crackden

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AVAILABLE NOW: http://ultramusic.lnk.to/GetComfy

Bang! Here's my new album for u!

It’s been 7 years since "7 Dunham Place“ - my first electronic album. An artist album isn't just a compilation of club tracks. It’s a concept that allows experiments, that opens up spaces for narratives, and allows the artist to go really far. At least that is the way I see it. I put everything into it, it was all or nothing. Martin Buttrich and I packed our studio and moved to Brooklyn in 2006. That album is a musical document of my time in and experience of Brooklyn, it sums up a period of my life, and for me it was a natural conclusion.

After "7 Dunham Place" there weren’t enough stories for an album. I was in the mood for straight, banging club tracks - for singles. I’d say that my "Toxic" EP from 2012 marks the end of that period. It was the time when I built my studio in Düsseldorf, and loose stories and ideas slowly intensified and condensed.

We invited guests to jam with us, rock the drum machines, synths and old, raw gear with us. Guti, Miguel de Ipola, Kobe aka Pimp Jackson, Chevy, my old hip-hop crew with whom I used to share stinky hotel rooms and tour buses in 1995. All the dots connected. What was meant to be warm-up sessions with guests, instantly became the sound I was looking for and the soundtracks to these new scenarios.

Then the features came...

There are strong bonds with all artists involved and everything unfolded naturally. I danced to Neneh Cherry's music when I was hip-hop kid, and I still do. Pulshar is one of my favorite bands who's two albums we released on my label Desolat Music Group. With Just Blaze, it was like two hip-hop guys working on something completely different, something harder, and it instantly worked. Jaw is not only that crazy guy who shares Tunisian roots with me, but his voice is special and fitted perfectly. Behind Mr. Techno there is Chris Liebing, super warm and funny guy with whom I share a lot, but whose artistic expression is quite different than mine, so here the opposites collide. Miss Kittin is a long time friend, and it was only her who could have completed that one song. Last but not least there is Giggs. You can’t ignore him if you look out of the US hip-hop box. He is unique. When I met him in London and played him the album, he was totally diggin’ it, he understood where I wanted to go with it, and I had him on board.

There have been so many changes around me since my first album that has become the narrative for "Underground Sound Suicide", and in a way I used music as a transmitter. It comes from the heart and is a testimony of who I am now.

Ultra Music's got my back on this one and the album will be going through the team there. They believe in it, and I'm happy to have them on board. Also here paths are crossing again. David Waxman from Ultra and I know each other since my early gigs in NYC in the early 2000s. Now we write this exciting new chapter together.

Here's a small sample of what to expect! Keep up with me, I'll be dropping more details in the coming weeks.

One love.

L O C O ♦ D I C E

www.locodice.com
www.facebook.com/LocoDiceOFC
www.twitter.com/LocoDiceOFC
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GIGGS

www.sn1giggs.com
www.facebook.com/pages/Giggs/275761059818
twitter.com/officialgiggs

Get Comfy (Underground Sound Suicide)

LOCO DICE - Get Comfy (feat. Giggs)

Solid Grooves has built a strong following of loyal fans over the years. Starting out as an event series, the London based brand has since achieved global success including a prevalent Ibiza residency last year. Launching as a label in 2015, it wasn’t long before Solid Grooves Records topped Beatport’s overall charts with Wade’s remix of Dennis Cruz ‘See Line’ and cemented its reputation as an infallible imprint, releasing music from names such as Kuo Climax, ONNO, David Pher and Brett Gould.

Dennis Cruz leads the way with ‘Fake’, a vocal focused track with throbbing bass, chopped up samples and infectious percussive components before Franz Costa’s ‘Kate’ blends a medley of intricate rhythmic elements for a trippy low-slung production.

The label co-founders are up next, with Michael Bibi unleashing a roaring low-end in ‘Devil’s Candy’ whilst a spoken word sample operates through, making way for PAWSA’s ‘Taking Over’ – an atmospheric house track geared for powerful subs featuring dub inspired stabs and sharp hats. Reelow then concludes the package, demonstrating his signature style with a cacophony of percussion and mesmerizing effects.

