Name: Odd by ⊥he Exe Stencilists in Bonetired Plus Odd: 30 Fresh new tracks from the SoundCloud community
Duration: 1 min 16 s
Description: Jammin' by myself and a computerised drummer

I love the opening. Dis very sexy moody island stuff

good to hear that you are still at it Russ. Guitar squik-squik reggae against to rush of cool timbres infects this listener with the desirable virus of ecstasy! Core-Owna!

Bonetired Plus Odd: 30 Fresh new tracks from the SoundCloud community

meanwhile in Africa
Oshe Baba is a Nigerian phrase meaning thank you Father 
Vocal snippet- Logic Library
synths- Omnisphere 2

Baba

Edie is the title track from the forthcoming LP, out 3rd June 2022
Video here, all ochre and gold https://youtu.be/sBuMe7vnbDE 
Thanks for listening x

Edie

She got a pocket full of mighty fine, fine intentions
She got a way, she got a way that somehow makes you feel good
She got a story full of love and hate and other complications
Got you hooked on her smile, hooked and hung on a hook. (x2)

She got a promise full of smoky red wine redemption
She makes you pay, she makes you pay as if she's drawing your blood
She got a black heart full of war and peace and other aggravation
Got you hooked on her smile, hooked and hung on a hook. (x2)

She got you hung on a hook
Hung on a hook, she got you hung on a hook
She got you hung on a hook

Little cat all alone like that, in ballet flats in the snow
Little cat all alone like that, hey Edie, where you gonna go?
Little cat all alone like that, in ballet flats in the snow
Little cat all alone like that, hey Edie, where you gonna go?
I say Edie, where you gonna go? 
Oooooooh Ooooooooh

Edie oh Edie oh black-hearted Edie
Littered, lost love-lorn and ghost
Edie oh Edie oh black-hearted Edie
The one that I still love the  most
Edie oh Edie oh black-hearted Edie
The one that I still love the most

Edie(c)2022steph sweet All Rights Reserved
Fender jag, 500 bass and vocals

Edie

edie video

Dick sent me this great instrumental long ago, full of details and different sections. I was too busy then, now I've enjoyed working on it at last !!

https://soundcloud.com/oorlab: composition, drums, bass, synths, guitars... all before 0:20 and most after that.
https://soundcloud.com/ruizzoidman21centurions: lyrics, vocals, lead guitar, pocket sax, and 40 years old school flute.

Letra  / Translated Lyrics:

(Coro:  /  Choir)
De coger café yo vengo  /  From collecting coffee I come
A coger café voy  /  To collect coffee I go

(Solista:  /  Lead:)
Quisiera ver lo que no vi,  /  I’d like to see what I didn’t see,
quisiera ir donde no fui,  /  I’d like to go where I didn’t go,
quisiera hacer lo que nunca hice…  /  I’d like to do what I never did…
… pero veo lo que no se ve,  /  … but I can see what cannot be seen,
voy donde nadie nunca fue,  /  I go where no one ever went,
y hago lo que no hace usted. /  and I do what you don’t do.

Picture by Carlos Duque Rangel: "Recolectores de café"
https://www.artelista.com/obra/2345713654034411-recolectores-de-cafe.html

De Coger Café (with Oorlab)

Badkup - Bonetired 
(c) 2022 by
@fadysporz
@para-lia

Bonetired

Jammin' by myself and a computerised drummer

Jamais plus, (*Translation below*)

Plus jamais, je ne la reverrai
Plus jamais, je ne l'entendrai
oublier tout ce qui s'est passé
oublier que nous nous sommes aimé.
Plus jamais, je ne l'appellerai
plus jamais, je ne lui écrirai
effacer son visage de mes pensées
effacer sa voix de ces bandes usées.

