Solfeggietto in C minor (H 220, Wq. 117: 2) (yeah they used to name music like we name software) composed in 1770 by C.P.E. Bach, son of J.S.

Live video: https://www.youtube.com/watch?v=pJ8fyDSYaOI

Skinny Pete plays it in the music store scene in Breaking Bad season 5 episode 3 (http://www.youtube.com/watch?v=CQlAmtWHPII) and he makes more mistakes than me.

The instrument is Clavia Nord Stage 2 using a sampled Yamaha C7 grand piano and a few touches of synth.

Updated with a better take with less reverb on Feb 23, 2014.

Video

C.P.E. Bach - Solfeggietto [piano + synth]

Sarabande French Suite B minor BWV 814 JS Bach take 3

recorded live @ Eglise des Dominicains Brussels, 6 june 2014

The New Baroque Times ensemble

G. F. Haendel. Sonata op2 n.5 (allegro)

Bach - Air On The G String (orchestra)

Concert for the Armenian Community in Jerusalem, May 2014.

Khachaturian Violin Concerto, Jenny Hünigen, JSO, Frédéric Chaslin

emotional valse sentimentale played on Roland RD 800

Valse sentimentale Opus 51 Nr 6 Peter Iljitsch Tschaikowsky - new record

Pieces from the NoFi live performance in Hradec Králové (Czech Republic) 30/11/2015

C.Saint - Saens - Danse Macabre

Domenico Scarlatti, badass keyboardist of the 1700's, Sonata in C minor. Brodmann PE-187 grand piano, AKG Perception 220 microphones, Pro Tools recording.

Scarlatti - Sonata C Minor

Bach

Recorded at Fantasy Studio
Violin by June Park
Piano by Miles Graber

2011-12

Bach Violin Partita No.3 in E major, BWV 1006 1. Preludio

You can also follow me on Spotify at https://spoti.fi/2MRR1lV and stream the albums I have released there.

Mendelssohn Song Without Words in A minor op 38 no 5

Since its première in december 2012, The New Baroque Times is widely considered as one of the finest baroque ensembles in Belgium. Praised by the specialized music press, The New Baroque Times is recognised for its hot-blooded temperament and the high artistic quality of its performances.

The New Baroque Times explores and reinvents the tonal universe of music from the seventeenth and eighteenth centuries, performing on period instruments and employing historical performance practice. Looking to escape the dogmas of “classical” performance and aiming to whet the appetite of today’s general public, secular and sacred repertoire fuel the ensemble’s creation of spectacles combining music, poetry, dance and/or visual arts, bringing together ancient and modern art forms.
The New Baroque Times ensemble varies its ensemble configuration from program to program and fosters collaborations with other distinguished performing ensembles as Astoria, Brussels Chamber Orchestra or RedHerring baroque ensemble (Patrick Denecker) and works under the baton of conductors like Hansjörg Albrecht or Dirk Vermeulen.
The New Baroque Times has participated to many contemporary creations and has performed in prestigious festivals and concert halls in Belgium (Festival van Vlaanderen , Festival de Wallonie, Midis-Minimes, Classissimo, Zomer van Sint-Pieter, Stadsschouwburg Leuven, Festival International Max van der Linden, Festival de Musique Ancienne de Verviers, Les Grandes Heures de La Cambre, AMUZ (Antwerp), Capitole (Gent), Royal Chapel, BRASS Centre Culturel, European Parliament), Spain (Festival Arte Sacro, Festival Música para la Semana Santa, Música do Camiño, Atardeceres Musicales en Valdediós), France (Festival de La Charité-sur-Loire, Rencontres Culturelles en Pévèle-Carembault) and Italy (Echi Lontani).
As result of the artistic residence at Instituto Cervantes Brussels, The New Baroque Times Voices has developed a concert season dedicated to Spanish baroque music and a program of cultural exchange.

G. F. Haendel. Sonata op2 n.5 (allegro)

The New Baroque Times

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