Amazing and very unique composition and sound 👌 I’m deeply touched by this tune !!!

This will be my first full album that I plan to release widely to other platforms. It has been a couple of years since I've put out an LP or EP. After holding off for a while I feel I've finally reached a critical mass of recent songs that fit together into a cohesive final product here. If you've been following me and keeping up with my semi-weekly song releases then everything here will sound pretty familiar, but it was a fun exercise to construct the flow how this all fits together.

Listen now on SoundCloud/BandCamp... out soon on Spotify, Apple Music, etc.!

Earth Anthem

Counterfeit Relics (You Should Not Have Did)

Burns SJ12 electric twelve string
Fender Cabronita Telecaster
Squier Mini P Bass

Back on Soundcloud after some time away. Looking forward to getting some more music posted.

I like to name instruments. For me it imbues them with added life or personality. I don’t tend to go for girls names. I prefer obscure, silly or pretentious ones. I named this 12 string ‘Castrovalva’ after a Lego space cruiser I had for Christmas in the late seventies or early eighties. I named the space cruiser after an episode of Dr Who.

Castrovalva

Part of a new album I've been uploading, featuring compositions written over the last several months of 2021. If anyone can pinpoint what all of these compositions have in common, musically-speaking, put it in the comments - there was a concept tying everything together but I'm not going to reveal what it was, haha.

Cover art created using NeuralBlender.

This album is going to be called "Prohibited Topics," a tribute to the textbook authors and teachers whose work is being disrupted by right wing efforts to stifle education about racial disparity and structural racism in the US. These compositions weren't written with this subject matter in mind, full-disclosure, but the album has now been named in response to this issue and will be dedicated to educators, and to truth, which will win in the end despite efforts to silence it.

Prohibited Topics

21 7 6

This is another track that started with a quirky volca drum beat. This time most of the melodic layers were made with Korg Module, and virtual synths from Moog including the Model 15 and the Model D. I also used a variety of other soft synths and a little bit of the Minilogue XD.

Cover image credit: Stewartbaird CC BY-NC-ND 2.0

Lighter than Air

I usually don't sit on unreleased tracks... but this one started last Winter as a proposed collaboration that never came together. After giving it another listen recently, it resonated with me as an especially good track to put out during the week of the Summer Solstice! This is my favorite time of year and I'm finding there is something really nostalgic about this one. Once again the minilogue xd is heavily featured.

Cover image credit to Richard Rydge (CC BY-NC-ND 2.0), found on Flickr.

Summer Skies

This is my first track working with my new hardware synth, the Arturia Microfreak! It's my second major synth purchase, and it has lots of interesting routing capabilities(a bit of a semi-modular design based around a digital matrix system). I know I'm barely scratching the surface with it on this track, which also features the trusty minilogue xd and lots of vst instruments such as the Animoog Z and the Arp Odyssey.

Image credit: NASA Goddard Space Flight Center (CC BY 2.0)

Ocean Currents

I'm getting deeper into sound design with the new synth, the arturia microfreak! ... had fun with this one layering multiple patches on top of one another. I also used the korg minilogue xd and a handful of korg soft synths.

After GrevusAnjl recommended it, I'm also experimenting a ton with AI-generated artwork using the WOMBO dream app which I used to produce the cover art on this track.

As always, thanks for listening!

Metaplasticity

“Third Passacaglia for String Orchestra” was completed in August, 2022 in Fairview, TX.  The work is in one movement. Performance time is about 10 minutes.  

Printed and electronic copies of the score and parts for this work are available from www.CreativeSpiritOnline.com

Performance notes:
•	Tempo, expression, and dynamic markings should be strictly observed.
•	There is no key signature. Accidentals apply to the end of the measure or to the note or notes tied over the measure, and only to notes of the same pitch class, in the same octave.
•	Hairpin pairs (e.g.: mp <>, mf ><) indicate a temporary volume change of one dynamic level.
•	Passages marked  fff  or ppp  indicate playing as loudly and as quietly as possible, respectively.
•	Double-bass “C-extension” is required.

View/Purchase Score

Third Passacaglia for String Orchestra - "Appassionata"

Finally working the Volca Drum back into the mix after not having used it for a little while. I like the lofi effect it gives the drum beat. With this track I leaned a little heavier into the Vital VST I've been experimenting with, also used the old minilogue and microfreak. Thanks for listening!

Homeostatic Imbalance

Speak through the earthquake, wind and fire…

Phenomena

This is a STONERJAZZ and Tea R Sea trip.   I was happy to play on this, big fan of the Smoking Trout material.  

