Captainmarmalade - Slomp Kinjora (Cactus)

duthbsco

MDC Interview#59 " Terminal 11 "
https://mdc-japan.amebaownd.com/posts/52069604

Terminal 11 - 2001/2024 Mix
Tracks:
Sketchy (2006)
Reausez (2006)
Vintage Respirator (2003)
Slowly Advancing Minidisc Exorcism (2018)
No One There (2014)
Fury (2012)
Start Over (2012)
Hawaiian Sniper’s Eye (2007)
Undici (2003)
Unicorn Peyote Kaleidoscope (2009)
Heather in Japan (2012)
Metacognition (2018)
Reconfiguration (2018)
Gruesome Things (2012)
Tension (2012)
Cold Storage Acid (2014)
Unpleasant Experience (2018) 
I’m In No Mood For This (2005)
My Fist in Your Carcass (2001)
Tea (2021)
Walls Closing In (2024)
Rabid Mist (2022)
The Inevitable Pains of Living (2018)

Terminal 11
https://terminal11.bandcamp.com/

INTERVIEW

Terminal 11 - 2001/2024 Mix

All new releases, forthcoming and unreleased fresh tunes.
Tracklisting:
Earl Grey - Atanas Aconite @earl-grey
Le Motel, Neida - Sweatin' (Original Mix)  @le-motel  @neidadn
Nectax - Droid 94 @nectax
Dev/Null - Eternal (DJ B Remix)  
Worsleyy & Glinks - Robing   @worsleyy @guylincoln
Radiokillaz - Sound Attack  @radiokillaz
Sleepwalker - Age Of Aquarius (No Surrender, No Retreat) (L.D Rmx) @blankmindlabel
DC EFX - Listen This  @dcefx
Fendi-K - 94 style @fendi_kk
Globex Corp  - Poprocks Track 1
wrk.dat - Kong
Double O - Wisen UP VIP @double-0
Coco Bryce - You're Mine @cocobrycebeats
DJ Airwalk - how wonderful @1airwalk
Zeldin - JAH JAH v13  @zaczeldin12
Fourtwenty Sound - Modulator @fourtwentysound
The Invisible Man - The Flute Tune @blankmindlabel
FFF - 10 Hour Sound  @f-f-f
Qant - No Niceness @qqantt
Static Structures - Ruff Kut  @static-structures
Soeneido - No Turning Back @aurora-mesa
Rinse3000 - Artifacts (Ancient)  @who77777777
Equinox- Ruff Mellodie @sciwax
Orca - The Deep 
DJ Chromz - Be My Heart  @djchromz
Drumskull - Switch Up The Flow    @drumskull_music
Nebula - Love And Unity @nebulasciwax

Dev/Null - Drum Poetry March 14th 2024

Brussels-based Mika Oki (@mikaoki1) is a polymath of the arts, seamlessly blending her background in  sculpture and electro-acoustic music to craft immersive experiences that defy conventional boundaries. Much like a sculptor meticulously wielding her tools to shape raw materials into intricate forms, Oki's selections as a DJ exhibit a masterful finesse and meticulous preparation. Her eclectic mixes effortlessly blend nostalgic dance anthems with obscure gems, weaving together disparate elements into a tapestry of sonic coherence that never fails to astonish. Venturing into the realms of DJ and radio shows, Oki translates her atmospheric experiments into pulsating sets that blur the boundaries between explosive bass, dub, mutating vocals and ambient narratives.

PURE Guest.057 Mika Oki

she's just a lil set

1. Casio And Helicopter - Nate J Mattson
2. Shake It To The Ground - Rye Rye
3. BLE$$M32deth - B11ce
4. Cabin Fever - Domino
5. Action! - Le Lune, Apollo Sol
6. 50/50 Love - Clay Camero
7. Pursuit - Pixel Grip
8. Rabid Mist - Terminal 11
9. CA$HPIG (Plagued) - KIMKILLA, Plaguehorse
10. Toot That Train - The Puppies
11. TOXIC OBSTRUCTION - Cocojoey
12. Demon Chaser - Pixel Grip
13. Baby's 1st Trash (pre-final mix) - B11ce
14. Cookie & The Monsters (Turn Me Up) - Cookiee Kawaii
15. Fuji Apple - Viben
16. Deck Chairs - rincs
17. Blunt, Pt. 2 - echophague

JUNE - NTS - SET - SUBMISSION

My World My Way was the name of @e-saggila's album back in 2019. It perfectly encapsulates her brazen approach to sound which chews up and spits out everything from noise to breakcore to techno. The Iraq-born, Toronto-based artist has always revelled in the contrast between tempos, shocking rhythms and distorted textures. Part of the thrill of listening to it is the sense it could all collapse at any moment, whether releasing on her label Summer Isle or the likes of Opal Tapes, Hospital Productions, and Northern Electronics.

