Rave on! Superior energy depicting the moves through the concrete & asphalt jungle! Love the sound effects!!  I could see this being a gamer's urban wonderland! >> 🌆😍😎😎😎🎯

Energy is nothing without control, you got both! I like this stuborn groove holding the skyscraper of sounds you create all around.

I am struck by your mastery of radical high frequencies. And that is true in all your tracks.

An old DADGAD tuning track I'd forgotten I'd done :)

DADGAD Nocturne

Align

Push Ahead

Under a Night Sky (original guitar piece)

Virtual jam session with Roy Roy who is on slide guitar. Hope you enjoy! Song originated and written by Roy Roy. 

Roy Roy's Soundcloud site...
https://on.soundcloud.com/1GuUM

Spring Is Coming (Roy Roy And J.J. Terrell)

A quiet, deserted town where the wind blows through.

Empty City（誰もいない街）

Chronicle

Weightless / Paploviante / Open Collaboration Offer
Paploviante: Bass, Composing, Arrangement, Mix, Picture and Mastering
BPM 120
Added guitars: Neno J.
@paploviante-and-friends:
@paul-racle:

Weightless (collab with Paploviante)

This is the third track I've worked on in the Departure series of experimental poetry readings, inspired by a set of 13 cantos written by Jo Richter a.k.a. Sonic Structures and Silent Stretches @sonic-structures. 

Jeff -- Stonerjazz/ @user-911083679 -- took Jo's reading and added his own reading plus a little bit of bass and drums. I thought the direction he took it in was delightfully weird so tried to play that up by adding more percussion, and a melodic lead that sounds a bit like electric guitar but is actually a synth plugin with tons of saturation and effects layered on. 

This was another unique experience with a couple of wild and unique artistic explorers! Thanks for the journey guys!

Art by Stonerjazz

---------

Departure:
canto VIII (poetry copyright Jo Richter)

What goes around: Unless familiar minds adopt
a major work of art, it cannot be recognized,
not even by the finely tuned, academic apparatus
of the scholarly persuasion. It longs to be gently
directed out of obscurity by intimate alignment.
It unequivocally needs to be claimed by readers,
by listeners, and by those who take it to their hearts
and minds. Then, only then, it comes around.


Most poets, though, feel little inclination
to join the showy, self-assertive blaze of what
the market forces call a fair. There is a dis-
connect within the meanings held within this term.
He remembers public events pertaining to focus on
poetry that only captured the self-congratulatory
sensations of those who spoke the welcomes and
thus abused the art to elevate themselves.


In Schlegel, in Schiller and in Borges, he tried to
find the remedy to reconcile this rift, but
neither understanding nor play nor underlaying fantasy
would overcome that star-crossed constellation
that casts a valley made of shadows between the
divergent meanings of such a simple word as fair.
If those he spoke to found beauty only in the advance-
ment of their social fortunes, nothing could be saved.


Of course, he drifted off the course his art
demanded. He tried to quiet down the insurgent
poetry that sought expression through his puny
skills. This very nearly drove him to seek refuge
at the place ineptly called asylum which gathers all
the muted voices in wanton seclusion. Spiteful, he
wrote once again trying to outline all hope that
remained for aesthetic rigour and beauty to survive.


Eventually, he gave in and all his art served
but for one end: to represent the conundrum of
his being who he is within a stoic pattern of
existence he could not but accept. He wrote
for stones, for plants, for lakes, and for hills that
listened more intensely than his fellow men. He starved
for lack of response but refrained from complaining.
That‘s when he first came ‘round, beheld the spire.

Insurgent Poetry (Departure: Canto VIII) - w/ Stonerjazz and Jo Richter

Instrumentation and composition by https://soundcloud.com/user-936947521 
Vocals and lyrics by conover
Guitar solo by https://soundcloud.com/matt-warnick-58962582 
© 2020 Conover/Beelaard

Just pull the car around.
And please let us know when your due to arrive.
cause they'll be dancing in the street.
from the moment you arrive.
It's been such a long time
Since I've held you

And they we drive along the ocean with your hair undone
and your suitcase strapped firmly on my back. 

And so we drive and drive and drive and drive
And so we drive and drive and drive and drive
And so we drive and drive and drive and drive

Just pull the car around.
And please let us know when your due to arrive.
cause they'll be dancing in the street.
from the moment you arrive.
Just pull the car around.
And please let us know when your due to arrive.
Just pull the car around.
And please let us know when your due to arrive.
cause they'll be dancing in the street.........

Pull the car around Beelaard, Warnick & Conover

I'm a British-American Electronic musician by the name of Nathan who currently lives in the Pacific NW. ... Sometimes I take extended Social Media breaks for my sanity. Lol! 😅 ... So if I ever miss responding to a comment or returning a follow, it's only because it's hard catching up when I've been gone a month.

I play vintage synths which I've had for decades(because new ones are expensive. Lol!), but in the last couple of years I've been working much more with DAWs (which is awesome because my fingers don't work as well as they used to), with the occasional flourish from my aging synths.

I'm influenced by all varieties of electronic and electronic-adjacent music from 1960s/70s - 2020s, not to mention a bit of Prog and Metal, and Jazz Fusion. 

My focus tends to be on Trance, Ambient, Synthwave, EDM, Synthpop, EBM, Industrial, Darkwave, Futurepop, and the occasional hint of Jazz Fusion. (Sometimes all in the same track).

That's what happens when you're hooked by the Doctor Who Theme at a young age. ;-)  

I'm not always entirely sure which subgenres many my tracks are closest to, So I try to pick the broadest and most dominant one for the main tag. The first row of tags are the other ones I reckon they're closest to, and the rest are an assortment of other related tags, some closer than others. 

 
See link to follow me on YouTube as well.

Chronicle

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