The second installment of Smoking Trout's EPIC tale of adventure, love, heartache, and a bunch of other stuff, in the travels of the "Hobo Cyberpunks" and the "BUS"

Tea R Sea(Terry) Producer, Synth, percussion, artwork
Uziel - vocals,keyboards(clarinet)
TexMex Shamen (Stephen) guitar
Sonic Structures and Silent Stretches (Jo Richter) percussion, lyrics
StonerJazz(jeff) Lyrics, vocals, percussion

lyrics

you may have heard the creaking noise and tiny footsteps n the darkened corridors
that stretch to the southern boundaries of the unpolluted parts
where souls are living with total disregard for the nature of the Holy Dumpling
floating on the cosmic stew that simmers horizontally to your soul ln your heart

Traveling with the HOBO CYBERPUNKS, l learned a thing or two from the leader of the band Cosmic Stu who ln a wild tangent and a Rant, described a different spot
a filthy plot, invaded by tribe of bots, who stank of superficiality
an opportunity that he lost

The teachers teach ln empty auditoriums to pupils lost ln 4 inch screens
sequestered ln squalid scenes, that go unnoticed as useless information ls gobbled up and gobbled down ln every home and every town
Put the monster down and walk away He sald,
lron John ls not afraid of the queen
and even though the prince ls doomed
the purpose doesn't change

let me introduce you to some members of the band
there's Sally and Roberta who play the clarinet with beauty and with Grace
who plays the violin and Viola who makes the Djembe
bounce around the brain
with subliminal referrals to her pleasure and her paln
The horns are played by the twins
Maurece and Nostradamus, their trumpeting sublime

the accordlan of course ls played by Johnny who you might remember from the land of Zed, He did eventually get out of bed and sald
This reminds me of a time when things were real, and l could feel the rope of
hope wrapped firmly around and round my throat
before l knew the truth about the Lle
before l knew the meaning of goodbye

Now Stu he claimed to know or knew the whereabouts of the holy condiment that grew only
just outside his windowsill (and was essential to the Dumpling's flavor)
where he lived ln another life with Mary-Ann his ex-wife
who left hm for a guy named Sid who was a maestro on guitar
and had a band that traveled wide and far
including Mary Ann, and Larry too

Looking for that very thing
Hoping for just one bite
of that heavenly delight
before the turning of the light

The Holy Dumpling "the Smoking Trout" (featuring STONERJAZZ, Tea R Sea, Uziel, Jo Richter)

Anizatoop

Mossa Och Sten II

Sixty - Ricomincio da 60

It Goes Without Saying

New album Digital Molasses is now available on BandCamp and SC, will be released to other platforms in May! I'll be offline for most April, will catch up with you when I return.

On this page you'll find music from me as well as the collaborative SoundCloud band, The Smoking Trout.

Genre influences include electronic, downtempo, lofi, experimental, rock, blues, indie, prog, post rock, ambient, synthwave, trip hop, and hip hop. I make tracks primarily with Cubasis and Korg Gadget (iOS); Ableton Live; Korg and Moog softsynths, Volca Drum, Minilogue XD, Arturia Microfreak, Arturia Pigments, and the FabFilter Pro suite of effects and production tools.

The art featured as the background image on my main profile page here is by KEVLARD666 (www.instagram.com/kevlard666/) @ikelion666 and will be the cover of my 2024 album, to be released soon: Digital Molasses 

My sound has been inspired by Aphex Twin, Boards of Canada, DJ Shadow, Radiohead, LCD Soundsystem, the Flaming Lips, Tame Impala, M83, Godspeed you Black Emperor!, Mogwai, Pink Floyd, Animal Collective, Nicolas Jaar, Dirty Projectors, Massive Attack, Björk, Dan the Automator, Del, the Gorillaz, Reggie Watts, Ween, Neon Indian, Tycho, Ott, Shpongle, Danger Mouse, Built to Spill, Yo La Tengo, Velvet Underground, My Bloody Valentine, Modest Mouse, Tool, Zeppelin, Sabbath, Hendrix, the Books, and too many others to list here.

Hope you will check out some of my collaborators:

@user-911083679 - STONERJAZZ
@user-455619833 - Uziel
@texmex-shaman
@sonic-textures
@grevusanjl
@enigmacurry
@mralchemy
@blackmarketbrains
@dough-factory
@winkandwoo
@jerome-hearn-994307260
@dubman-9
@archmageband2
@tot-beat
@ipg1
@zed4209819
@lala-land-361191160 - E.P. Beats
@llanpsych
@ruizzoidman21centurions
@Ladyofire
@josh-clary-1 Entheogenic Psychonaught
@themysteriousdecibel 
@k2andthe3
@cerulean_ascent
@nic_nic_nic
@nadiaselvaggi
@chefboyextreme
@scilentsymphony
@azealotrous
@noxpox13 
@pablomoretti
@prof-oddfellow - Neons Gone a Mad
GMO / Green Mercurial Owl 

Thanks so much for stopping by and listening!

Ocean Currents

Tea R. Sea

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