Tuning 440
Timing 4/4 (Changed to 2/4 bar 49 this is to cheat the DAW into not stretching midi vs wav then anything else - delay on the beat achieves the actual step up in tempo after the timing change)

Chords // Bm  / G / Em //


JJ Calls

Praying hands
Whatever cause
Once the greater good not lost
Bored children create their fun
We shelve French horn for this fine one
"Nice one lads" We read it all!
Vacation taken
To JJ calls
Neighbour to good Mickey Moore
Find Michigan piano pure

Down the road city of cars
To Howell front deck
Dad and Guitars
We jam that love then tell the world
Love and service human highway knurled
Good bi-product of happiness sought
With Croatian fun to cloud we court

Terrell Terminator in Jungle
Predator for good
Keys like Mr Bungle
Faith in more like we could
He Thanks you
It's lifestyle
Built from a porch
Good collective friend
Keep lighting that torch

Some moments sealed, marked and moulded
Pure intention
Dark blindfolded
Howl from human to Howell good soul
Keyed keystone as collective role

JJ calls
Darkness falls
Love lit up
Just for us
Love lit up
Just for us
Love lit up
Just for us
JJ calls

JJ Calls - Session 4

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. More recently, we've been joined by Carl of The Beautiful Dark fame. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, Steve Lukather, Michael McDonald, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me

Guitarist, multi-genre composer, keyboard & bass player (mostly self-taught). Music librarian and philosopher (I am retired now).
Music is new dimension of life.
“That is an artist as I love artists, modest in his needs: he really wants only two things, his bread and his art - panem et Circen.”
― Friedrich Nietzsche, Twilight of the Idols

EVERYTHING i make is open collab ❤️‍🔥❤️‍🔥
╚══《🐸》══╝╚══《🐸》══╝╚══《🐸》══╝
i mostly use real instruments and edit 
with software or sometimes i use electronic gadgets and edit that

no AI art or AI sound (except one art because funny)
ヽ(￣(ｴ)￣)ﾉ
Thank you for visiting my page
~~~~╘══╛~~~~
I am a live-in caregiver for a disabled person and make  sounds between  work.  I live in a forest near a swamp  in Washington State USA
my track are free to use (profit ok)
no credit okay too, that way i can pretend anything i hear might be mine 😂
all tracks download enables,
if my track is a remix of another artist - please check with all parties :D

🎧 Pop House Productions – Music that vibes, hits, and sticks.

Welcome to the home of vibrant pop & house beats built for the creative world. Whether you're making slowed edits, aesthetic TikToks, Instagram reels, or need background music for your visual content — you're in the right place.

✅ Free to use for:

Slowed + reverb edits

TikTok/Instagram videos

Background music for aesthetic edits

Non-monetized creative content

🚫 Not free for:

Vocals (singing, rapping, remixing)

Commercial use with added lyrics

Distribution on platforms like Spotify/Apple Music

If you're planning to rap/sing over my beats or release them on streaming, you'll need to license them first — just send me a DM!

🎁 Let’s support each other — tag me when you use the beats so I can share your work too.

#FreeForCreators #PopHouseBeats #SlowedEdits #TikTokAudio #BackgroundMusic #PopProducer

Howdy Friends,

This is somewhere to put tunes when other tracks are getting digested 🤘🏽A digestion period is something I never give people so I think it's time to try it. I feel when collaborating with large groups of musicians my routine of daily uploads takes the shine off those shares so this profile was born from wanting to deliver that period but still fullful my desire to share everything as it comes to light. In the short term his will likely lessen my play count which I don't mind because this is about making TBD bigger and more financially successful in the future so experimenting with presentation should be worth it.  I think this should show an evolution to TBD's organic following better and I won't be bombarding everyone with a confusing amount of material like currently happens on the main account.
This also expands my desire to share more detail on the process and teach it more. Because I know I'm not pushing everything to everyone it will feel a bit better sharing thoughts and long jams here and will still be a door open for whoever might want to connect to that. I'll follow back genuine people here but I think I will avoid seeking people out from this page as again that should give a better outline of the reality of my music and how organic it is actually becoming for people and remove a bit of the SoundCloud routine from the mix. All going well I can upgrade this profile to artist pro and maybe endeavour to cover a sub with it and move passed the 120min limit of a free profile. Rock and Real to everyone.

Love ya all,

Carl

12.3 kHz is an electronic label connecting ten projects in one shared universe from cyberpunk trap and acid techno to darkwave and kawaii glitchcore. Strong concepts, bold visuals, and high-impact production. Each release is its own world.

2025/12/12:
Anybody else prevented from accessing SC servers via VPN?  All of them are blocked for me.  This is the first time it happens to me in six or seven years of almost daily SoundCloud activity.  I use a VPN in SC because when I don't I get horrible delays that show up in many different ways.  The only explanation I have found is that somehow their security/identification system has flagged my IP address and introduced all kinds of speed bumps.  It makes the experience very unpleasant, irritating.

2025/12/06:
Why was Jonathan Bellot's account
[https://soundcloud.com/jonathanbellot] deleted?
...

You can't see it because of the angle with which I took the shot, aiming down, but beyond those blocks is the sea.  To the left is the Mediterranean, to the right is the Atlantic Ocean.  No it's not Gibraltar, but a little bit further West. ... Actually I checked recently and it is further North more than West, I thought I was facing South when in fact I probably was facing the Atlantic ocean, which is why I suppose the waves were of a decent size where we were.
...
My face and the bike are a courtesy of Joël Vaudreuil
[https://vimeo.com/user8897093]  ... Merci Joe!
I then went ahead and butchered his work with a borrowed helmet.
Sorry Joe. =(
...
sometime in 2025:
I have not been able to recover access to my other account [https://soundcloud.com/ha-kekong] for a couple of years.  Don't be mad if I have not replied to your message in the past two years, that's because I never got them ; ) ... You can always reach me here though.
...

I'm trying to promote what I think is good music, so if you want to help out a bit I'd rather you [like] or [repost] my *playlists* rather than my field recordings, if you don't mind, unless you are a die hard fan of those things. Thank you ; )

I speak French, so if you send me a private message, and that you are a francophone, please write in French, thank you.  ... I mean, you don't absolutely have to, but I would prefer it. 

All my field recordings (except for when I record a person) are public, freely downloadable by anyone who is able to click on the button.  I encourage anyone interested to use them in any way whatsoever, on purpose or accidentally. No need for permissions or credits or any other kind  of administrative maneuvers.
...

Anarchists give me hope.

I'm a big fan of EFF.  Love ya EFF.  (no connection with the above line)
... and of course Richard Stallman and Linux and all the others.  Bless yous.

Now don't be lazy, go find out what it is this "EFF" that I'm talking about.  I'll give you a hint: it has to do with computers.

You have a nice day now.  Hugs & Kisses.

Official Soundcloud for Dark Electro Producer Scratch Kelly 
West Coast, Tasmania 
Darkwave + Dark Ambient + Wave + Experimental + Industrial

Scratch Kelly constructs a synthesis of dark ambient, industrial and wave music. She creates a diverse sonic landscape, from brutal and unforgiving industrial sounds to dreamy dark wave territory marked by melodic synth bass so deep you could drown in it. Her music is designed to bring a sense of realisation, contemplation and healing to the darker places of the psyche.
First surfacing in 2018 with as part of the Hobart based duo Soundtractor, and moving onto solo music production in 2022 with a series of self-released EP's and albums. 
All tracks guaranteed AI free.

JJ Calls - Session 4

The Beautiful Dark - Demos