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Michael Bibi - Devil's Candy (Original Mix) SGR016

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Michael Bibi - Got The Fire (Original Mix)

BUY HERE: https://www.beatport.com/track/yendo-original-mix/10379739
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TB Premiere: Yvan Genkins - Yendo [Material Series]

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Org Track: Loleatta Holloway - Love Sensation

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Love Sensation (All Cane Remix)

Safe Music Bullets, Vol.3

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Tip Toe (Original Mix) [SAFE MUSIC]

The Martinez Brothers - H 2 Da Izzo (Original Mix)

Twenty Committee - Bones (Ewan McVicar Remix)

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SPECIAL EDITION! Spotify Playlist 👉🏻 https://spoti.fi/380sQsH

Techno Airlines - A GREAT WAY TO STAND HIGH

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Artist: https://soundcloud.com/max-chapman

Sola, the independent record label founded by UK duo Solardo, continues an incredible 2020 with the release of their first VA Compilation of the year. Aptly titled, Lost Summer Sessions, the fifteen track release features records from “some of the best artist's on our roster, both from the past and our future picks” including stunning productions from the likes of Paolo Martini, Hannah Wants and Sosa to name a few.

Speaking on the inspiration behind the VA and how the compilation eventually took shape, Solardo described how “we take every and any opportunity to support smaller artists whose positions we've both been in” resulting in “a compilation of 100% club focused records to shine a light on our lost summer of 2020”.

Canadian Paolo Martini’s Fastbeat leads the charge, with it’s uptempo hats and pumping bassline, before rising upstart Sosa’s Beat Revolution comes in with it’s dark techno-inspired sound. As described by Solardo, UK heavyweight Hannah Wants’ Talk That Mess is a “deep driving bassy tech track”, whilst Essex’s Max Chapman’s Cut The Line is described as a real “groove-lead production”. Kaulsaler by Spanish native Miguel Bastida is a minimal-leaning, 5AM club cut, as the USA’s Anthony Atalla’s The Light soon arrives with its snaking hats and cosmic vocal tones.

Pique by Area 10 affiliate Nightlapse takes no prisoners, with a pummeling kick-hat combo leading into a wonderful synth solo, before Liverpool’s Josh Saumel’s Eyes shows up as a fast-paced acid-twinged number. Up next comes Maur’s first appearance in the form of Detection, a deep dancefloor stomper that you can’t help but dance to, whilst at number ten is the UK’s YingYang with House Party, aptly described by Solardo as a tough “acid workout.” As we enter the final stretch, Manchester’s Matt Jenks’ Let’s Hear It announces its arrival with a heavy set of kick drum patterns and an infectious female lyrical hook, as Dubesque’s Wolf soon mans the helm with it’s stripped-back, dubby-toned bassline.

Revolution by Italy’s Mata Jones brings that summer heat with an irresistible vocal solo lying beneath a four-floor house groove, whilst Maur’s second appearance, in the form of Wait, slows the pace wonderfully with a breakbeat inspired backbone and emotive synth combos. Rounding off the VA is London duo Late Replies, who deliver a stunningly beautiful bit of UKG in the form of Mind, Body & Soul. Nourishing, soothing and built for hazy summer days, it’s the perfect way to finish the compilation.

Sola has been at the forefront of the contemporary house sound since its 2017 inception. Burgeoning the careers of breakthrough producers and those well-established, the label has provided a platform for Solardo to “support smaller artists”, a feat which has seen them springboard the likes of Reblok and Sosa in recent times. This latest VA release marks a sizable moment in the label’s history, as the UK duo blend the sounds of well-known artists as well those just shining through, to form a diverse and eclectic compilation album that retains the club-fuelled, dancefloor-oriented sound that the pair have become best known for. Whilst the usual club and festival circuit may have been disrupted by factors out of everyone's control, Sola Lost Sessions 2020 reminds us that brighter days, and longer nights, are not too far off after all.

Sola Lost Summer Sessions 2020 (Sola Records)

Max Chapman - Cut The Line

Techno Airlines is an online techno music publisher and community platform dedicated to promoting the worldwide techno music genre.

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