All enquiries: DJs@audiojackmusic.com 

Audiojack are a British DJ duo with a sound that ranges from deep minimal tech through house and garage. Their remixes have been commissioned by artists like Underworld, Basement Jaxx, Groove Armada and Hot Since 82, and their original music features on labels like Crosstown Rebels, Solid Grooves, DTFD, 8bit, Toolroom, Shall Not Fade, Knee Deep In Sound, 2020vision, and their own Gruuv.

Since forming Audiojack in 2006, lifelong DJs Jamie and Rich have played their grooves in over 70 countries, on many of the world’s finest dancefloors, which is exactly where they like to be…

contact@playedby.club

http://playedby.club/


Vinyl and digital independent record label.
 
Online social platform promoting underground music and the Romanian sound.
 
Event promoter based in Bucharest with international echo.

Paris, early ‘90s. The city was a schizophrenic beast—half-glamour, half-decay—where raves exploded like molotov cocktails in abandoned warehouses and smoke-filled basements. It was beautiful chaos. Somewhere in the thick of it was Julien Veniel, better known as D’Julz, spinning records with the focus of a surgeon and the cool detachment of someone who had seen it all.
Then came New York, 1993. A city that didn’t sleep but didn’t really dream either, at least not back then. Veniel—young, hungry, and too talented to ignore—found himself in the depths of sweaty dancefloors, perfecting his craft like a prizefighter working the heavy bag. The kicks were tighter, the grooves deeper, and his sound—dub-infused, stripped-down, relentless—started to carve its way into the foundations of house and techno.
But Paris called him back. By 1997, he was behind the decks at the Rex Club, launching Bass Culture, a night that would quietly and ruthlessly become one of the most enduring parties in dance music. You could feel it in the air, heavy with smoke and sweat: something was happening. And week after week, D’Julz delivered. The music wasn’t just played; it was installed into your brain, a groove so potent it hijacked your nervous system.
The production side came next. 20:20 Vision, Ovum ,Circus Company. Robsoul. ,Rekids. Big labels, underground credibility. Tracks and remixes that hit like slow-burning dynamite—deceptively simple, brutally effective. DJs hoarded his records like they were holding nuclear launch codes.
Then there was Circoloco—DC10 . Ibiza’s sacred asylum for the beautifully deranged. D’Julz became a fixture for 7 years, a reliable madman behind the decks, controlling both the main room and the red terrace like a general marching his troops to the brink of delirium. His sets were measured doses of euphoria and dread, dubby basslines colliding with pulsing techno rhythms, all delivered with a sly grin and the calm of someone who knew.
By 2009, Bass Culture Records was born. A label as lean and unforgiving as its founder—no fluff, no filler, just raw, stripped-back house and techno that knew where it came from and where it was going. Over 70 releases later, it’s clear: D’Julz doesn’t miss.
Now, decades into this strange and relentless trip, D’Julz is still at it. The tour schedule is insane—Bali, Berlin, New York, and back again. Clubs and cities blend together, but the mission never changes: find the groove, ride it hard, and don’t let up until the lights come on.
D’Julz doesn’t care about trends. He doesn’t care about fame. He’s a purist, a craftsman, a man obsessed with the sound—the deep, pulsing, unstoppable sound. Three decades in and he’s still there, calm and unflinching, dropping records that hit like a gunshot in the dark.
If you want to understand D’Julz, don’t bother asking questions. Just listen. The truth is buried somewhere in the basslines.

Original purveyors of Cosmic Techno

https://kraftekmusic.com
https://facebook.com/kraftekmusic
https://instagram.com/kraftekmusic
https://twitter.com/kraftekmusic

#cosmictechno

HI :)  I share what i like and I like a lot

pls visit my instagram for more information about me :)

Depending on whom you ask, Matthew Dear is a DJ, a dance-music producer, an experimental pop artist, a bandleader. He was the founding artist on both Ghostly International and its dancefloor offshoot, Spectral Sound. He’s had remixes commissioned by The XX, Charlotte Gainsbourg, Spoon, Hot Chip, The Postal Service, and Chemical Brothers; he’s made mixes for the Fabric mix series and Get Physical’s Body Language. He maintains four aliases (Audion, False, Jabberjaw, and Matthew Dear), each with its own style and distinct visual identity. He straddles multiple musical worlds and belongs to none—and he’s just hitting his stride.

Sound design:
www.matthewdearsounds.com

Label: 
www.ghostly.com

- @audion -

From early breakout hit "Phat Dope Shit" in 2002 to "Heavy Heart", a new collaboration with Skrillex and Fireboy DML, Dice has always been in the headlines. After his debut album "7 Dunham Place" on his own now long-running and well-regarded Desolat in 2008, came the major label follow-up "Underground Sound Suicide" on Ultra Music with guests like Giggs, Just Blaze, and Neneh Cherry, then the agenda-setting and club-focussed house and techno showcase that was "Love Letters" in 2018. 

Add in tens of EPs on Ovum, Minus, Cocoon, to name a few, and his remixes from everyone from Kevin Saunderson to Moby, Black Coffee to Disclosure, Warren G to Basement Jaxx, Loco Dice has always been at the beating heart of the electronic scene. 

His DJ sets, too, always brim with personality, whether in a small underground basement or on an iconic main stage at some of the world's top festivals like EDC Ultra, Tomorrowland and Coachella to name a few, playing to thousands. He has had era-defining residencies at iconic Ibiza super clubs like Circoloco at DC-10 and on the Amnesia Terrace as well at Space Miami. 

His lockdown move has been to unveil En Coleur, a label reserved exclusively for his own music produced at that time. SB Recordings followed. A new label open to all styles of dance music.

Since day one Loco Dice constantly pushes the boundaries of techno and house music production, from his appearance in 2004 PlayStation2 game "Decks & FX" to cooking up his own ideal fusions of hip hop and electronic music with his FKD side project or writing critically acclaimed runway soundtracks for Italian fashion designer Marcelo Burlon during Men’s Fashion Week in Milan for both FW20 and SS20.

Dice's distinctive fashion sense and strong visual aesthetic manifest in his collaborations with Amsterdam fashion label Daily Paper, pro sports hat purveyors New Era and in his own clothing brand Seran Bendecidos. 

All of this and his longevity prove that Loco Dice is undoubtedly an insatiable creative force most interested in the uncharted territory between genres and styles, the elements that link everything together.

Support me during this hard time by donating whatever you can via paypal. I'll releasing a new single soon and your help will go a long way. Thanks

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