Name: Everywhere I Go by Pimps of Joytime in Third Wall Chronicles
Duration: 3 min 29 s
Description: New Album Third Wall Chronicles OUT NOW on Sugar Road Records worldwide.

Third Wall Chronicles OUT NOW worldwide on Sugar Road Records! 

fanlink.to/ThirdWallChronicles

Third Wall Chronicles

Originally named "Sing Bing Sing", it is a 1936 song written by Louis Prima and first recorded by him with the New Orleans Gang. It was covered most famously by Benny Goodman.

Benny Goodman - Sing, Sing, Sing

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Stream 'Maybe Next Year' now: https://bfan.link/maybe-next-year

Immerse yourself in a spellbinding musical morning with Mostly Sonny's "Maybe Next Year". The young Melbourne artist is an indie folk nugget with several singles to his credit, including 'Over Here', which has topped the million listener mark. Tinged with nostalgia, his captivating single evokes a picturesque Australian aesthetic. The gentle harmonies of acoustic guitars and pianos weave a melancholy canvas, ideal for a peaceful morning under the Australian sun.

Mostly Sonny - Maybe Next Year

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GooMar - Viva La Muerte

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New Album Third Wall Chronicles OUT NOW on Sugar Road Records worldwide.

Everywhere I Go

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New Album Third Wall Chronicles OUT NOW on Sugar Road Records worldwide!

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Wave Machines on <a href="https://www.facebook.com/pages/Wave-Machines/7257610964">FACEBOOK</a>

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LOU REED - CONEY ISLAND BABY FREEK BANNING VIRTUAL PIANO COVER 2018-extended-re-furbished-freestyle conversions from my  YouTube Channels

CONEY ISLAND

Link To Video

LOU REED - CONEY ISLAND BABY FREEK BANNING VIRTUAL PIANO COVER

Our new album ‘Reachin’ Up’ is OUT NOW! Listen here 👇
https://fanlink.to/reachinup

Let’s take this thing it higher. 

Anyone familiar with the Pimps of Joytime live experience knows the feeling—it’s that moment when a deep bluesy groove morphs into a full-on EDM explosion, or the sensation when the wide-eyed audience collectively elevates in sync with the band’s irresistible energy.

On Jukestone Paradise, the Pimps of Joytime raise the bar with swagger to spare, crafting ten cohesive songs that ring out like the soundtrack for a ride through the diverse Brooklyn neighborhood where their sound materialized.  Pulling from lead guitarist and singer Brian J’s deep discography of influences, the creation of Jukestone Paradise began a decade ago, when he penned anthems like “Sky” and “Freedom Dancer,” all the way up to the album’s studio recording sessions.

You might accurately call the Pimps of Joytime a ‘post-genre’ band; they’re a group whose sound—even within a single song—mirrors the diversity of our era’s musical tastes. “It’s a sonic tapestry that’s representative of this time and place that we live in,” says Brian J. 

That’s where the Pimps excel, by mashing up ‘70s funk tones with modern dance beats, mixed with original samples creating their mosaic sound. For listeners weary of today’s DJ culture but eager to dance with abandon, the Pimps of Joytime are the antidote. 

“At our core, the Pimps of Joytime are not just dance music,” says Brian J of the band’s three-part harmony attack. “My first vocal mentor was a doo-wop singer, so I have a long-time love affair with vocal harmonies.”

With the release of Jukestone Paradise, the band makes official their solid touring lineup, featuring dual female vocalists and percussionists Mayteana Morales and Cole WilliamsX. And they’re hitting the road hard, continuing a constant touring schedule that’s already left prominent sets at festivals like Voodoo, Outside Lands, Bonnaroo and High Sierra in their wake.

Behind the frontlines are bassist/keyboardist David Bailis and drummer John Staten, forming the rhythmic backbone of the Pimps’ audible collage. And for Jukestone Paradise, they called in a few friends to lend their talents, including Ivan Neville, who lends New Orleans flavor to “Sky,” and Rubblebucket’s Alex Toth, who co-wrote the quirky and infectious “Dance Cardia.” 

Just as Brooklyn has changed since the Pimps started, so has the band’s sound. But as Williamsburg gentrifies, the Pimps of Joytime’s diverse evolution keeps the neighborhood’s spirit alive. That spirit goes into the Pimps’ pot, over a soulful roux of rhythm and groove.

Everywhere I Go

Pimps of Joytime

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