Really nicely done with that great progression!!!!! Fantastic atmosphere that builds to that commanding finish!!!!

Such an emotive piano here. The range of expression on this track is amazing. It's not just a soundtrack, it's more like a full movie in itself, without the need for actual images. Congratulations!

mixed and mastered by Forgotten Dreams
https://soundcloud.com/forgottendreams  <3

Hajnal

Gravity is a piece about letting go and embracing change. Musicians always tell you that their latest music is the best they have ever written, so this might be unusual to hear, but this track is simultaneously my most and least favorite piece of music i have written in recent years.

A few months ago i had some pretty traumatic experiences that made me unable to focus on any creative work. When i finally sat down to make something, i didn't wanted to write anything significant or important, i only wanted to experiment with some new sounds and ideas. This piece was almost finished in a few hours. I wanted to widen the palette of the sounds i'm using, introducing new bass instruments, a new approach to create drum tracks and also trying out a i - bVII - i - ii chord progression, which i believe is extremely rare to find.

First i was hesitant to even share this one because i feel it is very generic and predictable in many ways, yet somehow it captured perfectly my state of mind after the wounds of last year. Sometimes you just have to accept that things change around you and stop hold on to your hurt feelings, so your mind and body can be at the same place again. Far from the place that pulls you down.
I am listening to it for weeks now and somehow feel better every time. It is a very strange adventure to me, but there you go...

Gravity

Traces Of Us

Realized using Notion and Studio One featuring Kirk Hunter Concert Strings Adaptive and Harmonic Subtones Emotional Strings as solos and First Chairs.

24-7 Holst - Moorside Suite 3. March

Journey To Phobos (2017) Anthology CD2 Track 03

madman

Don't forget to check out the music video i made for this track:
https://www.youtube.com/watch?v=0WRuWlw3qO8

I had an idea in April. I wanted to create a chord progression where some notes of the chord were only present in the background synths, and some notes were only played in my usual delayed arpeggio patterns. I had no idea how it would sound. Well, it instantly blasted me away. This time, I loved my main theme so much that every other melody and riff felt lame right next to it. I had this 30-second loop of synthwave awesomeness, and I had no idea how to continue it. So it took me a while to finish and polish it into a whole piece. Fortunately, I got some help from my friend and great, great guitar virtuoso, @jonas_tamas.

I guess sooner or later I have to create a new musical project to separate my ambient and my more aggressive ideas. We’ll see.

Drifting Through

[Commission] The Night Buried in Darkness

Hi guys! Here is something I did about three years ago, but happened upon it as I was clearing out an old hard drive. I thought if I posted it here, I can then delete without really losing it. 😉 It is a rescore of the Jedi Steps scene at the end of The Force Awakens. I found the clip where the original music was removed, and composed my own music to the scene, just as an exercise in film scoring. It wasn't an attempt to try and outdo Mr Williams, only a lunatic would attempt that, it was just for practice. You can find the music with the film clip on my Youtube channel.

Star Wars ~ The Jedi Steps

❤️❤️ Thank You so much for over 2000 plays! ❤️❤️

Little improvisation made after watching Fracture Sounds "Hemisphere" trailer and turned into track. The ad set the emotional state and choice of instruments. NO A.I. INVOLVED!

What I played sounded so melancholic that it reminded me of the thoughts I had while walking with my wife. Every playground we passed was empty. It contrasted with times when our son was little - finding a free swing for a toddler bordered on a miracle. Now it's a miracle to see children swinging on them. Could the "Universe 25" experiment have predicted everything that is happening now?

I played it in one take, then did some editing and added cello, harmonics, bass and ambient sounds. I used only three instruments: two from free Spitfire LABS libraries: Ambient Guitars and Cello Moods. Bass is sub patch from Native Instruments Massive.
I used one sample from the BBC Sound Effects library: Children: Playing - Fushun: Children playing in snow.

The genotype of this song definitely includes two of my favorite This Mortal Coil songs, "The Jeweller" and "Tarantula".

I secretly hope that You may like it. Let me know in the comments what You think about the music and what lies in its heart.

Thanks go to my testdriver kavvka ••ꝁ𐌰v̷̷v̷̷ꝁ𐌰•• @grzegorzkawka who always gives me courage and accurately points out the elements that need improvement.

Picture from Pexels by Robin McPherson: https://www.pexels.com/photo/black-metal-swing-908970/

A Miracle I'd Like to See

I wrote this for the 'Score the World' contest; this is a slightly condensed and remixed version. Particularly enjoyed giving Sudden Audio's Raw Strings Libary and Spitfire's Originals Cimbalom library a first run-out.

See the video here: https://youtu.be/IiP_HnofbJM

Image by Mabel Amber from Pixabay

Man Of Shame

Tear Down the Walls is a project inspired by the natural world and by the many worlds of science fiction, combining traditional and electronic sounds to create music on the margins between this reality and the fictional realities of our imaginations.

Man Of Shame

Tear Down the Walls

Recent comments

Negative Headphone

Schuyler Horton - Composer

Malanezz

Jeremy J. Saks |Composer|

Related tracks