This week she delivers an hour of pure electronic potency that brings to life her uniquely dystopian visions. Staring in what sounds like a haunted underground metro station, she then transitions into futuristic worlds of pulsating bass, squealing synths, scratchy melodies and hyper-driven percussive patterns that race along into the unknown. It's an abstract selection of sound that is cerebral and cinematic but will also cause utter carnage in a club setting.

Dekmantel Podcast

Dekmantel Podcast 471 - E-Saggila

HAND DRUMMING ERICA SYNTHS PERKONS HD-01 > ROLAND DJ-2000 MIXER > PROCESSED THRU EURORACK (STATOLITH BUILD)

OBLEAK - BASS CHASERZ - TRACK JACKET UZIS (EINHANDER)

Augustin Braud - Trônes Amoncelés
CD / Digital
Released 28.03.25

Following a monograph of chamber music pieces performed by Ensemble Alternance, Trônes Amoncelés is the second LP by composer, musicologist and multi-instrumentalist Augustin Braud — a recipient of commissions from groups such as Ensemble Intercontemporain or Orchestre Philharmonique de Radio France, as operatoring under the industrial experimental moniker Ohr Hiemis as well as in the progressive metal band Erebe.

Inspired by Antonin Artaud's Les dix-huit secondes and written during a residency at La Muse en Circuit, the piece blends digital manipulations of Braud's voice with the legendary 50 years-old Serge modular synthesiser as well as meticulous guitar work. The restriction of the instrumentarium offers a coherence in otherness, as the sound sources blend into an analogue, distorted maelstrom. The abrupt variations and use of feedback reflect the madness and dread transpiring from Artaud's art, as when listening to the chilling Pour en finir avec le jugement de Dieu (1947).

In this piece, the composer becomes a récitant as well as a performer and improviser, blurring the boundaries of the roles usually assigned to composers; the text of Les dix-huit secondes is thrown into an abyss blurred by frameworks and functions, but also by genres. Braud borrows as much from musique concrète as from no-wave in this hallucinatory, radical work, carried along by the obscure breath of black metal, the soundtrack of a world more than ever eroded.

Augustin Braud - Trônes Amoncelés (excerpt)

Joint release between Cock Rock Disco and Naboa Music. Check them both out here: 
www.cockrockdisco.net/releases/ 
naboamusic.com/catalog/ 

Text from Cock Rock Disco: 

If you know anything about Cock Rock Disco you probably know about Terminal 11 too. We’ve been proud to release his music regularly since 2005 and we’re doubly proud to share this new material as a split release with Naboa Music! 

Here’s 8 incredible songs full of ultra-complex polyrhythmic explosion-beats like only he can make. Each track is a microcosm of razor sharp fragments sliced into crystalline structures of ever-evolving design – this time with a vaguely Acid feel. 

…And that’s not for nothing, as Terminal 11 seems to have broken the code to making songs that are both funky and complex, scientific yet primal. In fact these songs are equally at home on a dancefloor as they are ripping apart technival speaker cabinets. Single, double, quadruple time – they are all one. Run your finger down this crease and watch it expand into the universe. 

Note: "We're Just Taking It Back" was originally released by King Deluxe for the "Dance Like It's 2999" Project. 
Project link: kingdeluxe.ca/dancelikeits2999/ 
Track Link: kingdeluxe.ca/were-just-taking-it-back/

There Is No End

https://terminal11.bandcamp.com/
As heard on Satellite Era, Opal Tapes/Black Opal, Love Love Records, Schematic, Hymen, Cock Rock Disco, and Phthalo. Responsible for Phoenix, AZ based experimental/noise label @Sunwarped Records - https://sunwarped.bandcamp.com/ 
Also see http://soundcloud.com/emcast11