COP€NHAG€N RAV€

hard

T3K € 45

T3K € 59

Artist: @abem_s

Artwork by léolo bartholomé „the reinhaudt“ otto

Mastered by Nicolas Thabart

ABEM - Balkan Fever [EEVOL3]

Morph#23 HORNS - Healing The Elusive

One Hour In Copenhagen mix by @nerij and @horns-cph ~ aired on @n10-as 01.10.2022

graphics by DINA

Boarding Gate 066 W/ Neri J b2b HORNS - One Hour In Copenhagen

Collision - Descent  (OBS.16/ Unmstrd)

Habits (Stay High)-Hardstyle Edit

varfor sa du inget

HAJ300 - varfor sa du inget

HORNS - Why I Became A Dancer

One year later, another recording from the infamous VOID rave in Zurich, right after the Street Parade 2019. Secret party, with one of the most energetic crowds one can imagine.

Ragesh Nair @ VOID after Street Parade, Zurich, 10.08.2019

Born in Croatia in 1992, DJ Jock entered the world of music when he was practically a toddler. By the age of 14, his love of techno led him to start playing at private parties, and from then on, his dreams began to turn into reality. Three years later in 2009, he became a resident DJ at Croatia's Pineta Beach Bar. Only 17 years old at the time, he was opening and closing gigs for a host of big name DJs. Not only did this give him the chance to show off his skills to a bigger audience, he also went on to play all-night sets lasting between 5-7 hours.

FOLLOW: DJ Jock
https://soundcloud.com/dj-jock
https://www.facebook.com/djjockmusic/
https://www.instagram.com/djjock/
https://www.beatport.com/artist/dj-jock/178409

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Somebodies.Child Podcast #26 with DJ Jock

Trained on the fast-techno floors of Copenhagen, HORNS has the city's signature sound running through their rave DNA, channeling years of lessons learned as a dancer into the DJ booth. HORNS is attracted to fast and hard styles of dance music and in their sets and mixes they harness them to create bright, emotional and maximal energies.

"They Told Us Summer Is An Attitude" is named after the rave series "Summer Is Not A Season It's An Attitude", which was held by Fast Forward Productions in Copenhagen in the spring and summer of 2017. At these raves HORNS got to know almost everyone they know today, and this mix is dedicated to those friends. 

HORNS is a resident at the fast techno party Vortex at the Copenhagen club Ved Siden Af, and is the art director of Courtesy's label Kulør.

@horns-cph
www.facebook.com/HORNS.CPH

TechnoFist Podcast 115: HORNS - They Told Us Summer Is An Attitude

Subfigure Radio is uploaded every Friday at 1pm BST.

This show is available for online radio and FM syndication worldwide. Send a DM with your stations details to discuss.

Subfigure 027 | Jason Fernandes

https://www.facebook.com/events/2330020623987941/?event_time_id=2330020640654606

Acid Sundae Pop Up Promo Dj;p303 Live On Facebook 16 8 2019

little jennie - 180bpm_die fünfte

little jennie vs. crusher - wer zuletzt schranzt, schranzt am besten_die erste

We are back with the twenty-eight BunkerBauer Podcast and this time we have one of our newest members behind the decks - @horns-cph. 
HORNS has only been playing for a few years, but they have already made a name for themselves in Copenhagen with their sets and mixes. HORNS is a resident at Vortex at Copenhagen's Ved Siden Af and played at Tbilisi's Cafe Gallery earlier this year.

HORNS writes about the mix:

“ We sometimes find ourselves stranded in our mind, that glass box always at risk of turning opaque to itself, leaving us exposed to a mental blackout. And the oneiric is a Möbius strip that we can only traverse by surrendering. 
The starting point of this mix was recurring nightmares I've had for the last 6 years re-experiencing trauma from my past. The exact nature of this trauma is not the focus, but instead how we move through it. At this moment we are all caught in a recurring daily nightmare with no end in sight. So this mix is for anyone that has ever been woken up by their own racing heart, their teeth grinding tight before daylight – it is for everyone that needs solace and rest. 
The title of the mix NIGHT WILL CARRY US THROUGH THE DARKNESS LIKE A DREAM is an insistence on the separation of night and darkness, to insist that the rave is a way of making the night habitable anew, insisting that night holds within it a light that shines through and that we again and again evacuate ourselves through the egress of each other's gleaming pupils. 
Pain has a grammar of its own all too easy to follow, but sorrow and healing spring forth in ever new places and all we can do is trace their paths in the hope of redrawing an inner atlas. This mix is about the volatility of the mind, but also its permeability and most importantly it is about the line of grace between the two – I'm A Nightmare Walking This Is My Dream.”