Mixed for Lillithe

Shooting stars.

Far Field

Room Of Strangers W/ Morten Jeamland

What began as a collaboration with Debra Buesking has expanded to include the wonderful vocal talent of Paolo Pieraccini (@mayadog).  His singing, especially in Italian, gives the song a sweet, emotional intimacy and urgency.  A lovely honor to have him grace our song with his talent. Hear more fine music on his profile and Debbie's too @debra_buesking. 
Lyrics in Italian and English:
Dimmi dove sei
Torno a casa e non ti trovo più
Le tue calze sopra il letto
Sempre accesa la TV

Non dimentico
Le tue promesse in bilico
e le domeniche
Sempre spese solo dove decidi tu
Forse ho il cuore troppo piccolo
Per lasciarti la tua libertà
casca il mondo
quando te ne vai

Mille baci e poi
All’improvviso il vuoto fra di noi
Non so perché rimango appeso qui
Il tuo canto mi ha ingannato
e come Ulisse mi salverò
Ma poi ricadrò
nella tua tela ancora

Sei sparita ormai
irraggiungibile
ma è sicuro io ti troverò per dirti che
che non mi arrendo e voglio solo te
Puoi scommetterci
Vorrei sentire ancora i brividi
Mentre stringo la tua mano
per non lasciarti più
………………..
Chissà dove sei

Tell me where you are
I come home and I can't find you anymore
Your socks over the bed
Still on the TV

I do not forget
Your promises in the balance
and Sundays
Always spending only where you decide
Maybe my heart is too small
To leave you your freedom
the world falls
when are you leaving

A thousand kisses and then
Suddenly the void between us
I don't know why I'm hanging here
Your singing deceived me
and like Ulysses I will save myself
But then I'll fall back
in your web again

You're gone now
unattainable
but it's sure I'll find you to tell you that
that I'm not giving up and I just want you
you can bet
I wish I could still feel the chills
As I hold your hand
not to leave you anymore
……………… ..
Who knows where you are

Easy To Please (featuring Paolo; vocal) Debbie; Piano, David; Guitar

WELL (with Marianne) - Bruno C

The fantastic percussions of Sonic Kitchen are a complete theme on itsown. I only tried to do my best with synths and programming.
For more Sonic Kitchen: https://on.soundcloud.com/MZw8
For the original theme: https://soundcloud.com/sonic_kitchen/dance-of-the-kingfisher-prototype-1?si=993d5659054a46ad83031cccfd47ddb8&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

DANCE OF THE KING FISHER (WITH SONIC KITCHEN)

Cello Freak

🖤Buy

The ghosts
Inspired by the bygone era of the 60s-70s-80s and popular art music, especially from the UK! All those little melodies that you tap with your fingertips or whistle...memories...
Artists, dying shadows on the walls, sometimes dazzling light, but their desire to be the best often led them down the road to perdition...
Many artists have never seen the light of the day of glory, these young chrysalises have not had the time to blossom on the big stages and yet some would have largely deserved it as the quality and beauty of their work was sparkling..... 
Doors open and close at great speed in this world. But they are still here, even if they have become ghosts, let us thank them for they have inspired us, shaped us and they continue - Thank you.

The ghosts
Inspiré de l'époque révolue des années 60-70-80 et de la musique artistique populaire, notamment britannique ! Toutes ces petites mélodies que l'on tape du bout des doigts ou que l'on siffle... des souvenirs...
Artistes, ombres mourantes sur les murs, lumière parfois éblouissante, mais leur désir d'être les meilleurs les a souvent conduits sur le chemin de la perdition...
De nombreux artistes n'ont jamais vu la lumière du jour de gloire, ces jeunes chrysalides n'ont pas eu le temps de s'épanouir sur les grandes scènes et pourtant certains l'auraient largement mérité tant la qualité et la beauté de leur travail étaient étincelantes...... 
Les portes s'ouvrent et se ferment à grande vitesse dans ce monde. Mais ils sont toujours là, même s'ils sont devenus des fantômes, remercions-les car ils nous ont inspirés, façonnés et ils continuent - Merci.

