Out Oct.2014
http://facebook.com/disphonia
http://soundcloud.com/disphonia

http://facebook.com/camelorg
http://soundcloud.com/camelorg

https://www.facebook.com/pages/Myselor/435728949797642
https://soundcloud.com/myselor

http://facebook.com/stateofmindnz
http://soundcloud.com/stateofmindnz

Disphonia & Camelorg - Commit [Myselor RMX] (SOM032)

Artist // Hypoxia
Release // Anova EP
Label // Eatbrain
Release Date // Beatport 06-07-2015, Vinyl TBA
HYPOXIA //
Facebook - www.facebook.com/hypoxiadnb
Soundcloud - @hypoxiadnb
EATBRAIN //
Website - eatbrain.net/
Soundcloud - @eatbrain
Facebook - www.facebook.com/Eatbra1n

EATBRAIN gain another slick addition to the collective, with the latest release landing from relatively fresh Antwerp-based duo,
HYPOXIA (Titan Records // DnB Arena). Members Athys and Syntopia craft a brand of Tech and Neuro DnB with a bleak
aesthetic influenced by the more sinister areas of Psychology. The ‘ANOVA’ EP takes its name from the Analysis Of Variance
statistical method, with the change here being the sinister journey into an internal void during the inception of its components.

‘PSYCHOSIS’ hits straight with its crisp percussion and cutting snare - the drum phrase accented by a hypnotizing Technoinfluenced
plucked synth. A build-up arrives like a Nitrous Oxide-fuelled descent into a single point of madness, before coming up
with fists swinging into its abrasive groove and evolution into a relentless wall of carefully crafted distortion. ‘Psychosis’ provides an
overwhelming vortex of filth with an agenda to disturb the mind and take control of the feet.



Anova EP

Hypoxia - Psychosis (Eatbrain017)

Beast (Original Mix)

Agressor Bunx - Muck[ProgRAM] - Out Now!!!

Desert Run - Drum & Bass Experience - Episode 1

http://www.mixmag.net/read/mefjus-phace-premieres

Some of the rowdiest drum 'n' bass of the last five years has come courtesy of Austrian producer Mefjus (pictured). 

Tilt Recordings, Mindtech and Disturbed were a few of the labels his earliest work was released on and in 2012 he hooked up with tech-infected d'n'b purveyors Critical Recordings for the first time. That was the cutthroat Enei collaboration 'Crawlers' and he released his debut album, 'Emulation', on the Kasra-founded imprint last year. 

More exclusive music

Premiere: Mefjus & Phace 'Clock Off'

//artist
@l-33-1
facebook.com/L33music

// label
facebook.com/Eatbra1n
twitter.com/eatbra1n

Night has fallen, the threat of extinction riding on the edge of its transition. Decaying and contorted faces of the undead leer from the shadows, twisted limbs reaching from the darkness towards the eternal signal - driven to crush its subversive broadcast and extinguish the final beacon. A single being stands in their way - the strongest of his kind, the last of a genetic line extending into a derelict past with an imperative to preserve the future. An arsenal of sonic weaponry residing within the lines of his palms, drawn forth through the ancient forms manifested by long-dead masters. His swift movement amongst the shuffling army is efficient - acute strikes snap limbs, raw concentrated power crushes bone, low-frequency techniques leaving little behind from the weight of brutal molecular disruption. With the rising of the sun, only he remains – the broken dead lying scattered and without motion – the focused power of his fighting form has prevailed… the signal is preserved.
 
Following up on the impact of the sampler EP, L 33 unleashes his most devastating technique upon the EATBRAIN label with his KARATE LP. An artist residing at the heart of the Eatbrain collective with an entirely unique and recognizable sound – his album delivers a polished and hard-hitting array of tracks designed with pure dancefloor palpitation in mind. With pounding signature sound tracks that L 33 fans will hungrily devour such as KARATE, STRANGE THINGS and ELECTRIX alongside fresh sonic experiments with hard-hitting neuro in the form of DROP IT DOWN LOW and GRIME ALL THE TIME, the Karate LP delivers a heavyweight manifesto for both L 33 and the evermore legendary Eatbrain.

