In honor of her flawlessly executed recital, I thought I'd share one of my favorite Sarah Tubbesing solos. 

Eric Whitacre's Alleluia is one of the composer's first sacred pieces. Alleluia is a choral version of his own piece "October," which was originally composed for wind band.

Performed by the University of Louisville Cardinal Singers, conducted by Dr. Kent Hatteberg.
Tyler Dippold - Bass.
Sarah Tubbesing - Soprano.

Part of the Malmgren Concert Series in Hendrick's Chapel at Syracuse University in March of 2014

Special thanks to the Syracuse University Singers and our friends The Ottotunes for their wonderful hospitality and amazing space  for singing!

This is one of my favorite recordings, because you can (literally) hear a pin drop. Again, congratulations Sarah on the best recital ever. It was an honor to sing with you.

Alleluia - Eric Whitacre

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Composer: Thomaz Souza

Voice: JacquiBlue
Rhodes: Jonathan Vargas
Bass: Andrey Gonçalvez

Produced by Thomaz Souza
2016

Shhh feat. 1200

I Heard The Crickets Last Night

You're Dead! - Haleys Line//thundercat

1200 on WFPK's Live Lunch - 7/1/16

Produced by Nick B. Mixed by Jon Poww & Nick B. download the album here https://eonsd.bandcamp.com/album/inner-space

Inner Space featuring Jordan Jetson & Otis Junior

Music and lyrics by Jason Robert Brown
from "Parade"
Piano and vocals: JRB
Percussion: Tom Partington
Choir: JRB, Michael McElroy, Anastasia Barzee, Jenny Giering
Recorded at Quad Studios, NYC, July 1996

Parade (Demos '96)

The Old Red Hills of Home (original demo 7/96)

There are three abstract perspectives presented in BEAR:
The first alludes to a state of terrifying free-fall;
the second, presumably enduring an attack;
the third, describes a bear persistently climbing upward.

BEAR
As I rise,
See the fall
In my stride
Only grow
From the crawl
In my hide.
With the teeth
Gagging back,
Grimace wide
Little Bear,
Bounding up,
With the whites
In her eyes -
Bigger rock
Up above:
"Gotta knack
For the climb."
Music and text by Jessica Mays 

Featuring: Reginald Mobley, counter-tenor; Francesca McNeeley, cello; Julia Scott Carey, piano

Performance as part of the Nigra Sum Sed Formosa collaboration between Castle of our Skins and the Handel and Haydn Society [April 27th, 3pm at Roxbury Community College]

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tdip

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