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Calvin Harris - Summer

http://smartURL.it/CHSummer

Calvin Harris - Summer (Extended)

Some minutes from our concert live with nightingales in Treptower Park, the Waldrezital sponsored by WIE Kultur in Berlin.  One live nightingale singing by the River Spree--nothing can faze him!  Plus David Rothenberg, clarinet; Korhan Erel, live sampling using Samplr on iPad.  All sound processing is live, not added later.  Performed by chance on May 9th, 2014, the 69th Anniversary of the Battle of Berlin where 80,000 soldiers died.  Now released on Terra Nova Music, http://www.terranovamusic.net/#/tn1511/

Live with Nightingales in Treptower Park

There has been rhythm on this planet for millions of years longer than humans have opened their mouths to sing.  Long before birds, long before whales, insects have been thrumming, scraping, and drumming complex beats out into the world.  David Rothenberg decided to investigate the resounding beats of cicadas, crickets, katydids, leafhoppers and water bugs in his unusual third foray into music made with and out of the animal world.  After working with birds and whales, he now tackles the minute complex tunes of the entomological universe, building songs live nad in the studio with cicadas who emerge only once every seventeen years, treehoppers who tap complex vibrations onto plant stalks, and a tiny beetle who makes one of the animal world’s loudest sounds by vibrating its penis underwater.

He is joined by guitarist Robert Jürjendal, who’s worked with Fripp and Eno, Timothy Hill of the Harmonic Choir, Umru Rothenberg on iPad, and millions of tapping, screeching, and howling bugs—Hear them before they hear you.

More Information: http://www.gruenrekorder.de/?page_id=9530

Bug Music | David Rothenberg

Excerpts from Erik Honoré's debut solo album "Heliographs", released by Hubro (www.hubromusic.com) on 5 September, on CD, vinyl and digital.


"A hot contender for the album of the year."  - Michael Engelbrecht, Deutschlandfunk


Vinyl can be pre-ordered at Cdon.com, Bigdipper.no, Platekompaniet.no


Release concert at the Punkt Festival, Kristiansand, 5 September. www.punktfestival.no, featuring Arve Henriksen, Eivind Aarset, Ingar Zach and Jeffrey Bruinsma.


---


Erik Honoré
Heliographs

1. Navigators (06:40)
2. Halfway House (01:28)
3. Sanctuary (03:06)
4. Pioneer Trail (04:23)
5. Red Café (03:03)
6. Last Chance Gas & Water (08:51)
7. Strife (01:35)
8. Sanctuary Revisited (04:23)
9. Departed (02:51)

Produced, engineered and mixed by Erik Honoré

Erik Honoré: samples, synthesizers, synth bass,
rhythm programming, field recording

Sidsel Endresen: voice on 1, 3, 8
Ingar Zach: percussion on 2, 3, 6, 7, 8
Jan Bang: samples on 1, 4, rhythm programming on 4
Eivind Aarset: guitar on 4, 7, 9
Jeffrey Bruinsma: violin on 5
Arve Henriksen: trumpet on 7

Excerpts from "Heliographs"

Cut one of RAYS honoring the heralding trumpet of the Archangel Michael.  Hold the image of the current head of the angelic triumvirate trumpeting down from the Heavens upon a Chariot of Golden Light pushing aside the confounding darkness of the Luciferic Dragon. 

bandcamp

Archangel Michael

Fifth cut of RAYS honoring the constellation of the same name.  This is an open ended improvisation over the 16 note journey sequence in A minor.  This was composed for the Birth of Venus concert series that was done in the Planetarium of the Bishop Museum.  Imagine lying back contemplating the Heavens from your favorite high place or within the domed walls of your local planetarium.  

A Retrospective

Orion

Bandcamp

A new Bootleg remix i made using an amazing track by Fink called Green and the blue , hope you all enjoy !

Fink - Green and the Blue (Glowa Bootleg Remix)

A remix of part of the soundtrack of the film SONG FROM THE FOREST, www.songfromtheforest.com , coming to theaters in the USA this spring, which tells the story of Louis Sarno, who came from New Jersey to live thirty years with pygmies in the Central African Republic, recording their music.  In the film je comes back to the USA with his 12-year old son Samedi, to show his son the world Louis came from.

