Words and Music by Roger Whittlesey. All sounds by Roger Whittlesey.

I Don't Want To Know

Parlons d’existence sur le seuil de nos vies
Les moments de silence les regards sans bruit
Fidèles à nos histoires dans les creux de la main 
Nous replongeons au coeur de ces tristes matins 

De brumes et de verts
Les parfums
Humides en terre
Les chagrins 
Les moments insolites
Ne décrochent pas
De nos mémoires libres
Des fantaisies

Chorus

Parlons des belles couleurs, légères émotions
Dans les recoins du coeur, les belles intentions
Tout au fond de l’âme, de légers rebonds
Et les petits drames qui nous font faux bond

Dans les petits matins 
Dans les petits chagrins
Frais et salins
Nos vies en vain…

Petits Matins  Avec Yann Kifer Piano

This song follows the thoughts of the protagonist who goes through an abstruse day -- from rambunctious work colleagues a room over to thoughts of love far away in a world that seems forgiving yet un-reflective. Culminating in retroactive thought about purpose and place in the world, as well as questioning who 'teaches the world', the idea is that the teacher and colleagues could be, somehow, taught to understand what the protagonist evokes -- feelings, sentiments, morals, or otherwise.

LYRICS:
I thought I heard the sun wake
Up this morning
And the days' special way
Tragic importance.
Thought to listen to
The voice inside my head, they said:
'Don't harken, they won't hurt you'
Anyhow...

Please, please reason with me
Mystified by
Things they want to
Hold on to.
Ebb to tide, plea to bear
See the sides of 
Obscurity 
(Of obscurity).

If I told you,
I won't fall far.
If I don't hold you,
I won't be
Sane of taste.

Rectify the naysayer
All wont
To these feelings.
What to do?
Oversee it!
Mystified by
Things they want to
Hold on to.

Qui est notre maître?
Of underlying instructions...
Of unbridled functions...
Of unwritten laudations...

Easy

Unhappy People
I see you running around the place, constantly doing everything 
Always brisk, always busy. Always absent from yourself
As you were never really present. You were never truly here
Always looking for something in the past or in future yet to appear.

Always looking for that something 
For that thing which will make you feel so whole
Always searching, always seeking
Always looking outside for your goal.

If you stop and take your time
You will see what is near to you
If you don’t look within yourself
You cant find what might be your breakthrough

Chorus
Unhappy people are never present,
Never present to themselves
Always looking to the future
Or there are living in the past

You know your essential nature, you think you know the substance of your life
You think you know who ideal of being but, from the truth you are fleeing
You are trapped in your own memories, searching for something to occur
Either way you are moving further, from the truth in a searching blur

Unhappy people are never present,
Never present to themselves
Always looking to the future
Or there living in the past

Unhappy People

Written around a lyric that came to me during a long drive.

Sylvia

no alcohol - Technico E

ー悪友ー夕凪ショーダウン_Evening Calm Showdown

The Wunderkammer musical project was born from the idea of ​​Salvatore Montieri, in continuous research and musical experimentation.
The desire to face different musical and instrumental dimensions, combining the classical discipline with the inspiration of jazz and rock / pop music, and the search for new sound and percussive effects creates a mixture of unique, original and magical sounds!

Wunderkammer, "chamber of wonders", is an expression belonging to the German language, used to indicate particular environments in which, from the sixteenth century to the eighteenth century, collectors used to keep collections of extraordinary objects for their intrinsic and external characteristics.
That of the Wunderkammer was a typical phenomenon of the sixteenth century, which however has its roots in the Middle Ages. It then developed throughout the seventeenth century, feeding on the Baroque grandeur and continued until the eighteenth century favored by the typical love for scientific curiosities, typical of the Enlightenment.

"Music is not, like other arts, the image of ideas, but the image of the will itself, whose ideas are objectivity. Therefore the effect of music is so much more powerful and insinuating than that of the other arts: because they give us just the reflection, while that expresses the essence. " 
A. Schopenhauer


Facebook
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From album "Zeitgeist" of Doppelgänger.

Recorded and mixed by Heart Vibes Records
Mastered by Baba Sound
Art direction and design by Flower Power


From album "Tra fate, miracoli e crociferi" of Wunderkammer

℗ Heart Vibes Records
℗ Wunderkammer
© Salvatore Montieri

Released on: 2024-03-01

Wunderkammer is available on Spotify, iTunes, YouTube and Souncloud

Wunderkammer - Samuel

Listen and relax!
Roland JX-3P and Waldorf Streichfett synthesizers

LP021   Into the Inner Space

Looking forward to warmer days

I am now starting off a new album, under the title of "Again", and here is the opening track in it, with the same title as the album. The track was composed in GarageBand iOS on 10 May 2024 and mixed in Logic Pro on 25 May 2024. It was released here on SoundCloud on 2 June 2024.

The artwork cover for the album and all tracks in it uses a photo of mine of 1 June 2024 (shot in Sofia) I cropped and annotated in Mac OS Preview on 2 June 2024 and again on 15 February 2025 (to change the year of the - expected - album release from 2004 to 2025).

Duration: 6:13 minutes
Tempo: 90 bpm
Time Signature: 4/4
Key Signature: F# minor

Digital instruments used, in the order of composing and recording:

1. Studio Strings - Abbey Road
2. Keyboard - Alchemy Synth - Dreams and Visions (Lush Pad)
3. Electronic Drum Kit - Drum Synth Kit
4. Keyboard - Alchemy Synth - Mallets - Ethereal Bells (Bright)
5. Keyboard - Alchemy Synth - Bass - Dark Secrets Bass (Basics)
6. Cinematic - Ambient Drones - Emergence

Again

Daydream in Blue

The Hungry Pyknic consists of two members. One of us is the singer and the other does the music. Our songs are inspired by many different genres. We like to use unusual time signatures and song formatting while we write and create our sound.

All of our songs are recorded on Cubase Elements 11.

Our goal is to have our songs heard by as many people as possible. With time, we would like a Canadian studio to hear our songs and have them professionally recorded.

Follow us on Instagram, TikTok, and Facebook @thehungrypyknic

email: info@thehungrypyknic.ca