minvájlz

GT Reposted Mix 2017 Part Three

August

the razor breaks through the snow

2017-A

The Body - To Carry The Seeds of Death Within Me

Official Video: https://youtu.be/bTXDLifjTUY

Purchase from RVNG: http://smarturl.it/body-isdh-rvng
Purchase from Bandcamp: http://smarturl.it/body-isdh-bcamp
Purchase from iTunes: http://smarturl.it/body-isdh-itunes

Taken from I Shall Die Here

© and Ⓟ 2015 RVNG Intl

The Body - To Carry The Seeds Of Death Within Me

Raise Spirit
https://soundcloud.com/raise-spirit
https://www.facebook.com/RaiseSpirit
https://twitter.com/RaiseSpirit

Orla Gartland
https://soundcloud.com/orlagartland
https://www.facebook.com/OrlaGartland
https://twitter.com/orlagartland

Artwork by Artur Zima
http://fav.me/d7gofpz

Sheepy on Spotify
http://bit.ly/MrSuicideSheepSpotify

Download

Orla Gartland - Lonely People (Raise Spirit Remix)

Everybody Knows Shit's Fucked (Official)

From the Cassette release Ocean Sounds by 0%

Kyrie e Elaison

First single from the forthcoming EP "Vicious Folly", due December 1st on Grand Gallop.

Mixed by Jonathan Low (The National, The War On Drugs) at Long Pond studio in Hudson Valley, New York. Produced by Line & Circle & Lewis Pesacov.

Man Uncouth

Strange Ranger 'Daymoon' out 10/6/17 on Tiny Engines

Daymoon

Strange Ranger - Sophie

Strange Ranger - House Show

Smut - Bones Of Summer

Daybreak tends to creep up on you. Emerging from starry darkness, the sun wobbles at first but proceeds on its scheduled arc. You can’t help but wonder if it ever looks back in disbelief, or regret.  This feeling of self-reflection—of looking back to see how far you’ve come—is precisely the sentiment of Thawing Dawn, the first solo record from A. Savage, released on Dull Tools.

The songs on Thawing Dawn form a guided tour through the romantic environs of A. Savage’s mirrored mind. While some were written recently, other tunes were penned over the past decade. For one reason or another, these compositions didn’t land with any of Savage’s other groups, and instead are presented now as a distinct collection. Reflecting back, Savage says, “Once I realized I had a small body of work that didn’t fit anywhere else, I started to examine the commonalities: What’s the common denominator of all this and how I can expand on it?”

Savage is best known as the frontman for Parquet Court, a duty split with fellow Texan Austin Brown. Their last record, Human Performance, delved into the emotional wreckage of a broken heart, to critical acclaim.  But with Thawing Dawn, it’s clear that Savage has matured. While assembling the record, he fell in love. Now, for the first time, we hear songs about being on the inside of love. Rather than lamenting the end of a relationship, we hear a voice trying, in the moment, to make sense of love’s mysteries. “Part of this maturity,” he says, “is reflecting on something when it’s happening, not just when it’s gone.” 

Thawing Dawn gives us honesty: We see the artist at home in bed, more singer-songwriter portrait than esoteric statement. Throughout his discography Savage has long abbreviated his first name as a kind of writerly gesture. He says, of the move, “I am an uncivilized member of modern civilization--I’m just a savage.” Like Duchamp’s R. Mutt signature on a urinal, the shortening embodies a mischievous directness, enabling this savage to introduce his slanted honesty into the universe.

“I always like it when records are good representations of communities,” Savage says, and this one succeeds in this regard. These ten songs were recorded between December 2016 and June 2017 by a cast of friends in Jarvis Taveniere’s Thump Studios in Brooklyn. Members of Woods, Ultimate Painting, PC Worship, EZTV, and Psychic TV all lend their talents.  Savage’s voice, once shouted into mosh pits, now glides confidently above its backing band. Thawing Dawn marks the arrival point for Savage as a sensitive and skilled vocalist.  A strain of rural inquiry tinges the soundscape, an ongoing trope in Savage’s writing most powerfully felt on Parkay Quart’s ballad “Uncast Shadow of a Southern Myth.” On this record it is stronger, with a healthy helping of pedal steel guitar, a chorus of female back-up vocals, four familiar chords, and maybe the truth, all layered throughout these songs. Their titles also steer us this way, but don’t fully convey the hidden intricacies. “Buffalo Calf Road Woman” opens the record in a burst of C&W energy.  The staccato pop piano of “Eyeballs” lays crisply beneath a refrain of heartbreak. “Wild Wild Horses” finds him confessing inside a Talk Talk bubble of guitar static and organ. The build-up of “What Do I Do” yields a guitar freak out that Parquet Courts fans will recognize. You could two-step to the swing of “Phantom Limbo.” “Ladies from Houston” is a Leonard Cohen-like ramble through a party scene. Finally, the title track is a suite of three interwoven songs that closes the record in a beautifully cinematic style. 

Throughout, A. Savage delivers one-off lines of razor-sharp observation that will stick in your brain, only to surface when you’re least prepared to handle their insights. When you put your copy of Thawing Dawn on your turntable and drop the needle, you’ll learn what A. Savage has to say about romance in our modern world. Keep your ears open--it’s worth hearing.