The text comes from a section of the film where Jim Jarmusch, once Louis Sarno's roommate, explains a view of the world that he and Louis have always shared.

This Is The Way The World Is (featuring Jim Jarmusch)

Four Sections - Steve Reich (Andrea Parker remix)

anything

Preview track from Debris In Lower Earth Orbit - Twinkle³ with Sidsel Endresen LP + CD on CUSP

Sidsel Endresen (voice)
Richard Scott (electronics)
David Ross (Drosscillator, kantele, mbira)
Clive Bell (shakuhachi and other woodwind)

Twinkle³ have teamed up with Sidsel Endresen, Norwegian singer, avant garde pioneer and ECM recording artist. The result is Debris In Lower Earth Orbit, a graceful, yet precarious dance through the weightless slipstream of orbital flotsam and jetsam.

Twinkle³ with Sidsel Endresen - Cosmos And Iridium Embrace (CUSP002)

Disquiet Junto Project 0229: Fourth Worldizing

Years ago, I used to have reel to reel tape recorders and would record various sounds at different speeds and play them back at different speeds and in different acoustic spaces, bouncing between recorders to create muti-layered noise-scapes.  Samplers at the time didn't provide adequate fidelity when transposing samples downward more than an octave, the sound became grainy and very un-analog. When 192Khz audio interfaces came on the market I was excited, not because of the promise of fantastic sound quality, but because I would be able to capture audio at 4 times the normal 44.1khz working rate and slow it down without significantly degrading the audio. The way I did this, and still do, is to record at 176.4khz and then hack the file header to change the apparent sample rate to 44.1khz. The wonderful SoundHack app allows you to do this easily. Loading the hacked audio file into into my DAW I could get a recording four times slower and two octaves lower and better quality than any hardware sampler.

For this weeks track I took the Hassell reference as a starting point and the recording technique as a means to create the acoustic spaces for the sounds. I set my slightly faulty (dodgy DAC) MOTU Traveler interface to 176.4khz and used a pair of Rode NT2's for recording the sounds used. I used my home studio (not acoustically treated), my hallway (very long, wooden floors) and a bucket. 

I did a similar track last month, using similar techniques, also Jon Hassell inspired. https://soundcloud.com/klaatuberada/lolololo-rain-for-a-fourth-girl

The main drone in the track is a single, heavily modulated note played on an analog synth, sound output via studio monitors and recorded with a hand held microphone. I moved around in the room, centre, corners, while holding the mic to vary the volume and sound quality. I did a second pass where I fed a little of the mic signal back through the monitors, I was able to get some nice gritty feedback which I layered with first recording of the drone. The resultant files were hacked and played back four times slower (2 octaves lower) with all the cable bumps and footsteps and extraneous noise adding to the texture. The percussion loop was recorded in a bucket at 88.2khz and played back twice as slow. A piano part was recorded at 88.2khz and 176.4khz and layered to create the chord stabs that appear periodically. The flute parts were made with "Passion Flute", recorded at 88.2khz from the hall, played back an octave lower. The melodic bit in the middle is a guitar sound played fast and slowed down 4 times, recorded from the hallway. Bass recorded as played. Other little sounds and treatments added. There was quite a bit of hiss in the recordings, which when modulated added a nice little shimmer on the top end.

Alvin Lucier's piece "I Am Sitting In A Room" (1969), is an interesting extrapolation of this process taken to the extreme.

Cover image is a Landsat false colour image (made falser) of Melbourne, AU.

Use a favorite trick of legendary sound designer Walter Murch.

Background: At 2:14 in the following YouTube clip of an interview about the concept of “worldizing” with sound-design legend Walter Murch he plays a bit of a movie, THX-1138, and then describes the process of recording something to get an exaggerated sense of the space in which it was recorded: “If you are in an ordinary sized room and play the voice at four times speed … and you record it on the other tape recorder, also running at this very fast speed, then when you play the other recorder back at normal speed you get the original sound but you get the space of the room as if it was four times larger than it really is.” (Just to expand the idea a bit, the project’s title, “Fourth Worldizing,” is a nod to musician Jon Hassell.)

https://www.youtube.com/watch?v=_py6jVyOqUY

These are the steps for the project:

Step 1: Using the trick Murch has provided, make something of it.


