About the Album

Revolution: The Remixes of Stephan Nero is a radical reinterpretation of the original Revolution EP by Berlin-based electronic composer Stephan Nero. Reconstructed by The New Ways, this remix album is not a companion piece—it’s a sonic uprising. The New Ways dissects and reassembles Nero’s politically charged material through a cinematic lens, fusing experimental techno, fragmented rhythms, and ghostly atmospherics into something that feels urgent, future-forward, and defiantly unclassifiable. This album reflects the remixes created between 2010-2020.

Where Nero’s original compositions were raw, poetic, and minimalist in spirit, The New Ways leans into maximal contrast: bass-heavy pressure meets ambient breakdowns, metallic noise merges with gospel-tinged vocal samples, and industrial grooves are pulled into lush, dissociative reveries. The result is a remix album that feels like an entirely new artistic statement—haunted by revolution, but dancing in the ruins.

About the Artists

The New Ways is the musical alias of multidisciplinary producer and sound artist Shelbric A. Fuller, based in Berlin. Known for a style often described as “post-genre,” The New Ways blends techno, soul, industrial noise, and political commentary into emotionally charged electronic compositions. Fuller is also the host of The New Ways Podcast, a cultural platform that explores futurism, art, and identity across mediums.

Stephan Nero is a reclusive composer and sound thinker who works at the intersection of electronic minimalism and sociopolitical abstraction. With releases exploring themes of surveillance, resistance, and decay, Nero’s work often blurs the line between music and protest, performance and theory. 

Both live in Berlin, Germany.

WWIII D2 (TNW Redux)

Born in Miami, forged in New York, and refined in Berlin, Shelbric Fuller—better known as The New Ways—is a genre-defying force in electronic music. With two decades of sonic alchemy under his belt, he’s evolved from house and techno foundations into something far more unpredictable and exhilarating.

His discography reads like a secret history of dance music’s outer limits—from the haunting depths of “The Forgetting” to the warped nostalgia of “The Polaroid Conspiracy.” But The New Ways isn’t just revisiting the past; he’s rewriting the future, one subversive groove at a time.

2025 is The New Ways’ year. Joining the Kneaded Pains roster (home to boundary-pushers like Mark Henning, ONNO, and VONDA7), he’s dropping two explosive tracks—“Concorde” and “I Came Here To Dance”—further cementing his status as a post-genre disruptor. Meanwhile, his own Dysfunct Records unleashes *The Danceables Collection (2010-2024)*, a 14-year odyssey through his evolution from club rebel to unclassifiable innovator, defying house and techno conventions at every turn.

And just when you think the ride is over, The New Ways cranks up the satire with Karen Deluxe—an expansion of his 2024 EP "Karen," a wickedly sharp masterpiece dissecting the internet’s most infamous archetype. If the world’s gone mad, at least the soundtrack is killer.

The New Ways doesn’t just make music—he weaponizes it. And Berlin (and beyond) is dancing to the chaos.