diggilee diggiloo // indie :: electronic :: pop :: dance

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San Francisco Bound (Remix By DJ OBaH)

Mania

Analog Son's first album released June 22nd features a world class lineup of 20 awesome funk musicians.

10 Swervantes

Papadosio returned to Catskill Chill 2014 and revisited some Dopapod-style collaboration.  

Unparalyzer w/ Eli Winderman (Dopapod) - Catskill Chill 2014

Opener from the EPICCCC Red Rocks show during Bisco Inferno 2011

BoomBox: Watergun - Live

Taken from "Mars ETC." the new album from Aloa Input.
Coming March 2015
Tour:
21.03.2015 — Dresden (DE) — Reithalle (w/ The Notwist )
22.03.2015 — Warszawa (PL) — Proxima (w/ The Notwist)
23.03.2015 — Krakow (PL) — Fabryka (w/ The Notwist)
24.03.2015 — Prague (CZ) — Palac Akropolis (w/ The Notwist)
25.03.2015 — Graz (AT) — Generalmusikdirection (w/ The Notwist)

Follow Aloa Input  for updates:
www.facebook.com/aloainput

Morr Music
Follow: http://twitter.com/morrmusic
Like: http://facebook.com/morrmusic
Website: http://morrmusic.com

Buy on itunes

Aloa Input: Far Away Sun

track from the epic closer-show of a fully sold out Colorado Winter tour. full show soon to come on archive.org 

BoomBox LIVE - World - Denver 2011

Jukestone Paradise is the third studio album from Pimps of Joytime out on Write Home Records, April 7th 2015

LYRICS:
close your eyes and drop your hair
and let your body pull you
something strange in the air
a blurry kinda cosmic truth  

we move from wrong to left to right and on
dance with tongues and tie our knees beyond
dance on the heart of the floor inside
your moving like a butterfly
grab my hand and we catch your vibe
this fire will electrify

CHORUS
never let me go
never stop the music
spinning down the road
its a magical flow
when our stars collide
you just have to believe
you and me will 
shine a blazing light

(Horn Interlude)

Verse 2:
i cross my heart and i hope to die
y'all know why you better keep up
ya know what it is then you don't, and it ain’t
when you shoot me that lovers look

we move from wrong to left to right and on
dance on the heart  of the floor inside
this fire will electrify

CHORUS
never let me go
never stop the music
spinning down the road
its a magical flow
when our stars collide
you just have to believe
you and me will 
shine a blazing light

(Horn Interlude)

Percussion Break

Oo’s

CHORUS x2
never let me go
never stop the music
spinning down the road
its a magical flow
when our stars collide
you just have to believe
you and me will 
shine a blazing light







FREE DOWNLOAD

Dance Cardia featuring Rubblebucket

Take It Back

From Father John Misty's 'I Love You, Honeybear'.
Available for purchase here: u.subpop.com/iloveyouhoneybear

I Love You, Honeybear

True Affection

Father John Misty - True Affection

THE FIRST SINGLE FROM THE UPCOMING TORY LANEZ EP.

In For It (Prod. by RL Grime) - Tory Lanez

Lightning on the Water

I'd like to dedicate this album to Caleb Jarosh. He lived a short life in years but a very long life in spirit.

In the midst of his passing, we came together and played his passing ceremony down in Georgia. There had been some uncertainties amongst us, but after that trip through the loss of one brother another brotherhood was truly formed!

So thank you Caleb Jarosh for the life of love that you lead and for showing me how to be a brother. I'm forever indebted.

May we continue speaking in spirits!!