- Jack Murphy

Wild, Wild, Wild Horses

All songs written and performed by Supersonic Seaside.
Recorded in March 2017 by Cristopher Bacco at Studio 2, Padua, Italy.
Mixed by Alessandro Favero.
Mastered at Eleven Mastering.

Lapsed

"Noćne šetnje" ("Night walks") is a song originally written and performed by Borghesia. Originally appearing on their 1985 studio album "Ljubav je hladnija od smrti" ("Love Is Colder Than Death"), this particular song has recently been revived in a cover version form, recorded exclusively for the compilation album "Their Music, Our Lives" - a v/a collection of tributes to Borghesia, initiated, curated and released by Domagoj Kršić on his Room Tracks label. This cover version also features a secret guest appearance by the gorgeous Popsimonova, without whom...

For more of Borghesia, please link to @darkentriesrecords who re-released their aforementioned studio album, plus recently even more desirable collection of obscurities, "Clones".

A complete collection of Borghesia covers was previously available as free download at cyborgsoncrack.bandcamp.com/album/their…c-our-lives (the link now dead). For more information on the full tracklist, please follow the link - https://www.discogs.com/master/view/891267

Noćne šetnje

In Your Room is Depeche Mode's fourth and final single from their 1993 album Songs of Faith and Devotion, and the 30th UK single overall, released on 10 January 1994 in the UK and 18 January in the USA. All Rights reserved by Depeche Mode.

In Your Room (Depeche Mode Cover)

NONE - Somewhere

Odonis Odonis continued to push their sound further into the depths of post-apocalyptic experimentation. Following 2016's foreboding Post Plague, No Pop is the band's starker, more dance-floor-friendly fourth LP.

No Pop is being released by Telephone Explosion in Canada on October 20th, 2017.

Pre-order an LP here: https://goo.gl/VqjDbC

TELEPHONEEXPLOSION.COM

No Pop

Odonis Odonis - Check My Profile

"Different Life" is the first single from Feed's self-titled debut album, Out 11/17/17 on Help Yourself Records

FEED S/T

11/17/17

Feed - Different Life

Now available on streaming services: https://songwhip.com/song/hoult/pharmacy

Twitter: @houltuk
Facebook: https://www.facebook.com/houltuk

Pharmacy

From the album Exit Index out October 20th on Western Vinyl

Order Exit Index:
Bandcamp https://grooms.bandcamp.com/album/exit-index
iTunes hyperurl.co/jjt6lf
WV http://westernvinyl.com/shop/wv157

Grooms' Exit Index combines the abandon of pop with the unease of American life in 2017, cloaking its hooks in a clamor of samples and distortion, its agitation expressed in its dream-poetry lyrics. The album as a whole is a study in contrasts—light meeting dark, amplifier fuzz surrounding big melodies, sampled friction squaring off with fluidly played basslines. 

Grooms laid down the skeleton tracks for Exit Index, the Brooklyn band's first album since 2015's Comb the Feelings Through Your Hair, at the storied New York recording studio The Magic Shop. 

The heavy processing on the group's guitars helps add to the gloom as well; Johnson, who has co-owned the Brooklyn pedal company Death By Audio Effects since 2008, made a limited-edition distortion pedal to celebrate the album's release. "There's a lot of tremolo on Exit Index," he says, "so I made a fucked-up-sounding trem. I designed it to be dense and possibly confusing at first, where all the controls affect what the other controls do, like a synth. It can tremolo, or it can degrade things like they're on worn-out cassette tapes." Collin Dupuis (Angel Olsen, Lana Del Rey) mixed the album, adding a few finishing touches to intros and song structures while also making the structures Grooms constructs sound even more massive and imposing.

Exit Index

Grooms - "End"

Alien Sun

PRE-ORDER VINYL/CD/DIGITAL: http://smarturl.it/allbeliefisparadise

All Belief is Paradise

Fits - Hot Topic

'Let Your Dogtooth Grow' was once again recorded and produced by the legend that is Marta 'bueno' Salogni. It features our first (but certainly not last) outing with the Mini Moog, which oscillates freely throughout the closing minute of the track. Furthermore, the outro to the song becomes a melting-pot of our influences, combining guitar riffs reminiscent of Turkish psychedelic musician, Mustafa Ozkent with the Moog Synth riff which is redolent of Donna Summer's 'I Feel Love'. 
 
Taking influence from Lanthimos’ abstruse, fictitious world where kids are brainwashed into thinking that they are confined within the boundaries of their household until their ‘Dogtooth’ falls out, the lyrics discuss how in reality, people our age face similar (albeit less bizarre) forms of oppression. 
Whilst we’re much more than a stones throw away from knocking our teeth out in order to break from the omnipresent restrictions us teenagers and young adults face, it’s still something that really bugs us as a ‘young band’! When are you gonna let us out of the house?

Let Your Dogtooth Grow is the first single from The Orielles' debut album 'Silver Dollar Moment' set for release in February 2018 on Heavenly Recordings.

Silver Dollar Moment

Let Your Dogtooth Grow

Written by Headclouds. Recorded at Blank Studios with Chris McManus.

'Seen It Before' released Friday 27th October.

Spotify: http://spoti.fi/2hfKRKu 
Apple Music: http://apple.co/2lmRuyT

Odonis Odonis - Check My Profile

telephoneexplosion