Release dates:
30th May Beatport exclusive
13th June Digital worldwide

EATBRAIN004 Karate LP

Karate LP

L 33 - Disco Funk (EatbrainLP004)

Stream // Buy Technique.lnk.to/DocOne7So

Document One - 7th Dimension EP

Document One had, to put it mildly, a pretty good 2016. Their unique blend of tech, hip-hop, jazz and funk influences have cemented their place among the elite of drum'n'bass producers. Their tunes are consistently at the business end of the DnB download charts and they've garnered support from some of the biggest DJs in the scene. So, this EP, their first release of 2017, bears the weight of a huge amount of expectation.

The title track, “7th Dimension” takes all the elements of an archetypal Document One tune and presents them crisper and sharper than we've ever heard them before. There's an almost liquid intro, peppered with shimmering brass and an atmospherically FXed vocal clip. But then there's the eponymous MC sample, which cuts through the soundscape and prepares us for a switch up. The tune becomes a weighty, dark roller, with Doc One's trademark funk in the seething and warping bassline supported by diamond-tipped drums.

Then “The Rhythm” switches things up. The intro gives no clue as to where we're going with this one, as subtle percussion and one-hit sounds reverberate around a dialogue clip. Don't be lulled into a false sense of security. Where we're going is into a land of indisputable filth. The driving, pulsing bassline has a serrated edge of distortion, and those neck-snapping, uppercut beats are going to do some serious damage whenever you drop this.

“Hypnotic” has something different to say again. This is where it becomes painfully blatant that Document One are never going to be easy to categorise. The fluid pressure of the intro builds into a stomping, grinding bass and beats assault to get the ravers moving. Amidst the percussive mayhem, however, there's still that atmospheric melodic and harmonic subtlety. This could find a home in your set whatever your sub-genre.

In “It's Alright”, yet more worlds collide. There's genuine emotion in the intro and the beautiful breakdown in the middle of the tune, but that kick drum build signals something different entirely. The morphing bassline travels from low-end to mid-range and back again, while the restrained violence of the drums and classic-break fills provide the scaffolding. From one angle, it could look like a Document One twist on the jump-up formula, which is something we've never heard from them before.

Finally, “I Tried” gives us pure, dark, junglist soul music. Elegant pads, keys and sax back up that gorgeous vocal sample, which turns this tune into a guaranteed hands-in-the-air moment. Document One refuse to let this dissolve into sentiment, though. The drop is lethal, as precision-tooled drums drive the dance onwards, and we all know by now how these guys do basslines. This tune has that smoky jazz club moodiness while still being able to bring hype to a rave. It's got instant classic written all over it.

So, it's clear that Document One have lived up to their billing once again as forward-thinking dancefloor destroyers with soul and funk to spare. Many people bemoan the divisions between different sides of DnB, but in this EP, it all comes together. If the future of the music is going to take in the full spectrum, then these producers might just be laying out the blueprint.

Tracklisting:

 1.	Document One – 7th Dimension
 2.	Document One – The Rhythm
 3.	Document One – Hypnotic
 4.	Document One – It's Alright
 5.	Document One – I Tried

For interview requests and more information, contact:

info@techniquerecordings.co.uk

Buy / Stream

Document One - Hypnotic

Broken Clocks [Forthcoming Cause4Concern LTD]

Out Now on Lights Out Audio!
Buy/Stream : https://fanlink.to/lightsout001
Bookings: 
bookings@gramagency.co.uk

Announced by the trend setting platform UKF, Lights Out has become a hotly tipped collaborative project which sees two of the most heavyweight figures in the drum & bass world’s darkest corners join forces for a ground-breaking merging of talents. Known through his pivotal part in Eatbrain’s super-league, the Bulgarian stalwart L 33 has received pride of place amongst many of the scene’s biggest platforms, including Andy C’s ‘Nightlife 6’ and Drum & Bass Arena compilations as well as Ram Record’s sub imprint Program.

