oooh its a sci-fi world where the ufo lands in the school assembly and dishes out acid crunchies to the kids

less psychodelic, more spacey, floating, mystical. excellent ambiance, like standing up on those icy peaks and become one with the northern lights

my favourite in this installation so far. super!

Very dreamy and artistic collaboration with beauty! Great creative work!

crazy track love the journey - excellent collab 👍

now part 5, starts off in an exciting soundtrack way

is this a space station left on a rock in space and the habitants are doing what they can to get back home...

Basket of Gratitude: Thanks for all your playlists and comments on Just Have To Wait And See Pt. 1

amazon

Rosy Clouds

When I agreed to collab with TRC and started to have ideas about his spacey proposal, I didn't expect he would send me not less than FOURTEEN STEMS ! ! !   A fabulous variety, so I had a complex and funny job mixing them with mine. We got two bass lines going on, but any bass is never too much bass ;)

LYRICS: "ROBOT BLUES"

I'm a robot.
I can sing.
Artificial intelligence
can make me feel.

Then I can understand.
Then I can be like you.
Now I'll play my
Robot Blues.

As I was saying,
be careful, as soon,
you will not be able to distinguish
a human from a lovely lovely lovely lovely machine...

Robot Blues (with Tea Are Sea)

For song and album art visit Wou-Wou & the Wormling at:
https://www.facebook.com/wouwouandthewormling

This is the third song posted from the album Bitzone, Stricknice, Wou-Wou & the Wormling, and I have been working on together with a number of other friends on SoundCloud. The first song shared was the late 80s indie American underground inspired song, Ghosting Out, that include Bonetender joining with his transistor organ and guitar. The second song released was late 90s inspired Alternative Rock and Hip Hop song The Show / The Shrike Pt. 3 with Carlos Vivanco and Belial Pelegrim joining in the mix. 

All of the songs were written during the beginning of the COVID-19 Pandemic when the United States went into lockdown and Black Lives Matter protests where having a major impact. I think you can especially hear the influence of those times in this song. 

I am honored that My Hot Air Balloon accepted my invitation to join this track and that Eddie Shook was willing to add a radio spot into the mix. It is always a pleasure to work with the extremely talented Jonathan Beckenstein and Jamie Rhind. And huge thanks to Bitzone and Stricknice for adding so much creativity and music to this entire project! And as always, Wou-Wou rocks! I have made so much music with Wou-Wou over the years, it is incredible!

My Hot Air Balloon: Additional Lyrics and Vocals
https://soundcloud.com/welcometotheamericas
https://soundcloud.com/badmerlot
https://soundcloud.com/feralsleepstudy
Eddie Shook: Radio Jockey Vocals
https://soundcloud.com/eddie-shook
https://eddieshook.bandcamp.com
Jonathan Beckenstein: Guitar
https://soundcloud.com/jonathan_beckenstein
Jamie Rhind: Clavinet
https://soundcloud.com/jamie-rhind
Stricknice: Samples, Production, and Outro
https://soundcloud.com/j-nice-6
Bitzone: Drums, Additional Clavinet, Mix and Master
https://soundcloud.com/bitzone
Wou-Wou & the Wormling: Bass, Guitar, Keys, Drums, Samples, Original Demo Track, Song Art
https://soundcloud.com/wouwouandthewormling
https://wouwouandthewormling.bandcamp.com
the Couch King: Lyrics, Vocals, Production
https://musiciselation.bandcamp.com

Lyrics: 
I'm so tired of waiting at the edge of the world

They say the world is spinning ball
But you know
It’s always been flat to me
I still say the sun circles the globe
But uh
No one ever listens to me

When I tell ‘em 
World’s coming to an end
When I’m yellin’ 
Better make your amends 
When Gods callin’
They say the good shall ascend 
But uh
We’ll just have to wait and see

I'm so tired of waiting at the edge of the world

Gotta love God ’n liberty
But Hey
Don’t you dare tread on me
Don’t say I never warned you now
But uh
No one ever listens to me

When I tell ‘em 
World’s coming to an end
When I’m yellin’ 
Better make your amends 
When Gods callin’
They say the good shall ascend 
But uh
We’ll just have to wait and see

Just Have To Wait And See

My Hot Air Balloon, Eddie Shook, JBeckenstein, JRhind, Snice, Bzone, Wou - Just Have To Wait And See

We're very happy to present this next installment in the Land of Zed saga. Stonerjazz, Uziel and I began this imaginative, narrative concept album project last spring and have been adding to the story one song at a time. It's always an incredible experience to work with these two amazing artists!

