The Pimps of Joytime

music

iTunes

High Steppin

feelin groovy

Hype

pierre pimps

Forest

Pimps of Joytime - High Steppin'

Mmmmhmmm...

Nice bits

PJT's High Steppin

She-Do

Long Ride

San Francisco Bound (Remix By DJ OBaH)

My Gold (Remix By Chico Mann)

Gosalo

Bonita (Remix By DJ Vadim)

The Greyboy Allstars -  Still Waiting

New Ammo is AVAILABLE NOW!
Buy it here: http://smarturl.it/KarlDenson_NewAmmo
Stoopid Records
http://karldenson.com

Hang Me Out To Dry

Pimps of Joytime new Single "Booty Text" Club Mix and Dubby Mix

Booty Text (DUBBY MIX)

Thas The Way We Do

Blues Wit You

FREE DOWNLOAD

Janxta Funk! Pimps Of Joytime

04 Sweaty Sax

The String Cheese Incident - 'Round the Wheel

Cheese at the Redrocks summer 2010. Joyful Sound with eoto throw down. 

String Cheese Incident- Joyful Sound- Redrocks 2010

String Cheese Incident - Carnival '99 2 - 04 - Birdland

The String Cheese Incident - Way That It Goes      Roo 2011

Bonita - Pimps Of Joytime

San Francisco Bound

My Gold - Pimps Of Joytime

Workin All The Time

Be Good

Hey Mr. J

13 H20 {w Cyril Neville}

New jam from unreleased record, "Apocalypse Whenever." 

Bring It On

The Grouch & Eligh - All In (Ft. Gift Of Gab and Pigeon John)

String Cheese Incident - Jellyfish

11 - Charles Bradley - Since Our Last Goodbye

Buy on iTunes: http://bit.ly/19N5Y8t
Buy on CD/Vinyl: http://bit.ly/Y5yMU2
Watch the video: http://bit.ly/1vPJmCs

http://rhymesayers.com/theuncluded
http://facebook.com/theuncluded
http://twitter.com/theuncluded

LYRICS:
I can take my finger off, old dog old trick
New twist, like actually take the finger off
Wrap it in a blanket as you would a 
severed horse head, mail it to a friend you
wanna pinky swear more with, and should
they need a forearm or something they
can practice drawing skulls on, cut it
from the shoulder while the saw's warm, the
full appendage really make a world of 
difference, included too are 30 teeth to
chew out all your critics, 32 would've 
been perfect, 2 were casualties of
it's - its, I always wanted radder things for
Christmas, the rest work cool, I'm shipping
out a torso in the A.M., you should learn
to hit the organs every time at 40 paces
It's important, I can't explain why now, by
the way, legs in a crate delivery by
today, if a uniformed man knock-knock, sign
his documents, you shouldn't have to walk
out to the mailbox for the other shit

my mom was a lunch lady when I was in elementary school
she was outside during recess, she has a whistle and I thought
that that was cool, she was really nice to all the kids who didn't
have a lot of friends, she would give them hugs and tell them jokes
or she'd play catch with them, and my dad worked at the laundromat
which was really cool to me, I'd get to open up the washing machines,
and clean them out, and collect the money, and I'd open the soap 
dispenser and put new little boxes of soap inside, I knew how it worked
and I was good at it, and helping out filled me with a sense of pride,
I would meet all kinds of people there and I would look them in the eye,
and I'd say "Hi, excuse me, but do you mind if I shine the glass while 
your clothes dry?"

my whole life is a delicate cycle. 

Inside a jar with a lid, a giant arm
with a hand, they say it used to walk
upright and like New York after 10, one
day it woke up out of order nothing more
to extend, delicate cycle in the alpha of its
orbiting's end, when interpersonal
skill is already poor at its best, a
conversation can be riddled with exorbitant
debt, and you don't know it, but I owe you
more than I've kept, so if you find a biohazard
by your door on the step, maybe it couldn't 
find its faculties but swore it would help, 
wanted to be a larger part than his 
abnormalcies let, hang on, I'm over-nighting
eyes with a headlight deer stare, one up
vin van, pus an ear pair wear them if you
need a new perspective on a weird year,  and
one day when I'm better we can square 
away a fair share, the last frame silhouetted
by the sun was an air mail stamp on a 
still-warm tongue. 

I was twenty-six years old the first time I lived in a house with a
washer and dryer in it and that's the year I bottomed out, maybe
what was missing was the sense of community that comes from 
hauling your big old load out in public and airing your dirty laundry 
in the company of other people who also don't have the
amenities at their convenience in a home that's so set up that
they never have to leave, I miss the smell, the dust, the coins, the
trust, the squeaky carts, the vibrations, the bucket full of bleach,
the dryer sheets, the old pay phone, the giant sink, I'd watch my
daddy mop the floor and my heart started with a quarter. 

my whole life is a delicate cycle. 