Ghost

Hammerhead

Vocals and Lyrics: @kaerian-1

Music:  Laar @https://soundcloud.com/user-325797522 (Recorded with Squire Jaguar, Squire CV 70s Jazz Bass and Fruity Loops. Drum patterns are taken from FL FPC plugin

Photograph: by Eric Pitteloud (all rights reserved)

Lyrics
------

Ne t'approche pas trop près de moi
(les dramas c'est pas pour moi)
Je n'aime pas
Je n'aime pas être entourée
par tous ces gens bien intentionnés
qui cherchent à me corriger
me conformer à leurs normes
modifier ma vraie forme
(j'essaie de m'échapper, mais je me fais toujours rattrapper)
les vieux réflexes me laissent perplexe

La vérité c'est que j'aime être entourée
par des gens apaisés
sans combats de guerriers
non je peux plus digérer (gérer)
cette atmosphère de guerre
constante
idiote compétition
envahissante
incessante et persistante
Ne t'approche pas de moi
pour initier un combat
non je ne veux pas
que mon temps serve à ça
fatiguée de lutter
il y'en a si peu
il est si précieux
dépitée de gaspiller

rien ne sert de faire un drame
inutile est ce vacarme
l'expérience est faite
même si c'est une défaite
rien ne sert d'abimer le passé
inutile de vouloir l'effacer
juste avancer

------------------------

Don't get too close to me
(dramas are not for me)
I don't like
I don't like being surrounded
by all these well-meaning people
who try to correct me
to conform to their standards
change my true form
(I try to escape, but I always get caught)
the old reflexes leave me confused

The truth is that I like to be surrounded
by peaceful people
without warrior fights
no I can't digest (manage)
this atmosphere of war
constant
silly competition
invasive
incessant and persistent
Do not approach me
to initiate a fight
no I don't want
my time to be used for that
tired of fighting
there's so little of it
it is so precious
sorry to be wasteful

there's no point in making a mess
it's useless to make a fuss
the experiment is done
even if it is a defeat
there is no point in damaging the past
no point in trying to erase it
just move on

Ne t'approche pas

Ne T'approche Pas (Kaerian & Laar)

Music & Words : Bruno Chassaigne (many years before becoming Loony De Bussy)   Art work : Nataly NGM

Bruno did drums program, bass , guitar and vocal 

Recorded on 4-tracks tape recorder 
Mastered by Loony on Audacity 

Play it loud!

Story :
Here is a bit of what happens when you loose someone you cherish above all.. the one who gave you inconditional love, the one who gave you life! 
I was still a young music student at this time, but it seemed youth - and all its carelessness - would never ever be.
Nothing I was able to do except... crying, and, just after one week -  when walking along the sea apart from family , trying to find interior peace and accepting - composing this!
I wrote music as I could when back in my car (always had some music paper and a pen in it) and words came instantly.
Days after I could check it on a guitar, and only one year later record it. 
Never been able to play it with bands so that you’re almost the first listeners here … more than three decades later
Hope you will appreciate

I'M CRYING  -  Bruno C

The Meeting 140 BPM

Glued In 135 BPM

I'd Choose You (Acoustic Instrumental)

Lágrima Fantasma - October 19, 2025 - edit 1

this is is a track made by are drummer on the guitar hope use enjoy

The Dark Afterglow is an art project which was founded in 2011 by the austrian musician Alexander Herzog, born 1991. He writes, records and designs everything on his own as a one-man-factory. His songwriting is very spontaneous and instinctive. All tracks are written and recorded at his home with the most minimal equipment you could find to keep the truth of music at the highest point.

https://thedarkafterglow.bandcamp.com/follow_me

Far Field

The Dark Afterglow

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