Check out the whole story (so far) here: soundcloud.com/tea_are_sea/sets/land-of-the-zed

Vocals, vocal manipulation, lyrics, piano, composition of part 1 + transition, and more  by Uziel @user-455619833

Spoken word vocals, guitar, mellotron, composition of part 2, and more by Stonerjazz @user-911083679

Experimental/atmospheric synth elements, mix/production, and final arrangement by @tea_are_sea

The Mountains Thought the Moons Were Mad (Land of the ZED #5) - Uziel | Stonerjazz | tea are sea

Joined here by two of my favorite SoundCloud musicians, Germany's Georg Boehme on baritone sax and Norway's Will Paasche on synthesizer.  These guys as simply superb musicians and together we tackle our original, Dramatic Chromatic.  Both soloists push things out in a dramatic fashion and help create the edge that is maintained throughout the music.  Georg is on fire from the start and has created the opening statement with three Bari lines together.  And when Will jumps in look out, as he too soars and then pushes the boundaries of what is capable on synthesizer.  

https://soundcloud.com/georg-boehme
https://soundcloud.com/snuppeluppen

Thanks as always for your generous time listening, for your comments and for your shares.  This one climbed to #5 on SoundCloud's Hot & New in the Jazz & Blues category

Dramatic Chromatic - Georg Boehme / Will Paasche / Jamie Rhind

Hi,
So, as life is busy and my studio room is being rebuilt, I found myself rummaging through my archives and found another interesting bit - this is still a 4-track, I think it's from 1999, I seemed to have been on a real mental groove.

I threw some neat VSTs on the tracks to give it a slightly modernized feel, hope you enjoy.

Spirit Lifter

Recorded with Squire Jaguar, Squire Classic Vibe 70s Jazz Bass and Fruity Loops.
Drum patterns are taken from FPC plugin in cooperation with AKAI MPD128

Florere

Super Magic

An experimental project featuring generative drones, improvised instruments, vocal performances, and unique production techniques.

Upheaval

Mode of Love

Ever Since Nineteen Eighty One

Some New Kind Of Kick (Cramps Cover)

SK and Codex Scrolls https://soundcloud.com/codexscrolls    -  enjoying in this wonderful trip  :)

Codex Scrolls and SK Wonderful Trip

Only  what  Liberates 3.

Eddie Shook - Yes I'm Ready!

Biased Fate

Hella Likes and Reposts and Playlists

I don't check messages here. Please only message me on my main page.

On this page you'll find music from me as well as the collaborative SoundCloud band, The Smoking Trout.

Genre influences include electronic, downtempo, lofi, experimental, rock, blues, indie, prog, post rock, ambient, synthwave, trip hop, and hip hop. I make tracks primarily with Cubasis and Korg Gadget (iOS); Ableton Live; Korg and Moog softsynths, Volca Drum, Minilogue XD, Arturia Microfreak, Arturia Pigments, and the FabFilter Pro suite of effects and production tools.

The art featured as the background image on my main profile page here is by KEVLARD666 (www.instagram.com/kevlard666/) @ikelion666 and will be the cover of my 2024 album, to be released soon: Digital Molasses 

My sound has been inspired by Aphex Twin, Boards of Canada, DJ Shadow, Radiohead, LCD Soundsystem, the Flaming Lips, Tame Impala, M83, Godspeed you Black Emperor!, Mogwai, Pink Floyd, Animal Collective, Nicolas Jaar, Dirty Projectors, Massive Attack, Björk, Dan the Automator, Del, the Gorillaz, Reggie Watts, Ween, Neon Indian, Tycho, Ott, Shpongle, Danger Mouse, Built to Spill, Yo La Tengo, Velvet Underground, My Bloody Valentine, Modest Mouse, Tool, Zeppelin, Sabbath, Hendrix, the Books, and too many others to list here.

Hope you will check out some of my collaborators:

@user-911083679 - STONERJAZZ
@user-455619833 - Uziel
@texmex-shaman
@sonic-textures
@grevusanjl
@enigmacurry
@mralchemy
@blackmarketbrains
@dough-factory
@winkandwoo
@jerome-hearn-994307260
@dubman-9
@archmageband2
@tot-beat
@ipg1
@zed4209819
@lala-land-361191160 - E.P. Beats
@llanpsych
@ruizzoidman21centurions
@Ladyofire
@josh-clary-1 Entheogenic Psychonaught
@themysteriousdecibel 
@k2andthe3
@cerulean_ascent
@nic_nic_nic
@nadiaselvaggi
@chefboyextreme
@scilentsymphony
@azealotrous
@noxpox13 
@pablomoretti
@prof-oddfellow - Neons Gone a Mad
GMO / Green Mercurial Owl 

Thanks so much for stopping by and listening!

The Mountains Thought the Moons Were Mad (Land of the ZED #5) - Uziel | Stonerjazz | tea are sea

Tea R. Sea

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