@b_pd (K.L.Mai) provides us with a mix to accompany Morganna Magee's Extraordinary Experience in the windows. On until the 31st of July. 

'haunting


adjective

Definition of haunting: having qualities (such as sadness or beauty) that linger in the memory

: not easily forgotten

Extraordinary experiences ( 2020- ongoing)  uses photography as a conduit for emotional interpretation of reality during a time of turmoil. Created in the streets near where I live, on daily walks, the images depict a dark exploration of the landscape interspersed with motifs of my family and of animals. The resulting images come from an intuitive response to my surroundings, the images interplay with photography’s ability to make eternal what is fleeting.

There are a set of psychological phenomena that can happen to the bereaved, loosely named Extraordinary Experiences. One of them is a visual apparition of or "seeing" the loved one. This work allows me to make tangible those feelings, the apparitions of emotions, memories and dreams embed grief into the photographs, the final images a reflection of myself as the photographer, rather than the subjects photographed.   These images explore the idea of being haunted by the past, of reckoning with history, and the eternity of the natural world.'

https://www.morgannamagee.com/extraordinaryexperiences#0

K.L.Mai@thecornershop

Performed on the lands of the Wurundjeri Woi Wurrung peoples.

Meat Market Live

Tracklist:
Roza Terenzi - Illusions
MISH - Skunked
Hermetics - Coherance
VC-118A  - Serge Extract
Xingu Hill - The Conquistador Closes His Eyes
Simo Cell - Short Leg
Native Budz - Telemetry
Flørist - Untitled 2
Low Jack - Wheel
Charles Manier - Plenary Psychic Automatism
loopdad - goodrf
CIM - Lead Point
Christian Coiffure - Drain
Suns Of Arqa - Khammurabi
Reptant - Absorption
Troy Gunner - The Way You Went Away
Théo Muller - Sea Spirits Calling
Match Box - Mutation Gamble
Brin & Josiah Steinbrick - blissplaceofficial

James K - Trip Lick - NTS August 2021

Rules of the game: A player receives the last 2 minutes of sound from the previous participant, without any further information on the duration and content of the session. This fragment then becomes the beginning of its own session. Each participant will have only one day to make his or her own sound session.

SPMDJ invite > Oko dj 
Oko dj  > DJSCAR
DJSCAR > Schmil Blick 
Schmil Blick > Erevan DJ & Angela

Diktyologia #6 w/ SPMDJ, OKO DJ, DJSCAR, Schmil Blick, Erevan DJ & Angela

CC: Mitamine Lab - Radio Buena Vida 25.09.21

Halloween on NTS: Korean Horror Soundtrack Special 311021

JEROME Mixfile #847 - DJ Papaya

https://soundcloud.com/papayaofficial

JEROME Mixfile #847 - DJ Papaya

Living Room n°28 ~ @malvern-brume

q. pls introduce yourself

I'm Rory, I live in South East London, spend a good deal of time working with sounds and putting various names in front of it, but mainly do things as Malvern Brume. I run a small label with my good friend Ben Waggett called Infant Tree and do all sorts of other stuff in and around those things.

q. is there a story behind the mix?

Not sure there's much of a story in terms of a narrative but usually when approaching these things, unless i've got a burning urge to do something specific, its a case of playing the music i've been listening to most at that given time (which is why in most of my mixes you'll hear something to do with Af Ursin or Karla Borckey because I seem to listen to them all the time!). I find I fall quite easily into listening to music that reflects how I'm feeling, as I'm sure most do so it's nice to have a document of it to look back on. I like music that challenges me and my perception of what I would deem to be good. Quite often I find things like the music I've played at the start of the mix to be confronting, something to do with the minimal instrumentation and probably some emotional entanglement. I think writing about sound can be an impossibly difficult thing to do and there's very few people who do a good job of it (in my opinion) so I'm hesitant to say too much! haha

q. what's the best way to enjoy your mix?

All the music I've picked is stuff I've listened to whilst walking or cycling so I'd say that would be one suggestion. I really enjoy the disturbances and interactions that come from listening in a less controlled listening environment, especially when you come across tones that oscillate against what's happening in the music. Walking is a really important part of the Malvern Brume stuff in general. Most of the music for it is based on walks I've done or graphic scores I've made whilst walking. When I'm listening back to the recordings it's usually when walking that I decide whether to do something with it or not.

q. describe a favorite object in your living room

I've got a painting by Ben Waggett who does Infant Tree with me (it's titled Shoreham Hovel https://www.victorwaggett.co.uk/threeanchorites/). I love it, I think I asked Ben for it when he was finishing uni and hope it stays with me forever. I live in a shared house with some friends so it's probably the most sentimental thing I keep down here (I'm in the living room now)

q. are you working on any projects right now (music or not music)?

Yeah, I've got a few things on the go. Next thing to surface will be a tape for Kashual Plastik, which may even be out by the time this surfaces (Last track in the mix is from this tape). Very stoked to be working with my friend Frank to get that music out and I'm really happy with how it sounds. Myself and Sholto Dobie have been editing some recordings we made when I was in Vilnius to see where that will go, which I'm excited about (again I played one of the tracks in this mix). There's another release lined up with some music I made early 2020, not sure when that will surface but it's in the works, and then I've started recording some new MB stuff and am working on some music for different projects. I like to take pictures and recordings of bird houses I find on walks so i'll be keeping that up for sure and maybe one day i'll do something with that, and there's some other work i've been doing with walking and graphic scores for a couple years now but i'm in no rush to share that just yet!

~~~

Tracklist:

Af Ursin - Elégie
Jon Collin - Five
Rafael Toral - Bodyjoya Mix Pt 12
Sean McCann & Matthew Sullivan - Central Casting
Spirogyra - Love Is A Funny Thing
Maria Valentina Chirico - Initale
Sholto Dobie & Malvern Brume - Untitled
Triangles - A
Anne Guthrie & Seymour Wright - Chelsea Bridge [Short Excerpt]
Double Goucher Shop - #3
Joe Colley - Burn Memory (Test For Headphone Rattle)
Farmer Manual - Macro-Woeb
Malvern Brume - The Whorls

Living Room n°28 ~ Malvern Brume

沉釀25年的青春 - 打開歲月的酒罈，曾經凝炙的情感又鮮活耳邊。這是超過20～30年前的創作集錦。第三輯為演奏專輯，包括三個主題組曲：一部法國電影的回憶、花與男人的影子、神祕王朝，屬性分別為年少回憶、敘事散樂、歷史幻想。

A 25-year-old vintage of youth - opening the wine jar of time, the once-burning emotions come alive again. This is a collection of compositions from over 20 to 30 years ago. The third volume is an instrumental album, including three themed suites: Memories of a French Film, Shadows of Flowers and Men, and Mysterious Dynasty, which are respectively categorized as youthful memories, narrative arias, and historical fantasies.

黑暗中的人影

夢境

Music, Osmose Expressive e, mixing, mastering, photo : Mekanik Mozz ' Art

E471

Buchla Music Easel and Make Noise 0-Coast, Strega, 0-CTRL live improvisation (+ delay and reverb), with a little bit of DAW editing later.

25-12-19 Buchla MakeNoise Easel 002

TCS Windows
(fka The Cornershop)

A small window gallery on Gadigal Land in Sydney, Australia. Corner of Angel and Munni Street, Newtown.