I slowed down the drum patterns I used in my Bloody Nancy Macabre track and threw this together with some tekken 2 Emotionless Passion music notes... Mixed a few drums and got a slight echo with the snare.

Tekken 2 Original Soundtrack  Emotionless Passion was composed by the Namco Sound Team which includes... (Yoshie Arakawa, Nobuyoshi Sano, Hiroto Sasaki, Ayako Saso, Takayuki Aihara, Shinji Hosoe, Keiichi Okabe).

(Emotionless Passion) Emo Hip - Hop  Instrumental

Anesthetic Storytales (2022)

A song inspired by Dartford's finest sons.....

Ballad of a Small Town

G + R

"There are no great people in this world, only great challenges which ordinary people rise to meet."  - William Frederick Halsey


Soli Deo Gloria!

Rise To Challenge

Hic et Nunc

Selena

Song is dedicated to the legendary band "Deep Purple" & "Ritchie Blackmore"
Song composed & created by The Boilerman
Eric created & plays: all clean, distorted lead & rhythm guitar
Eric created & mix's: all drum, bass, ambient, keys
Production by E.H.T Studio
Thank you for listening!

Railway Blues

Deepest Of Purple

Submerged, playing the opening strains of our own dirge,
sinking into an abyss of faith and words, submerged.

But don’t close the coffin yet, even though it’s a fool’s bet
that we might wake long enough to see that we’re sleeping.

Patterns, this reoccurring act of failing,
this ending up at bad beginnings, patterns.

Some see the start of it while cursing the end of it,
yet all have feet of stone climbing the ladder of time.

Time’s hands are choking you, fate’s plans a joke on you,
while you live to let live, tripping on gifts that you cannot give.

Forget, losing the reason why we built this
empire of science and illusions and defects, forget.

We all are chained to it, our souls are owned by it,
losing the questions as well as the answers.

Kali Yuga

Anywhere…nowhere…Skmt

https://soundcloud.com/temple-of-the-haunted-man/sets/from-here-to-everywhere

Solitude

Written: 2019-20
Duration: ca. 21'
Instrumentation: string quartet
Commissioned by The Indianapolis String Quartet
Premiere: The Indianapolis String Quartet, Carnegie Hall, Weill Recital Hall, New York, NY, March 5, 2020.
Publisher: Bill Holab Music: http://www.billholabmusic.com/composers/robert-paterson/
For More Information: https://robertpaterson.com/string-quartet-no-3

PROGRAM NOTES
String Quartet No. 3 consists of five movements that explore “other voices,” either literally or figuratively. In a literal sense, this could mean speaking or singing in a way that is not considered normal or even out of one’s control. It could also mean speaking differently for a desired effect. Figuratively, “other voices” could mean a voice that is not one’s own. All five movements touch on these definitions in one way or another.

The first movement, Twist and Shout, uses musical patterns that sound like stuttering or someone who has a severe form of Tourette’s Syndrome. I use these sounds as a technical point of departure, incorporating jagged rhythms, erratic melodic patterns, and sudden volume shifts throughout the movement.

The second movement is entitled Poet Voice, and uses this style of reciting poems as a point of departure. In particular, this movement is based on a video of Louise Glück reading her poem “The Wild Iris,” which is included in a book of poems of the same name for which Glück won the Pulitzer Prize. Glück’s poem compares human suffering and finding a voice to the growth of a wild iris that makes a “passage from the other world” underground, despite the difficulty of breaking through. In the image of the wild iris, the explosion of color symbolizes new life. In this movement, I mimic Glück’s speech patterns and structure the movement around the sound of her voice and the content of her poem, essentially giving new life to her poetic reading. 

The third movement, Auction Chant, is inspired by North American auctioneering, which is a rapid-fire, rhythmic repetition of numbers and “filler words” spoken by auctioneers in the process of conducting an auction. This movement is also inspired by country fiddle music, which is a type of music often played in areas where auctioneering takes place.

In the fourth movement, Effects Pedal, I mimic sounds made by electronic effects pedals—and in particular, a vocal effects pedal, but without the use of actual electronic effects on the stringed instruments. I also use musical effects that sound somewhat like swallowing helium, which raises your voice when you inhale it, or sulfur hexafluoride, which lowers it.

The final movement is entitled Anthem. In this patriotic-sounding, yet slightly humorous movement, I weave together various sports themes and state songs from around the United States that are used to rile up fans at sports games.

String Quartet No. 3 was commissioned by The Indianapolis Quartet.

The Indianapolis Quartet: Robert Paterson - String Quartets 1-3

String Quartet No. 3 - I. Twist and Shout

 Join me on a musical journey... but first... allow me to introduce myself.

Also known as Jackal Equinox, I call myself The Finalizer not because I master tracks... but because my favorite kind of music is the kind where the fat lady sings.... "The Grand Finale."  As Far as mastery goes...I wouldn't call myself an expert just yet but I'm getting better.

 I'm an Experimental VGM Musician Inspired by Yuzo Kushiro, SuperSweep, Chris Young, Cradle Of Filth, Nobuo Yumaetsu,  Motoaki Takenouchi and Motohiro Kawashima.

(Emotionless Passion) Emo Hip - Hop Instrumental

The Finalizer

Recent comments

Oyg Tone Ru

DAVINCI CODE

Twice Born

Related tracks