamp.com/track/one-finger

One Finger

Beautiful Machines - Bastian

EP + short story available for purchase at: https://alternet.bandcamp.com/album/prologue

2055: The end of the new.

Technology is in a constant state of evolution and the world now responds in opposition. Advancements in artificial intelligence and computation devices no longer correlate with furthering prosperity, but oppression and fear.

Underneath it all lies mankind's crowning achievement: a confidential and highly selective digital world created to shelter the world's greatest minds against society's regressive ideals - the Alternet.

Upload

Written and mixed by: Caspro 
Mastered by: Tonebox 
Art: busca.urbanarts.com.br/marcelo-case

Galactic Punks

Buy/Stream

Diamond Plaza (feat. Stilz)

Datsun Sundown

Chasing Gemma

Life in the gutter of small town America was nothing new for Darrel Santiago, but after a brutal storm hits the sleepy beach town of Silver Lake, its once peaceful citizens transform into blood-thirsty maniacs! It is up to Darrel and his motley crew of ne'er-do-wells to get to the bottom of this phenomenon, and what they find is a hellish nightmare that they could never have imagined. Evil is at work in Silver Lake and it is literally tearing its inhabitants apart. Whatever you do...try not to PANIC!
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In the summer of 1980, just outside of Staten Island’s scenic Silver Lake Park, a small team of ambitious, young filmmakers set out to make a motion picture that would be regarded as the most gruesome and controversial horror film of all time. Written, directed and scored by the aliased phenom, Destryur (“Endurance” 1976, “Midnight Maniac” 1979), “Panic” or “Panic! Curse of the Vile” became an overnight cult hit, portraying graphic images of demonic possession and grotesque imagery. It capitalized on the recent wave of public shock in the occult known as the “Satanic Panic”. Shot in the course of only two weeks on 8mm film and a shoestring budget, the picture plunged Destryur into the realm of amateur cult film-making and a notable director/composer in genre cinema. The film also featured guitar slinging celebrity Dominick Martes of rock and roll supergroup Wild Street in the lead roll as street-wise punker, Darrel “Grimer” Santiago along with Cobra Wipeout as cinematographer, supporting actor and fledgeling composer. We’re still not sure what his actual name is. Cobra was currently working with Gold Line Pictures, a studio specializing in B-Horror and mob-funded exploitation films such as “Murder of Crows” 1974 and “Swamp Thing” 1979. Destryur also enlisted the writing talents of another aliased master of the subversive. Prestigious science-fiction-horror writer, artist and composer STRNGR (“The Skurge” 1968, “Mass” 1973) who had recently returned to the states from Italy after finding success in the European horror movie market. “Panic” went international only three months after it’s initial screening at Tales of Terror Film Exhibition in Greenwich Village where it received a notable tip-of-the-hat from some of horror cinema’s most celebrated film makers. The film was almost immediately boycotted throughout Europe. A violent protest broke out at a midnight screening in Istanbul resulting in the entire theater burning to the ground. Meanwhile, in the states, outrage escalated with various public interest groups demanding that the film either be removed from theaters or undergo strict censorship. However, even after the studio’s agreement to censor, picketing continued and threats from many religious organizations overwhelmed the Film Board. On October 1, 1980, “Panic” was officially pulled from every theater. Some say this marked the end for Destryur’s career. Some say it was only the beginning. Today, you can find Destryur at a monthly midnight showing of the film at St. Vitus Cinema in Greenpoint, Brooklyn hosted by Sam Valentine.

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Special thanks to everyone involved in the production of this album and you for buying it. A big thank you to Sam Valentine for pushing me to make new music to play live. I hope you genuinely enjoy this album just as much as I've enjoyed making it. 
credits
released October 1, 2019

Guitars - Dominick Martes

Additional Programming - Cobra Wipeout, STRNGR

Remixes by DreamReaper, Misanthropix

Mixed and Mastered at Gold Line Studios in Brooklyn, NY

MBR011

Exit Wounds

Comments, questions, reposts, shares and likes are more than welcome. I live to push the sound, and the more people out there listening, grooving and loving the better! More info here: www.kissfm.com.au/shows/dreamcore. Art by @cloudhead.psd. Livestream taking place on 9 May 9PM AEST at twitch.tv/laserhighway.

Tracklist:
FM Attack - New World (ft. Vandal Moon) 			
Dimi Kaye - With The City Lights Behind Us 			
PYLOT - Caine 			
Sellorekt/LA Dreams - Go Get 'Em 			
Maxthor - Set Your Wheels On Fire 			
Dream Fiend - Lockdown 			
Kn1ght - Encounter 			
FINAL TAPE - Crystal Lake 			
The Neon Droid - Apex One 			
Superflight - Tie Break 			
Sellorekt/LA Dreams - '86 Turbo Quest 			
Ace Buchannon - Buns of Steel 			
Compilerbau - Neon Drive 			
Botnit - Arcade Cowboy 			
Megahit - Alpha Mission

If you enjoy any of the artists on the show, please show them your support. Many of their tracks are available on a variety of marketplaces for a reasonable amount, usually Bandcamp.

Retro Electro Show 6 May 2020 on Kiss FM Australia

From the Summer in Space collection Vol.3

Spacehawk - Terracide

Are you so nostalgic of 80s synth that you might go insane? Have a Tape Loader, it'll make it all better!

Tape Loader and Lachi James - This Christmas (I'll Be Missing You)

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