STRUCTURAL REFUSE

TRAMPELFÂD
Laboratory for Contemporary Electronic Experimental Music

Rec.name : " Dance Music Vol 33 "
credit : ipad 9 ,digitakt 1

date : 16-10-2025
Part One :
https://trampelfad.bandcamp.com/track/whats-that-again

PLEASE VISIT OUR MAIN PAGE :

trampelfad.bandcamp.com
and
maxelzholz.bandcamp.com
Live 10/2025
https://www.youtube.com/watch?v=w3_yn4gVTek

Live 2024 :
https://www.youtube.com/watch?v=Y52VDBHP-cc
Robots 2015 :
https://www.youtube.com/watch?v=8DKtzLNZfvo

IRONBRIGDE 1779

Missing Everything Crepuscular

Ninepin

yay tons of rain yayayayayayayayayay
made with piano, stylpphone, casio, zoom h1 and NCH
this is the too long, low edit version
better version(s) coming on main fr0ggy5 acct

rain rain you can stay all day

Picture a small set of defenders against an overwhelming attack force...

There Will Be a Tear in the Wall

Adam Majdecki-Janicki - synthesizer, Michał Sławski - percussion.

Buy:
https://payhip.com/b/9bQEC

"They guard nine rivers; they guard nine mountains"

Born in a small home studio in Valencia 

Enjoy it! 

Ritmoteca

Authentic Lizard Dancer

TRAMPELFÂD
Laboratory for Contemporary Electronic Experimental Music

Rec.name : " Rif S3- Fuck off AI Cover Design  "
credit :

date : 9-11-2025
https://soundcloud.com/neoilsomgroup

Discharges V Light

The original idea behind the Bad Synth project was to improvise without any direction, record, and close the track without overdubs or heavy editing. Over time, though, those guidelines revealed their limits, since mixing and finalizing can be equally - and highly - creative stages in their own right. 

For this track I’m going a bit back to the roots: it was recorded in full improvisation and finalized in GarageBand, adjusting only the stereo image, EQ and loudness. 

Feel free to share it and pass it around — that matters to me. Thanks for listening, in the meantime.

Neverending sequence [part 23]

Sound imageries for the post-capitalist transition.

Neverending sequence [part 23]

The Bad Synth