Un peu cassé, je sortirai du fossé
vous retrouver, je sais que vous m'attendez
chère inconnue, je viendrai vous chercher
car jamais plus, je ne saurai me tromper.
Un jour de mai, nous nous sommes embrassés
Un jour, oui mais, depuis nous sommes enlacés
Mon ingénue, c'est bien de vous dont j'ai rêvé
car jamais plus je ne saurai me tromper.
*(Chanson originale, mix, voix, texte KidOfEarth)  
©Copyright France

Never again,

Never again will I see her again
Never again will I hear her
forget everything that happened
forget that we loved each other.
Never again will I call her
never again will I write to her
erase her face from my thoughts
erase her voice from these worn tapes.

Kinda broke, I'll get out the ditch
find you, I know you are waiting for me
dear stranger, I will come and get you
because never again will I be able to be wrong.
One day in May we kissed
One day, yes but, since we are intertwined
My ingenue, it's really you I dreamed of
because never again will I be able to be wrong.
*(Original song, mix, vocals and lyrics KidOfEarth) 
©Copyright France)

Jamais Plus

Jamais Plus © (original song/Translation in description)

Why chain?
Why chain yourself?
A rumor etched in the wind.
A very simple smell of fear.
An all-too-familiar need.
As sure as torture,
chain mom is here for you.
Why chain yourself when you are sovereign?
Or...
A little craving?
And this fear weaving realities.
Arts strategy.
Still limping.
A step aside.
A shadow in the link.
There you have it, impotence in the dungeon.
Vaine becomes the chain.

Chain Mom

SWELL

noxpox - swoosh

Free As A Bird

Method: Layering (ehx mel9 and roland vt4 involved, as well as a guitar, a plastic recorder and the zoom r20 - incl the room2 effect).
Narration: Reading my latest poem. 
On my 29th birthday I had given a private reading of one of Ingeborg Bachmann's short stories, titled: the 30th year. Now, doubling up, I have not given a private reading - consider this a replacement. It is  a poem of mine reflecting some aspects of that eerie relationship between fiction and reality and dispersing personal narratives.

Gedicht / copyright jo richter:

damals, als ich jenen text bachmanns
vom aufbrechen des vertrauten, ins telegrafenferne
einer vom ich unversehrten heimat vorlas, im
dreißigsten jahr, waren auch die mich ummenschenden
befremdet: wie kann man sein wahres leben nur
so im streulicht fiktiven gestaltens betrachten?

jetzt, im realen sechzigsten jahr, finde ich
keine heimkehrnovelle im schrank, die nicht
von geld, von frieden, von der verzweiflung handelt,
im angesicht weiter und weiter vermieteter wohnungen
und viel zu fleißig gepflügter felder: gerne
rastete ich auf einer brache, wäre sie noch vor sinnen.

das papier vor mir ist ungelesen, als hätte ich
nie eine schriftspur darüber gelegt, dem vorgeliebten
nie nachgespürt: war ich nur da als probe-
abdruck der selbstbehauptung anderer, die ihre
geschichte frech in stadtmauern meißeln, über tempel-
freskos weißeln, sich stilecht in poetenpergamente kleiden?

das sechzigste jahr

im sechzigsten jahr

open for collab…

www.WowApp.com/w/frawstakwa

lemme show you what’s happening 150bpm #frawstakwapella…

KYRIE

13 Minutes In a Sparkling and Living Forest

Fantasy in three Movements for small Orchestra

This suite of pieces holds to the fast-slow-fast traditional pattern of the Classical period .

The three movements are: 

Allegro Vivace in 4/4

Slowly in 5/4

Andante Con Moto in 6/8

The indivual movements will be published separately to Soundcloud.

I used sound cloud mastering service on the three movements separately 

as the duration of the suite is eleven minutes, longer than the

ten minute upper limit for Soundcloud mastering.

Tripartite Fantasy

inexplicably tagging EXE around the world virtually 

Main profile @ https://soundcloud.com/russell-sinfield

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And I don't check messages here

You only get a like from this page if you are on a playlist

Odd

⊥he Exe Stencilists

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