APOB - Unsettled Implements [disquiet0229]

A Gouranga exclusive! Due to be released on August 19th here is @ray-mang 's superb Dub of Bryan Ferry's 'Driving Me Wild'. 

Juno Download of the full release including all the Dubs:
https://www.junodownload.com/products/bryan-ferry-avonmore-the-remix-album-deluxe/3165021-02/

DELUXE VINYL: https://exit.sc/url=https%3A%2F%2FBMG.lnk.to%2FBryanFerryAvonmoreDubs

https://www.gourangamusic.com
https://www.facebook.com/ilovegouranga
https://www.instagram.com/gouranga_music

Avonmore Remixes

PREMIERE: Bryan Ferry - Driving Me Wild (Ray Mang Instrumental Dub) [BMG Rights Management]

Recorded live. All vinyl.

On June 10th, 2016, clothing company Claymore Minds invited Aloha Got Soul to spin records for the launch party of their "Heavy Mellow" T-shirt series, hosted at About The Goods in Honolulu.

We jumped at the opportunity, embracing the theme "Heavy Mellow" to curate a unique selection that showcases the seriously sublime soundscape of Hawaii's musical palette: new age and folk from the 1980s; psych from the 1970s; hip hop from the 1990s and 2000s; funk and soul from the 1970s. It's all here.

"Heavy Mellow"
0:00 - 48:50 — Roger Bong
48:51 - 1:35:55 — Hideki Yamamoto
1:35:56 - 2:22:28 — Oliver Seguin
2:22:28 - 03:02:08 — Two records each (Roger, Hideki, Oliver)

www.alohagotsoul.com
www.claymoreminds.co
www.abouthegoods.com

AGS logo hats > https://alohagotsoul.bandcamp.com/merch/aloha-got-soul-logo-6-panel-hat

Heavy Mellow - All-vinyl soundscape of Hawaii's musical palette

From The Pleiades (1985)
http://soundsofthedawn.com/2016/08/thomas-massari-the-pleiades/

Thomas Massari - The Pleiades

see description of Star-shaped Biscuit, scene 1.

Star-shaped Biscuit: scene 2- Curiosity

Sam Irl is a talented producer from Vienna to keep an eye on. After a few releases on various labels, amongst others a 7" collaboration with Dorian Concept and a featuring on "Kutmah presents Worldwide Family Vol. 2" (Brownswood Rec.) with Ritornell, he is releasing his new EP on Jazz & Milk. 

The "Slower Bavarian EP" begins with "Safety Hertz", a moody deep house tune with live rhodes and analogue synthesizer chord movements building up a melancholic yet forward-driven vibe. The bass-heavy broken-latin "Batuque" started out as a sponanteous summer jam with Dusty on a visit to Vienna which has already been played out and supported by DJ's like Mr. Scruff. The B-side begins with "Oh Mother", a raw percussive afrobeat workout with an ethio-sytle twist, recorded together with Viennese underground group Smizuler & The Helmets. Additional Trumpets were played by LA's Todd Simon. The EP concludes with an excellent remix by Sam Irl homie "Cid Rim" remixing "Safety Hertz", turning it into a futuristic and dreamy bass workout.

Sam Irl, a young producer originally hailing from a small village in rural Lower Bavaria, has been living and working in Vienna for quite some time now. Besides studying recording engineering at Vienna's University of Music and Performing Arts he produces tracks of various styles, ranging from sample-heavy MPC Hip Hop beats, analogue tape-recorded synthesizer Funk to raw Broken Beat and Deep House tunes. He has released on Stuttgart's Pulver Records, Bonzzaj Recordings ("Untitled One" with Dorian Concept) in Switzerland and Fresh Minute Music London. Besides releasing his own music he has done remixes for JSBL, Swede:art, Trishes (FM4), Inverse Cinematics (aka Motor City Drum Ensemble) and Munich's dialect-Hip Hop-group Doppel D.

Look out for Sam Irl's live performances jamming on two MPC's, drum computers and analogue synthesizers.
