Sepricon

An accomplished juggler when it comes to play with styles, capable to invent modern structures, Nicola got us used to his ability to blend harmonically different musical worlds and create cooperation between great musicians. Deepness is the added value of his new album, something in between consciousness and spirituality. Nothing to share with futile trends, this record is a result of an urgent need to research in the depth of the soul and his musical influences.

The album features the talents of José James, Marvin Parks, Heidi Vogel, Melanie Charles, Tasha’s World and Bridgette Amofah, accompanied by a team of incredible jazzmen like Teppo Makynen, Magnus Lindgren, Greg Osby, Timo Lassy, Francesco Lento, Logan Richardson and Fabrizio Bosso.

Nicola Conte feat. Melanie Charles - Amhad's Blues

Forever, Never

GooMar viva la muerte beats hip hop instrumental new 2016 tour de manège 

GooMar - Viva La Muerte

Beams

Earthforms

Get 'People Take Pictures of Each Other': fanlink.to/DigPTPOEO

THE DIG - TIRED OF LOVE TOUR:
9/25 — Phoenix, AZ @ Valley Bar 
9/26 — El Paso, TX @ Lowbrow Palace#
9/28 — Dallas, TX @ Three Links#
9/29 — San Antonio, TX @ Limelight#
9/30 — Austin, TX @ Barracuda#
10/2 — Houston, TX @ White Oak#
10/3 — New Orleans, LA @ HOB Parish#
10/5 — Asheville, NC @ The Mothlight#
10/6 — Raleigh, NC @ Pourhouse#
10/7 — Baltimore, MD @ Metro Gallery#
11/16 - New York, NY @ Playstation Theater*

# KOLARS supporting
* w/ She Wants Revenge

People Take Pictures of Each Other - single

People Take Pictures of Each Other

iTunes

Workin All The Time

Buy on iTunes

We Were Kids

Life

In Search of the Lost City of the Monkey God

Downriver

Our new album ‘Reachin’ Up’ is OUT NOW! Listen here 👇
https://fanlink.to/reachinup

Let’s take this thing it higher. 

Anyone familiar with the Pimps of Joytime live experience knows the feeling—it’s that moment when a deep bluesy groove morphs into a full-on EDM explosion, or the sensation when the wide-eyed audience collectively elevates in sync with the band’s irresistible energy.

On Jukestone Paradise, the Pimps of Joytime raise the bar with swagger to spare, crafting ten cohesive songs that ring out like the soundtrack for a ride through the diverse Brooklyn neighborhood where their sound materialized.  Pulling from lead guitarist and singer Brian J’s deep discography of influences, the creation of Jukestone Paradise began a decade ago, when he penned anthems like “Sky” and “Freedom Dancer,” all the way up to the album’s studio recording sessions.

You might accurately call the Pimps of Joytime a ‘post-genre’ band; they’re a group whose sound—even within a single song—mirrors the diversity of our era’s musical tastes. “It’s a sonic tapestry that’s representative of this time and place that we live in,” says Brian J. 

That’s where the Pimps excel, by mashing up ‘70s funk tones with modern dance beats, mixed with original samples creating their mosaic sound. For listeners weary of today’s DJ culture but eager to dance with abandon, the Pimps of Joytime are the antidote. 

“At our core, the Pimps of Joytime are not just dance music,” says Brian J of the band’s three-part harmony attack. “My first vocal mentor was a doo-wop singer, so I have a long-time love affair with vocal harmonies.”

With the release of Jukestone Paradise, the band makes official their solid touring lineup, featuring dual female vocalists and percussionists Mayteana Morales and Cole WilliamsX. And they’re hitting the road hard, continuing a constant touring schedule that’s already left prominent sets at festivals like Voodoo, Outside Lands, Bonnaroo and High Sierra in their wake.

Behind the frontlines are bassist/keyboardist David Bailis and drummer John Staten, forming the rhythmic backbone of the Pimps’ audible collage. And for Jukestone Paradise, they called in a few friends to lend their talents, including Ivan Neville, who lends New Orleans flavor to “Sky,” and Rubblebucket’s Alex Toth, who co-wrote the quirky and infectious “Dance Cardia.” 

Just as Brooklyn has changed since the Pimps started, so has the band’s sound. But as Williamsburg gentrifies, the Pimps of Joytime’s diverse evolution keeps the neighborhood’s spirit alive. That spirit goes into the Pimps’ pot, over a soulful roux of rhythm and groove.