the spoken words alongside the music works very well - it has a mystic feel!

The interpretation is outstanding ----- this voice is filled with some kind of deep but slightly disturbing wisdom ----  Impressive collab  ! -- ; --)

Ahh the beauty of speech / storytelling or poetry ❤ Putting sounds / music to the words is always a fun exp. Neat collabo

Amazingly atmospheric!  quite a cinematic quality with this creepy narrative voice

This is wild, man...love the concept of this project

Aquatic Locomotion

QUEEN NEMO - Music by DELAFLOR | Music & Lyrics by REKHA - IYERN [Fe] | Electro-Dance Pop

A song about the Titan, a submersible craft that recently imploded! This song however has a happy ending! Hope you all enjoy this dance track made together with my Dear Friend Manuel of Delaflor! 

More exciting music from Delaflor here: https://soundcloud.com/mercer-goldengalls

Cover Art Design: Photo & Graphics, Original Intaglio Copper Plate B & W Etching titled Jet Fish, Medium-Printmaking by REKHA - IYERN [Fe]

Music, Mixed & Mastered by Delaflor in Spain
Vocals & All Harmonies, Composed & Produced, Recorded & Performed, initially Mixed by REKHA - IYERN [Fe] at IYERN [Fe] Records in CA

Queen Nemo - Music & Lyrics by REKHA a.k.a REKHA - IYERN [Fe]

Get ready for the ride of your lifetime
I’m captain of this ship
Fasten seat belts
I promise to keep you alive

Into the dive we go
Through the waves
Deep down, dark

Into the waters, we go, we flow
To land on the seabed floor

Queen Nemo, Queen Nemo
Come aboard my ship
Queen Nemo, real steam-oh
I’m well equipped

It’s a dream to ride with me
A most fascinating memorable fantasy
A one-time, lifetime opportunity
So take avail, it’s countdown time

Oceanic scenes
In my submersible craft
All passengers sit tight
Into the dark abyss, we travel
To the bottom of the ocean floor
Into the dark depths
Of a mesmerizing world
Yeah, never seen before

Queen Nemo, Queen Nemo
Come aboard my ship
Queen Nemo, real steam-oh
I am well equipped

I promise you 
I’ll keep you all alive
During this one-time
Lifetime opportunity dive

Launch it
Launch it Mother Ship 
Launch it

We’re gonna break the waves
We’re gonna break the waves
Deep down to the seabed floor

Eh Ee Yeah, Yeah Ee Yeah, Ee Yeah
Yeah Ee Yeah, Yeah Ee Yeah, Ee Yeah
Ee Yeah, Oo Wow

Queen Nemo, Queen Nemo
Come aboard my ship
Queen Nemo, real steam-oh
I’m well equipped

It’s a dream to ride with me
To cruise, to cruise, to cruise
To the territory unknown
Never done before

Let’s live on the edge 
Let’s live on the edge
We’re living on the edge




Queen Nemo. FINAL MASTER

Queen Nemo

QUEEN NEMO - Music by DELAFLOR | Music & Lyrics by REKHA - IYERN [Fe] | Electro-Dance Pop

ETNA - ΑΙΤΝΑ

Rock Piano Impromptu For Damga

Red Haired Rock Piano

Bengal Lights

AD INFINITUM 
===============

Composition created in August 2023 and edited in October.

11 native instrument tracks from MS2 and the Xewton forum.

2 Sunrizer Tracks

2 digital tracks D1

3 Flowtones tracks

1 Xpad track

1 Korg IM Track

2 imini tracks (Arturia).


Cover art. Image by Gerd Altmann on Pixabay

DAW. Music Studio 2

hardware: ipad.

Mix and sound. My new studio/music car.

Thanks for the comments and the time to listen to it.

Paco.

Ad Infinitum

Sonic Structures and Silent Stretches a.k.a. Jo Richter (@sonic-textures) wrote a series of 13 poems or cantos collectively titled Departure. He shared the texts with me, Stonerjazz, and Re-Evolution Cafe Orchestra and we have been working on the project of bringing them alive with music and soundscapes. We are hoping more SC artists will join us! Please reach out if you're interested in doing a reading. Check out the full playlist of Cantos so far here: https://soundcloud.com/sonic-textures/sets/departure-a-long-poem-in

On this track, the poem is read by Jo. He also created much of the soundscape. I contributed the bassier and more synthetic sounding parts.

poem / copyright jo richter

How long he stayed, he could not tell.
He worked ferociously, sounding all
existence that had touched upon him into
being: the smell of meadows, the curl of
ripples, the calm that centers in a storm;
the timbre of voices, the straight lines of buildings,
the aloofness of announcers on the radio.
His desk was cluttered, his mind strove clear.

When he did not write, he‘d read up on
the origins of his ancient art: Vergil and Dante,
Marlow and Shakespeare, Homer and Joyce,
Ovidus, Cervantes, Rabelais and Wieland.
He felt the linguistic seeds, blown from foreign
stems, grow filaments deep in his native soil, he
saw them ripen, flower profusely, yielding
their beauty to ever-changing mentalities.

And as his insight widened and he gained
perspective, the rows of encyclopedias
and dictionaries that lined his shelves
slimmed down, as he gave up consulting
English for French and German, these for
Latin and Greek, those for Persian and Sanskrit,
until he only referred to Indo-European roots.
His desk turned clear, his mind became uncluttered.

Eventually, he also slept and dreamt
whenever the veil sank upon him.
Guarded by the spire‘s safe walls, he would
awaken slowly, remembering outlandish
lore, scribbling notes and poems of bizarre
truthfulness and penning recollections of his
archetypal ties. Some of his realistic verse de-
rived from fragments of prolonged poetic trance.

