The original idea behind the Bad Synth project was to improvise without any direction, record, and close the track without overdubs or heavy editing. Over time, though, those guidelines revealed their limits, since mixing and finalizing can be equally - and highly - creative stages in their own right. 

For this track I’m going a bit back to the roots: it was recorded in full improvisation and finalized in GarageBand, adjusting only the stereo image, EQ and loudness. 

Feel free to share it and pass it around — that matters to me. Thanks for listening, in the meantime.

Neverending sequence [part 23]

Sound imageries for the post-capitalist transition.

Probably the worst one man industrial band from Escondido.

experimental musician/soundmaker from Apuliae
Born in 1978

Welcome here to everyone.

I hope what you'll hear inspires you.

For your growth or fall
Through the cathartic world of sounds 
that I try to propose. 

A test area 

A search for meaning 
Of this passage for ours.

Sound as a primordial frequency
Before any acquired significance

If what you hear resonates with your tuning fork
A like and a repost would be of great support.

May your journey be pleasant and constructive
in this sea of instants called life

The eternity of our days.



troksnis ir patvērums no pasaules kņadas.
noise is the shelter from tumult of the world.
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marginal electronics since 1996.
antireality since 1999.
ambientoid and visionary noise, abstract soundscapes, drone meditation.
using feedbacks, vintage tone generators, acoustic objects, field recordings, tape manipulations and some modulars lately.
there are/were several sideprojects and kollaborations - an, syndrome, surreogate, i.m.plant, b.r.a.k.e., stalkspace, logos 29.11., jaunā vienmuļība, shamanorgru.
-----------------------------
perpendikulāri visam.
omniperpendicular.

Neverending sequence [part 23]

The Bad Synth