Clubs, festivals, theaters, football stadiums, museums, beaches, mountains and beyond - Peter Van Hoesen's visceral take on contemporary techno has been presented worldwide in many different settings. 

One central element always remains: a deep love and understanding of sound and all its influential effects. 

Since December 2024 he runs Memento Mastering, a mastering studio located in Ho Chi Minh City.

Bookings: mike (at) berytus (dot) art

mementomastering.com
petervanhoesen.com

After a deep exploration of several kinds of electronic dance music, in a broad evolutionary path, Giorgio Gigli’s music has assumed an intense and personal form of communication.
The modules emerging from his compositions run across a process where moods are transformed into waves, layers and substrates that are ready to catch and overwhelm the listener without changing original content.

His skill is to transmit an accurate signal using undiscovered frequencies inspired by desolate and noir tinged landscapes. Giorgio transforms his material. Voids, pitfalls, drones and dilated melodies become intricate, sophisticated, and hypnotic rhythmic equipment that runs the risk of constantly changing classicist techno aesthetics in a conceptual derivation close to his soul.

Giorgio loves ambient music that dues to its descriptive power allows him to analyze and render every vibration and vision, both during production and his long dj sets, where he explores empty rooms that are filled with vintage recordings, ethereal drones and field sonority. This particular working method is also reflected in his harder sets, where rhythm increases tension while it is moving forward unchallenged through industrial echoes, robotic tricks and building grooves that produce shaped variations of his meaning. Substance thickens to provide a thoughtful and reflexive listening experience.

All these elements are poured into his project “Zooloft Records”, the platform that represent him in a past few years. Now his techno vision involved into new collaborative projects with Speedy J’s Electric Deluxe and Perc (“Endless” project). Starting from 2011 the collaboration with Electric Deluxe has established an intense relationship ferrying his DJ set in a new dimension where it combines an industrial/dark approach with a solid stream techno club-oriented


Being one of the most in-demand Techno DJs of our times, Ben Klock needs little introduction. His name has been closely associated with Berlin’s legendary club Berghain since 2005. His monthly residency has formed the backdrop to his international success, providing an invaluable platform for his ability to create a room rather than just play to it.

Much of his early career was marked by marathon sets – a signature that played a considerable role in nurturing his skills and reputation – but even the more compressed sets he shares today evidence an intricate narrative and sense of flow that defines him as a DJ. It was these inherent abilities that led him to compile the fabric 66 compilation in 2012, before winning the BBC Radio 1’s Essential Mix of the Year award in 2015.

His releases on Ostgut Ton have become landmarks in the imprint’s history. 2009’s “Dawning”, the first of his collaborations with Marcel Dettmann kickstarted the label itself and remains a stand-out track in its discography. Another release of particular note is the Before One EP including “Subzero”, which many techno lovers still refer to as their gateway track into the whole genre itself. For many, however, it is his album One (2009) that best captures Klock’s talents as a producer. His skills as a remixer have also seen him rework tracks by a wide variety of artists, including Kerri Chandler, Depeche Mode, Robert Hood and Kenny Larkin.

Additionally, Klock curates with great passion his own label Klockworks, founded in 2006. With releases from DVS1, Stef Mendesidis, The Advent, Sterac, Etapp Kyle, Temudo and many more Klockworks became a synonym for unique, high quality Techno.

In 2017 Ben started his own event series PHOTON which is a unique concept show that blends light, architecture and music. Since then he toured PHOTON at special venues in major cities around the world such as Printworks (London), Gashouder (Amsterdam), Arca (Sao Paolo), to name a few. It quickly became a new standard for audio visual electronic music events. In 2023 the project returns after a pandemic induced break with a brand new visual and artistic concept.

Glasgow Underground was set up in 1997 by Kevin McKay. He began the label releasing his own music and collaborations with friends and other Glasgow-based artists (Omid 16b, Studio Blue, DJ Q, Harri). Through his DJing and work for various music magazines (Muzik, Jockey Slut, Mixmag Update) he met some of his favourite producers of the time (Romanthony, Mateo & Matos, Idjut Boys...) and convinced some of them to join him releasing on GU. In the early 2000s, Kevin met Mylo and set up the Breastfed record label. The global success of "Destroy Rock & Roll" meant Glasgow Underground was put on hold. After leaving the Breastfed label in 2011, Kevin re-started Glasgow Underground and since then the label has gone on to re-invigorate Romanthony's catalogue with remixes from the likes of Dixon, MCDE, Gerd, Andres, Oliver Dollar, Ejeca, Audiojack, Claptone, Christian Nielsen, Supernova, Jimmy Edgar and Waifs & Strays. The label has also introduced producers like Daniel Trim, Brett Gould, Mia Dora and Illyus & Barrientos as well has releasing established & rising stars such as Metodi Hristov, Stefano Ritteri and Sabb.

instagram.com/garybeck_

BEK Audio/Mutual Rytm

Bookings - 

david@aboutlastnight.agency

Info : info@bekaudio.com
www.bekaudio.com
www.garybeck.net

I also record under the names Sosak & Tanera

One of the world's leading electronic dance labels, and one of the longest running. We have been putting out great music since 1991. Co-founded by Slam.

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