The Uncluded - Delicate Cycle

Jaydee "Payback" Maceo Plex remix preview

One Foot In The Gutter

Cabin Fever

Find Your Home

I Shot Him

<b>128kps mp3 stream for preview purposes only. Please support independent music!</b>

Wonderwheel Recordings is proud to present Karimba Diabolic Remixed, a brand new remix album from the Peruvian future roots collective Novalima.  Founded by four friends from Lima with a shared passion for both traditional Afro-Peruvian music and modern DJ culture, Novalima searches for the common ground between past and future, between tradition and innovation. Being one of their home countries hottest exports, (where they have gone platinum) their efforts have a helped bridge the divide between the Peruvian mainstream and the Afro-Peruvian community, a minority population that has struggled against discrimination and the threat of cultural dissolution for generations. Outside of Peru, Novalima has garnered critical acclaim from mainstream and underground media alike, a Latin Grammy nomination for Best Alternative Album, and a featured spot in cult filmmaker Robert Rodriguez’s hit Mexploitation movie Machete. 

Here on Karimba Diabolic Remixed, Novalima has hand selected some of their favorite remixers to re-interpret last year’s Karimba album to their own vision. The choice of remixers also reflects Novalima’s global appeal in the Latin diaspora worldwide. The UK is represented with well known West London producer Seiji’s heavy synth-based four-to-the-floor reworking of “Mamaye”, and UK / Brazilian supergroup Da Lata giving us a rootsy swinging version of “Malivio Son”.  As it’s recently become a hotbed of Latin infused dance music and culture, California is heavily represented with remixes from KCRW / AfroFunke DJ and Los Angeles mainstay Jeremy Sole fleshes out “Macaco” into a smooth call and response affair. SF based Acid Jazz legend DJ Smash delivers a squelchy, bouncy version of “Diablo”, while Bay Area veteran band Afrolicious freaks “Zarambe” into a dancefloor joint equally influenced by house music and Fela Kuti. LA/NYC DJ Sabo reinterprets “Diablo” with his signature deep and dirty Moombahton style, while Thievery Corporation’s Rob Garza takes “Festejo” into swirling, psychedelic house vibe. NYC DJ producer and Wonderwheel label head Nickodemus takes “Mamaye” into bass and percussion heavy dancefloor territory, while Novalima affiliated DJ collective Coba Soundsystem deliver varied takes on “Festejo” and “Malivio Son”. Also included are remixes from Barcelona’s AndyLoop and Los Chicos Altos and deep house producer Xacosa. As an added bonus, the album contains one brand new, unreleased Novalima tracks – “Payande”.


Karimba Diabolic Remixes

Macaco (Jeremy Sole Remix)

Our new album ‘Reachin’ Up’ is OUT NOW! Listen here 👇
https://fanlink.to/reachinup

Let’s take this thing it higher. 

Anyone familiar with the Pimps of Joytime live experience knows the feeling—it’s that moment when a deep bluesy groove morphs into a full-on EDM explosion, or the sensation when the wide-eyed audience collectively elevates in sync with the band’s irresistible energy.

On Jukestone Paradise, the Pimps of Joytime raise the bar with swagger to spare, crafting ten cohesive songs that ring out like the soundtrack for a ride through the diverse Brooklyn neighborhood where their sound materialized.  Pulling from lead guitarist and singer Brian J’s deep discography of influences, the creation of Jukestone Paradise began a decade ago, when he penned anthems like “Sky” and “Freedom Dancer,” all the way up to the album’s studio recording sessions.

You might accurately call the Pimps of Joytime a ‘post-genre’ band; they’re a group whose sound—even within a single song—mirrors the diversity of our era’s musical tastes. “It’s a sonic tapestry that’s representative of this time and place that we live in,” says Brian J. 

That’s where the Pimps excel, by mashing up ‘70s funk tones with modern dance beats, mixed with original samples creating their mosaic sound. For listeners weary of today’s DJ culture but eager to dance with abandon, the Pimps of Joytime are the antidote. 

“At our core, the Pimps of Joytime are not just dance music,” says Brian J of the band’s three-part harmony attack. “My first vocal mentor was a doo-wop singer, so I have a long-time love affair with vocal harmonies.”

With the release of Jukestone Paradise, the band makes official their solid touring lineup, featuring dual female vocalists and percussionists Mayteana Morales and Cole WilliamsX. And they’re hitting the road hard, continuing a constant touring schedule that’s already left prominent sets at festivals like Voodoo, Outside Lands, Bonnaroo and High Sierra in their wake.

Behind the frontlines are bassist/keyboardist David Bailis and drummer John Staten, forming the rhythmic backbone of the Pimps’ audible collage. And for Jukestone Paradise, they called in a few friends to lend their talents, including Ivan Neville, who lends New Orleans flavor to “Sky,” and Rubblebucket’s Alex Toth, who co-wrote the quirky and infectious “Dance Cardia.” 

Just as Brooklyn has changed since the Pimps started, so has the band’s sound. But as Williamsburg gentrifies, the Pimps of Joytime’s diverse evolution keeps the neighborhood’s spirit alive. That spirit goes into the Pimps’ pot, over a soulful roux of rhythm and groove.