His muse meanwhile taught him to cook, the
art of mixing individual ingredients to bring about
a taste all of its own that nourishes both mind and
physicality. The painters tend to fixate on surface
and colour, she said, the musicians on timing
the process, whereas the poets never get anything
done, enchanted by words like ‚ginger‘ or ‚yeast‘.
All of their dishes taste awful.

Departure: Canto IV w/ sonic structures and silent stretches

Well as the clocks go forward tonight, (or maybe back - I never can remember), meaning we gain (or is it lose?) an hour, (though obviously we don't really), so it will be darker (or lighter) in the morning (or is it evening?) I thought it would be timely, as it were, to take a moment, and draw from my deep intellectual insight into the matter to explain all there is to know about that tricky little bugger, time.  

You're welcome.

Starting as a ditty which was then utterly transformed with Seagull's production, arrangement and musical genius, drawing on Dan-DT's deft touch on the soft squidgy bits, it was eventually incorporated into Seagull's brilliant "Compendium of Time".  Why not take a little of your own to watch it on YouTube here :

https://www.youtube.com/playlist?list=PLJqh6iXnTaXJL-MkyxWQ_UV-H6vTtiVv3

You can find more of Seagull's beautiful music here:

https://soundcloud.com/farout-music-studio

And Dan's audio craftsmanship here:

https://soundcloud.com/dan-t-3
_____________________________________________________________________________

Old Father Time

Did you commence, at once, or have you always ever been
And will your pounding heartbeat ever cease?
Are you a sense, or force, or something other in between?
Simply ticking down to each and every last release?
Is your pulse rate constant in this exponential universe?
Or does my biology speed the tempo of your rhyme?
Why are the lifespans of your subjects so potentially diverse?
Do you hear me cry your name, Old Father Time?

Is your mission merely measure, or are you yourself the cause
Of evolution and decay of matter's elementary doom?
Are you the seemly pressure on the future's pending pause
Ethereally benign or other natural force subsume?
Can you shift like rays in prisms, temporal rainbows to behold
Are you the cause of age or do you simply count it's lines
Is your rounded face imprisoned in a cell numbered twelvefold
Do you hear me cry your name, Old Father Time?

At terminal expansion of our present universe
For its destined re-contraction to begin
Will your hands slow to a halt then slip into reverse
Or count us down in forward time back to our origin?
Will the ultimate compaction trigger seasonal adjust
Predicate upon your base the final great rewind?
Then will you recommence or revert back to gently ticking dust?
Do you hear me cry your name, Old Father Time?
______________________________________________________________________
Photo - a little holiday snap from NASA's astonishing James Webb Space telescope

Old Father Time - with Seagull and Dan-DT

Bring It Back.

MYSTIC SHADOWS

YouTube: www.youtube.com/@AlexMagicArtProd…ctionsWien/videos
AMA on Insta: www.instagram.com/alexmusicart/
HEARTHIS.AT all AMA Tracks: hearthis.at/alexmusicart/

Created Arranged Produced by
AMA - Alex Music Art - Alex Magic Art Productions, "Alex", S.H.
2023 All rights reserved.

MYSTIC SHADOWS

The Earth Love

Grain of Sand on the Cosmic Beach (Remix)

On this page you'll find music from me as well as the collaborative SoundCloud band, The Smoking Trout.

Genre influences include electronic, downtempo, lofi, experimental, rock, blues, indie, prog, post rock, ambient, synthwave, trip hop, and hip hop. I make tracks primarily with Cubasis and Korg Gadget (iOS); Ableton Live; Korg and Moog softsynths, Volca Drum, Minilogue XD, Arturia Microfreak, Arturia Pigments, and the FabFilter Pro suite of effects and production tools.

The art featured as the background image on my main profile page here is by KEVLARD666 (www.instagram.com/kevlard666/) @ikelion666 and will be the cover of my 2024 album, to be released soon: Digital Molasses 

My sound has been inspired by Aphex Twin, Boards of Canada, DJ Shadow, Radiohead, LCD Soundsystem, the Flaming Lips, Tame Impala, M83, Godspeed you Black Emperor!, Mogwai, Pink Floyd, Animal Collective, Nicolas Jaar, Dirty Projectors, Massive Attack, Björk, Dan the Automator, Del, the Gorillaz, Reggie Watts, Ween, Neon Indian, Tycho, Ott, Shpongle, Danger Mouse, Built to Spill, Yo La Tengo, Velvet Underground, My Bloody Valentine, Modest Mouse, Tool, Zeppelin, Sabbath, Hendrix, the Books, and too many others to list here.

Hope you will check out some of my collaborators:

@user-911083679 - STONERJAZZ
@user-455619833 - Uziel
@texmex-shaman
@sonic-textures
@grevusanjl
@enigmacurry
@mralchemy
@blackmarketbrains
@dough-factory
@winkandwoo
@jerome-hearn-994307260
@dubman-9
@archmageband2
@tot-beat
@ipg1
@zed4209819
@lala-land-361191160 - E.P. Beats
@llanpsych
@ruizzoidman21centurions
@Ladyofire
@josh-clary-1 Entheogenic Psychonaught
@themysteriousdecibel 
@k2andthe3
@cerulean_ascent
@nic_nic_nic
@nadiaselvaggi
@chefboyextreme
@scilentsymphony
@azealotrous
@noxpox13 
@pablomoretti
@prof-oddfellow - Neons Gone a Mad
GMO / Green Mercurial Owl 

Thanks so much for stopping by and listening!

Departure: Canto IV w/ sonic structures and silent stretches

Tea R. Sea

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Milana Zilnik

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