You guys are great ! Happy to have found you guys

Paradise

Darkness Surrender

02 Lost Paraiso

a chefs dream. @perserreich serving PRR130 //

we continue with another shortstory taken from Persian Empires full length album 'shortstories' dropping this year via vinyl!

this story is simple; in the height of anybodies career there might come this exact moment of reflecting on your option. three options.

from humble beginnings and hardcore life decisions - special thanks to marco pierre white for his stunning observation and his shared wisdom.

soon on vinyl - inbetween 30 other tracks // ♥♥♥

wait for the album:)

Persian Empire - 3 Options

Coffee Breakz #14 – The Ordinary Is Ordinary Because It Ordinarily Repeats.

Autor: Hélder Gomes

Colagens sonoras, encontros improváveis e grandes embates entre o vinil e o digital. O Coffee Breakz é o elo perdido entre o rádio a pilhas e os pratos de DJ. E tem um Samplaria do Bairro aberta 24/7.

Tracklist:

1. De La Soul – Rock Co.Kane Flow (ft. MF DOOM)  2. Al-Kamar  2.1 Tomorrow Song  2.2 Yesterday Song  3. Yo La Tengo – Sinatra Drive Breakdown  4. Neutral Milk Hotel  4.1 You've Passed (alternate version)   4.2 Where You'll Find Me Now (alternate version)  5. Kelela – Closure (ft. Rahrah Gabor)  6. Liv.e – Ghost  7. slowthai – Selfish  8. Jadasea & Laron – Can’t Say  9. Odd Nosdam – Bonus B6-B9  10. Jonah Yano & BADBADNOTGOOD – the ordinary is ordinary because it ordinarily repeats

Coffee Breakz #14 – The Ordinary Is Ordinary Because It Ordinarily Repeats.

Fine Anyway (Habibi Funk 016)

Waiting for It Everyday

the grass was never green.m4a

Jack on the keys, Grig on the sax, Dave on the bass, me on drums

Morphine 2

1. 'Det Haster!' by Casiokids [taken from the new album 'Aabenbaringen Over Aaskammen', out now via Moshi Moshi Records]
2. '...And The World Laughs With You' by Flying Lotus Feat. Thom Yorke [taken from the album 'Rough Trade Shops - Electronic 11', out now via Cooperative Music]
3. 'Air' by Soft Rocks,[taken from the album 'The Curse Of Soft Rocks', out now via ESP Institute]
4. 'Ernst' by Julien Dyne [taken from the new album 'Glimpse', out now via BBE]

02. …And The World Laughs With You - Flying Lotus Feat. Thom Yorke

Towa Tei - Technova 
Copacabana Edit By Petko Turner

Towa Tei is a third-generation Korean-Japanese.

Towa began making demo tapes at the age of 16 having bought his first synthesizer, a Korg MS-10. While studying at Musashino Art University Junior College of Art and Design he sent his tape to a radio program of Ryuichi Sakamoto titled "Sound Street".

In 1987, Towa moved to the US to study graphic design and joined house act Deee-Lite, a trio with Supa DJ Dimitry and Lady Miss Kier, enjoying almost instant success after debuting in 1990 with their album World Clique and the single "Groove Is In the Heart".

In 1991, Towa collaborated with his idol Ryuichi Sakamoto on Sakamoto's album Heartbeat. He also appeared on Sakamoto's follow up album Sweet Revenge.

In 1994, Towa returned to Japan after seven years in New York. He hinted in a 2011 interview that his time with Deee-Lite made him ill, though he didn't expand on the reasons why. Towa debuted as a solo act with Future Listening! that same year, incorporating an array of musical styles, including electronic, bossa nova, house, jazz and pop. It featured collaborations with Joi Cardwell, Bebel Gilberto, MC Kinky, Hiroshi Takano, Ryuichi Sakamoto, Haruomi Hosono, Toshihiko Mori, Satoshi Tomiie, Yuichi Oki of Tokyo Ska Paradise Orchestra and Pizzicato Five vocalist Maki Nomiya.

Sound Museum followed in 1997, then Last Century Modern in 1999. 2002 brought the album Towa Tei, under the pseudonym Sweet Robots Against the Machine. Flash surfaced in 2005 by which time Towa was DJing regularly in Japan. He has admitted though, that he doesn't enjoy performing and prefers producing and using computers.

Big Fun, featuring Verbal and Mademoiselle Yulia was released in 2009 and was the third album to feature the artwork of San Franciscan painter and graffiti artist Barry McGee. For the album, Towa utilized MySpace to collaborate with artists from around the world even if he didn't know them, such as with German act Taprikk Sweezee.[1] Another collaborator he worked with for Big Fun was Miho Hatori of Cibo Matto, though they also only met on MySpace.

Towa has also established his own creative company, hug inc, which among other things, manufactures his trademark sunglasses.

Petko Turner Edit

Free DL Here

Bebel Gilberto - Towa Tei - Technova (Petko Turner's Copacabana Edit)

I wrote split in the middle of a relationship that was going south and the song is about how  sometimes the  best decisions you'll make in life are the ugliest & hardest, but the healthiest for you.

Apple and Spotify

http://smarturl.it/ricwilson_BANBA

Split feat. Sen Morimoto (Prod. Hirsh)

Following 2019’s release of Azymuth’s Demos (1973-75), two more home-recorded demo tracks by the Brazilian psychedelic jazz-funk masters have surfaced from a tape in drummer Ivan ‘Mamao Conti’s private archive. These five-decade old recordings by the young band show the maturity, musicianship and distinctive style that saw Azymuth become one of the most important groups in Brazilian history. 

Featuring an instrumental take on iconic pop song writing team Roberto Carlos and Erasmo Carlos’ 1969 Jovem Guarda hit “As Curvas da Estrada de Santos”, and spacey psych-folk oddity “Ze e Parana” on the b-side, the new 7” release via Far Out Recordings shines yet more light on this critical period for Azymuth.  

As is the case with many of Brazil’s most well-known artists, Roberto Carlos had been backed by Bertrami, Malheiros and Conti either on stage, in the studio, or with compositions (in Bertami’s case) since the late sixties. Conti notes that “As Curvas da Estrada de Santos” was a big hit in Brazil when it came out in ’69 and had already been covered by Elis Regina a year later. 

But where Elis’ version and indeed Roberto Carlos’ original were grand pop-rock ballads, Azymuth’s take is a moody, melodic jazz excursion, featuring Bertami’s incredible Hammond organ, Fender Rhodes and grand piano juggling, Ivan ‘Mamao’ Conti’s distinctively tough drums, and unusually, Alex Malheiros plays a double bass instead of an electric one.

As the title suggests, “Ze e Parana” is guitarist Joao Americo (Parana) playing alongside Bertami’s Rhodes comping, synth embellishments and dreamy wordless vocals. Aside from being credited as the composer and guitarist on “Linha do Horizonte” a track from Azymuth’s debut album which would become the theme tune for a famous novella, Parana has to this day, remained relatively unknown. 

Both tracks were recorded in Jose Roberto Bertrami’s house in Rio de Janiero at some point between 1973-75. These tracks were not recorded in a professional studio, meaning the sound quality differs from other Azymuth releases. At Far Out we take great pride and extreme care in ensuring our releases and reissues are produced to the best possible sound quality. In this case the original source material – the cassette tapes – had not aged well and were considerably damaged. The sound has been restored to the best possible condition but there is still some noticeable tape hiss and slight distortion on ‘Ze e Parana’. For this reason, we strongly advise listening to preview clips before buying this release.

Darkness Surrender

The Mattson 2

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