Song that can be listening with pleasure. Cool and perfect realization. Bravo.

We make similar musings about the Joe Richter poem that is used. My thinking level is much younger than that. This song is nice. Isn't what you're aiming for the future of techno and electro music? I think so.

What in God's holy Name did I just listen to?  Do I need an exorcism now? Or did you just eat WAY WAY WAY WAAAAY too many mushrooms in the studio and someone was like "just hit record" 😂😂

No BS though, that poem is fantastic.  Very beautiful.

'Woodland Fox' is the 6th track from my album, 'Fox vs Rabbit'. 

You can check the album out on the following platforms:-

https://open.spotify.com/album/3Npgw2lmaks3mdf8IjEtG2?si=RhK3M6PHTQmFWaGLOfAbxg

https://woodlandtapeexchange.bandcamp.com/album/fox-vs-rabbit

https://www.youtube.com/channel/UCOzheWgu4OGvgsqrWWQQ-Wg/featured

Listen, subscribe, follow and share. It'll be most appreciated. If you'd like a free code for Bandcamp, just DM me :)

Fox vs Rabbit (Album)

Woodland Fox

Chimera

Pleasurebot Party

vox & lyrics - https://soundcloud.com/frawstakwa
https://soundcloud.com/frawstakwa-for-you/the-new-normal-of-this-era/sets
Original track - https://youtu.be/2gszkB7Ly-k
Original Track selected by https://soundcloud.com/dcomposeur
MOSNAR DET - Remixing, Drum Programming
Check out FRAWSTAKWA!

FRAWSTAKWA - Subsequence (open Collab)Loop Diggers Flip Chain Challenge 25

Agree To Disagree

This is the third track I've worked on in the Departure series of experimental poetry readings, inspired by a set of 13 cantos written by Jo Richter a.k.a. Sonic Structures and Silent Stretches @sonic-structures. 

Jeff -- Stonerjazz/ @user-911083679 -- took Jo's reading and added his own reading plus a little bit of bass and drums. I thought the direction he took it in was delightfully weird so tried to play that up by adding more percussion, and a melodic lead that sounds a bit like electric guitar but is actually a synth plugin with tons of saturation and effects layered on. 

This was another unique experience with a couple of wild and unique artistic explorers! Thanks for the journey guys!

Art by Stonerjazz

---------

Departure:
canto VIII (poetry copyright Jo Richter)

What goes around: Unless familiar minds adopt
a major work of art, it cannot be recognized,
not even by the finely tuned, academic apparatus
of the scholarly persuasion. It longs to be gently
directed out of obscurity by intimate alignment.
It unequivocally needs to be claimed by readers,
by listeners, and by those who take it to their hearts
and minds. Then, only then, it comes around.


Most poets, though, feel little inclination
to join the showy, self-assertive blaze of what
the market forces call a fair. There is a dis-
connect within the meanings held within this term.
He remembers public events pertaining to focus on
poetry that only captured the self-congratulatory
sensations of those who spoke the welcomes and
thus abused the art to elevate themselves.


In Schlegel, in Schiller and in Borges, he tried to
find the remedy to reconcile this rift, but
neither understanding nor play nor underlaying fantasy
would overcome that star-crossed constellation
that casts a valley made of shadows between the
divergent meanings of such a simple word as fair.
If those he spoke to found beauty only in the advance-
ment of their social fortunes, nothing could be saved.


Of course, he drifted off the course his art
demanded. He tried to quiet down the insurgent
poetry that sought expression through his puny
skills. This very nearly drove him to seek refuge
at the place ineptly called asylum which gathers all
the muted voices in wanton seclusion. Spiteful, he
wrote once again trying to outline all hope that
remained for aesthetic rigour and beauty to survive.


Eventually, he gave in and all his art served
but for one end: to represent the conundrum of
his being who he is within a stoic pattern of
existence he could not but accept. He wrote
for stones, for plants, for lakes, and for hills that
listened more intensely than his fellow men. He starved
for lack of response but refrained from complaining.
That‘s when he first came ‘round, beheld the spire.

Insurgent Poetry (Departure: Canto VIII) - w/ Stonerjazz and Jo Richter

Seven moods in seven pieces
You can watch the video on YouTube: https://youtu.be/jTbdC7jZBYg

07 - New Time for Everyone Feat. Special Cecilia

Looperman beats by 2Nick8 'On My Own Beat' - many thanks :)
All one take improv recordings
The cover image is a photo I took of the old railway viaduct that crosses the harbour in Ballydehob in West Cork, Ireland - a magical place of an evening.

Llahsram Reflection

N-Riyadh Moon

Steps in the City

On this page you'll find music from me as well as the collaborative SoundCloud band, The Smoking Trout.

Genre influences include electronic, downtempo, lofi, experimental, rock, blues, indie, prog, post rock, ambient, synthwave, trip hop, and hip hop. I make tracks primarily with Cubasis and Korg Gadget (iOS); Ableton Live; Korg and Moog softsynths, Volca Drum, Minilogue XD, Arturia Microfreak, Arturia Pigments, and the FabFilter Pro suite of effects and production tools.

The art featured as the background image on my main profile page here is by KEVLARD666 (www.instagram.com/kevlard666/) @ikelion666 and will be the cover of my 2024 album, to be released soon: Digital Molasses 

My sound has been inspired by Aphex Twin, Boards of Canada, DJ Shadow, Radiohead, LCD Soundsystem, the Flaming Lips, Tame Impala, M83, Godspeed you Black Emperor!, Mogwai, Pink Floyd, Animal Collective, Nicolas Jaar, Dirty Projectors, Massive Attack, Björk, Dan the Automator, Del, the Gorillaz, Reggie Watts, Ween, Neon Indian, Tycho, Ott, Shpongle, Danger Mouse, Built to Spill, Yo La Tengo, Velvet Underground, My Bloody Valentine, Modest Mouse, Tool, Zeppelin, Sabbath, Hendrix, the Books, and too many others to list here.

Hope you will check out some of my collaborators:

@user-911083679 - STONERJAZZ
@user-455619833 - Uziel
@texmex-shaman
@sonic-textures
@grevusanjl
@enigmacurry
@mralchemy
@blackmarketbrains
@dough-factory
@winkandwoo
@jerome-hearn-994307260
@dubman-9
@archmageband2
@tot-beat
@ipg1
@zed4209819
@lala-land-361191160 - E.P. Beats
@llanpsych
@ruizzoidman21centurions
@Ladyofire
@josh-clary-1 Entheogenic Psychonaught
@themysteriousdecibel 
@k2andthe3
@cerulean_ascent
@nic_nic_nic
@nadiaselvaggi
@chefboyextreme
@scilentsymphony
@azealotrous
@noxpox13 
@pablomoretti
@prof-oddfellow - Neons Gone a Mad
GMO / Green Mercurial Owl 

Thanks so much for stopping by and listening!

Insurgent Poetry (Departure: Canto VIII) - w/ Stonerjazz and Jo Richter

Tea R. Sea

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