Ocean Eyes

Little People is the moniker of UK based downtempo electronic musician Laurent Clerc… He returns with his second full length album - We Are But Hunks Of Wood - a whole 6 years after his first album (Mickey Mouse Operation) was released on Illicit recordings. Whilst his debut - an accomplished ode to late 90's instrumental hip hop - has unexpectedly gone on to be in the top 30 selling album downloads on iTunes in the electronic genre in the US for the last 2 years, he is still all but unknown to most tastemakers and influential blogs shaping today's electronic music scene. Having followed an unconventional route to success - thanks to in no small part to Pandora radio generating him huge amounts of exposure - he seemingly exists outside the normal channels used to promote artists. We sense this is all about to change…

'We are But Hunks of Wood' is a sonic leap forward for LIttle People (that's the least you can expect after a 6 year hiatus between albums!) which should help establish himself as key proponent of the downtempo electronic music scene. Part beats, bleeps and real live instrumentation, this new record maybe falls in a place where Bonobo and Anders Trentemoller would hypothetically meet. Having initially come from the world of instrumental hip hop where tracks are often more akin to just sketches or interesting ideas, Laurent Clerc's pieces are fully fledged songs whose arrangements create a sense of mood and movement, effortlessly going from nuanced electronic patterns to soaring string arrangements over the course of the journey. This is no beat tape.

There are many reasons why it has taken him so long to release his follow up record - like nearly turning his back on making music and becoming the father of a set of twins… But the main reason was that he felt he had to reinvent his work methodology and write and record his tracks from the ground up. He saw sampling as tantamount to taking another man's 2 bars of inspiration and passing it off as your own. The story of the samplist making the jump to creating his own material is not new… but it isn't always a successful one. Laurent took enough time to make sure that leap was taken with aplomb.

We Are but Hunks of Wood

Farewell

Outta Here

Our new album ‘Reachin’ Up’ is OUT NOW! Listen here 👇
https://fanlink.to/reachinup

Let’s take this thing it higher. 

Anyone familiar with the Pimps of Joytime live experience knows the feeling—it’s that moment when a deep bluesy groove morphs into a full-on EDM explosion, or the sensation when the wide-eyed audience collectively elevates in sync with the band’s irresistible energy.

On Jukestone Paradise, the Pimps of Joytime raise the bar with swagger to spare, crafting ten cohesive songs that ring out like the soundtrack for a ride through the diverse Brooklyn neighborhood where their sound materialized.  Pulling from lead guitarist and singer Brian J’s deep discography of influences, the creation of Jukestone Paradise began a decade ago, when he penned anthems like “Sky” and “Freedom Dancer,” all the way up to the album’s studio recording sessions.

You might accurately call the Pimps of Joytime a ‘post-genre’ band; they’re a group whose sound—even within a single song—mirrors the diversity of our era’s musical tastes. “It’s a sonic tapestry that’s representative of this time and place that we live in,” says Brian J. 

That’s where the Pimps excel, by mashing up ‘70s funk tones with modern dance beats, mixed with original samples creating their mosaic sound. For listeners weary of today’s DJ culture but eager to dance with abandon, the Pimps of Joytime are the antidote. 

“At our core, the Pimps of Joytime are not just dance music,” says Brian J of the band’s three-part harmony attack. “My first vocal mentor was a doo-wop singer, so I have a long-time love affair with vocal harmonies.”

With the release of Jukestone Paradise, the band makes official their solid touring lineup, featuring dual female vocalists and percussionists Mayteana Morales and Cole WilliamsX. And they’re hitting the road hard, continuing a constant touring schedule that’s already left prominent sets at festivals like Voodoo, Outside Lands, Bonnaroo and High Sierra in their wake.

Behind the frontlines are bassist/keyboardist David Bailis and drummer John Staten, forming the rhythmic backbone of the Pimps’ audible collage. And for Jukestone Paradise, they called in a few friends to lend their talents, including Ivan Neville, who lends New Orleans flavor to “Sky,” and Rubblebucket’s Alex Toth, who co-wrote the quirky and infectious “Dance Cardia.” 

Just as Brooklyn has changed since the Pimps started, so has the band’s sound. But as Williamsburg gentrifies, the Pimps of Joytime’s diverse evolution keeps the neighborhood’s spirit alive. That spirit goes into the Pimps’ pot, over a soulful roux of rhythm and groove.

Dance Cardia featuring Rubblebucket

Pimps of Joytime

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