sometimes

RIP  Big L
Visuals coming soon
Never thought this  would reach Damn near 400 plays lol <3

RIP Big L

Spotify: https://open.spotify.com/track/3eF4my1AZU4hQIUnIdEMxL?si=d01f135283c04370
Apple Music: https://music.apple.com/us/album/suite-for-double-k-instrumental-instrumental-single/1580205984

Instrumental for: https://soundcloud.com/tapeheadloops/suite-for-double-k

This was one of those beats that was just mad fun to make. It's always dope when you get a piano sample which is so crazy that you just stay motivated to get it chopped up asap, to flip whatever it was that made it stand out to you. With this beat the sample was so nice I ended up making a couple of loops, pitching my chops up and down to experiment with different sounds. The chops at the normal pitch were shorter, which made for a more upbeat, choppy kind of vibe. To contrast against that, I then pitched the sample down loads for the second flip, which came out more smooth and fluid cause of the chops being much longer, which worked well for the second part of the track. It obviously makes a huge difference having more than one flip in terms of variation and song progression, and it's something I always try and do now when flipping a sample.

Suite For Double K (Instrumental)

Spotify: https://open.spotify.com/track/5pd7l4hS43AjLAVV1uFlyk?si=17e6832ca3da4121
Apple Music: https://music.apple.com/us/album/whatever-you-say-instrumental-instrumental-single/1581629483

Instrumental for: https://soundcloud.com/tapeheadloops/whatever-you-say

I was going for a positive vibe with this beat, trying to express the more carefree attitude to life which I find through making and listening to music.

Thank you for all the support, I hope people enjoy the vibe of this one - peace!

Whatever You Say (Instrumental)

@vehmu     @vehmu
             @vehmu                       @vehmu
@vehmu           @vehmu                  
                   @vehmu     @vehmu

part of: https://scooptheloop.bandcamp.com/album/creativealbumtitle

closer (feat. veh_mix)

Disco de Boombap hecho por el rapero Realismos desde Argentina.
El disco cuenta con las colaboraciones de Tapias Tamayo en el track 3, Nez-One en el track 5, y Laff en el track 6.
Tambien cuenta con las producciones de 98nunz, Lowqua, Atmo1 y DAM95.
Diseño de la portada por Erredé
@surnatura
@nezone
@user-12803326
@txdogrismiusic
@user-618360480
@atm01
@n-i-n-e-f-i-v-e

PLAYLIST:

1 - Intro/Corta (Prod. 98nunz)
2 - Kick tha... (Prod. Lowqua)
3 - Robles (Ft. Tapias Tamayo) (Prod. Atmo1)
4 - Calambre (Prod. 98nunz)
5 - Knowledge (Ft. Nez-One) (Prod. Atmo1)
6 - Knock Knock! (Feat. Laff) (Prod. Lowqua)
7 - WOTWOTTDOGG?! (Prod. DAM95)

Realismos - Kick Tha...! (FULL ALBUM)

Instrumental: https://soundcloud.com/tapeheadloops/relaxed-instrumental

Beat, mixing and mastering by Tapehead
Vocals and scratches from 'Relax Your Mind Acapella' by T-Max

Visuals: https://youtu.be/FvWxa4CYFaI

It's always nice when you get 2 flips from a sample which gel together. Here I filtered both flips to act as a bassline for the beat in different parts of the track, giving the sample more weight and flavour by combining the best bits of each, it's something I've been trying to do in most beats I make now and I definitely focused on it here, trying to give the track more variation and progression as well as building the vibe of what made the sample stand out to me.

When I made this beat I knew I'd need a laid back acapella to go over it. I tried a few Masta Ace verses from the acapella LP but I wasn't really sure. I tried this acapella from T-Max and was gassed with how his flow sounded, it fit well with the drums and sounded very very different to the last remix I did with the acapella, and it fit the laid back vibe of the beat perfectly. I was considering making the drums laid back but I decided to make them hit hard, partly cause the sample didn't have much low end so I needed the drums to fill out the mix. 

Peace and thank you for listening!

Relaxed

wild cats in space.

Spotify: https://open.spotify.com/track/0baelhJnpDMDCzD9aGq821?si=918e4e260b304c4d
Apple Music: https://music.apple.com/us/album/constant-elevation-instrumental-instrumental-single/1584890459

Instrumental for: https://soundcloud.com/tapeheadloops/constant-elevation

I bugged out crazily when I made this beat, I’d spent ages chopping up different sections of one jazz song, which was mostly piano and bassline melodies, but there was also some really nice saxophone playing at the end of the track, which I had recorded into the MPC. I spent most of the day trying to flip the piano and bass melodies though, and completely forgot about the saxophone samples which I still hadn’t chopped up, I just had them recorded ready to chop up. I decided to have a break from the main loops I was working on, where I was spending ages trying to mesh piano and bassline chops together, and thought it couldn’t hurt to chop up the saxophone samples to see if they would work with what I had, seeing as it was all from the same song. At this point I was pretty worn out, having spent 4 hours or so working on the other chops, so I kind of went into autopilot and chopped the saxophone melodies into 16 pieces. This meant that the MPC was completely full: the 16 A bank pads were all piano sounds, the 16 B pads were all bassline sounds, the C pads were all saxophone chops, and the D pads were all drums. The saxophone flip came together instantly, it probably took less than a minute of experimenting with them over the beat for me to know the melody I wanted to make, and it got me way too excited. The maddest thing was the saxophone fit perfectly with the bass sounds that I had already chopped from an earlier point in the sample, which really made the beat work for me, because the lows of the bass worked perfectly alongside the highs of the saxophone, and it just all came together so well. Its always sick when this happens, cause it reminds me to keep persevering when producing, because although I was a bit tired and worn out by the time I’d chopped the piano and bass samples, by just pushing myself to keep on and chop the saxophone sample, I was able to create something I was really proud of.

Constant Elevation (Instrumental)

@morphedbeats @morphedbeats @morphedbeats @morphedbeats 
Life is like a box of chocolates, you never know what you're gonna get... I like every kind of chocolate :)

Follow the homie: @morphedbeats
https://soundcloud.com/morphedbeats

*no samples used*
It was so nice to work with him. All melodies used in here are made from scratch

Appreciation - Areo x Morphed

It's the D R E on D M T

Beatmaker / Emcee
Contact: tapeheadloops@gmail.com

<--MPC2000 Classic                     

Underground Airplay

Trying to give something back to Hip Hop - really appreciate any comments or feedback.

Peace