MC Coppa is the other half of the Lights Out syndicate and since his Coppa Live touring circuit, he’s become the notable face for many Eatbrain nights globally, showcasing his lyrical prowess and stage presence on huge festival stages. The announcement that MC Coppa and L 33 are merging their talents has set anticipation for their first release; ‘Sorcery!’ and ‘S.E.A.L.S’ are the first look into what they have forthcoming throughout 2019 and beyond, with both representing a formidable launch pad. 

The single’s A-side ‘Sorcery!’ certainly sets the tone and it creates a landscape which drags you into its snapping claws, leaving you no time to escape. The cut-throat bassline striking through the heart of this track is typical of the L33 sound, one which he has become renowned for and a signature which has earned him a staggering audience. Coppa adds his crooning vocals into the mix and as a result, you’re made aware of their harmonious co-operative might. 

The reverse features ‘S.E.A.L.S’, this time taking you down a route which sees L33 flip the switch and deliver a more half-time motion, gearing you up for a second drop after the first catapults you into its first raucous breakdown. Once again L 33 gives a masterclass in production, pedalling his encompassing atmospherics which draw in Coppa’s punchy vocals. Coppa and L 33 go straight for the jugular although this can only be expected from a pair who each have their own formidable place within the drum & bass scene. They are continuing this assault throughout 2019, with ‘Sorcery!’ and ‘S.E.A.L.S’ being the beginning of a journey which will see them become a definitive force yet again within the neurofunk subgenre.

Lights Out - S.E.A.L.S [OUT NOW]

//artist

@burroakmusic
facebook.com/burroakmusic

//label
facebook.com/Eatbra1n
twitter.com/eatbra1n

// release date
Beatport Excl. 17.02.20 & Worldwide - 02.03.20

“Hey Scruggs…”
“Yeah Sonny Jim?”
“You ever done seen a varmint like this one before?”

Spurs firmly entrenched in the dirt and hands hovering over the holsters of their six shooters, a pair of lone cattlemen stared with befuddlement at the being that stood before them. Rising from the cracked desert soil was an amalgamation that seemed to be composed of every plant able to hold on in that heat blasted wasteland, as though the earth itself had taken offense at the idea of a cattle drive through the largest desert on the continent. Its bones were of the great saguaro, riddled with millions of piercing needles, and across its flesh ran a layer of bindweed that flowered with the sickly off-white petals so known for strangling the crops in this western reach of the country. Perhaps most uncanny was what seemed to be the monster’s “face” which mimicked humanity with a pair of massive seedlike eyes and teeth of razor sharp yucca as it gazed menacingly at the insignificant forms that lay below.

In the face of this monstrosity stood Scruggs & Sonny Jim, sharing in the courage of a bond built on years of shared experience driving cattle across the great expanses of the continent. With wordless and fluid synchronization, the pair drew their revolvers and fired a pair of shots directly into the eyes of the great beast as they sprinted for their saddles. Though they knew the shots would not kill, for indeed they doubted if such a behemoth could even be slain, theirs was an action that might yet secure their escape. Driving their spurs into the flanks of their mounts, the two took off at breakneck pace away from the massive form that now emitted an otherworldly howl behind them. The ground shook with the weight of the monster’s lumbering movements, but the duo’s fine horses held true to their course, and behind them the nightmarish horror disappeared in a cloud of dust. Yet even as they rode on into the sunset, the pair was not alone. High above, they were trailed by a hawk that watched them keenly with the exacting precision of its predatory eyes. Though Scruggs & Sonny Jim had escaped for a time, the land was alive, and it was always watching.

BURR OAK hop in the saddle for their first full EATBRAIN EP, following a feature track on the label’s Divergence II compilation and a set of previous EP’s on the like minded Trendkill Records. A dynamic duo composed of The Clamps & Opsen, BURR OAK now drive the EATBRAIN horde onwards to new sonic horizons as they deliver their fully loaded HAWKEYE EP to the horde’s myriad ears.

Hawkeye

Hawkeye EP

Burr Oak - Hawkeye (Eatbrain097)

Beats & bass since 1999

www.techniquerecordings.co.uk

Document One - Hypnotic

TechniqueRecordings