The air in the city was thick with smoke and ash, and the buildings were grey and towering. The streets were filled with people, all walking with their heads down and their faces covered. It was a dystopian world, where hope was rare and joy was even rarer. But on this foggy night, there was a glimmer of something different. The people had heard whispers of a firework display, something that hadn't been seen in the city for years. The display would be a celebration of hope, a chance to consign the bleakness of their lives to oblivion and momentarily revel in something beautiful.

As the sun set and the fog rolled in, people started to gather in the streets. They were cautious at first, not sure if the rumours were true. But then, they saw the first burst of colour in the sky, and they knew it was real. The fireworks were breathtaking. They exploded in the sky, sending showers of sparks raining down on the city. The colours were bright and bold, and for a moment, the people forgot about the darkness that surrounded them.

Edinburgh experimental composer Jordan Russell-Hall, aka Jordan Stanley, makes his debut on Bytes with his exceptional second album, A Cry For The Moon. There are shades of his Scottish contemporaries Hudson Mohawke and Rustie in these colourful experiments in microsampling. Like a magpie snaffling shiny objects for its nest, Jordan has procured samples from all corners of the electronic and pop music realm - from Charli XCX and Mr Mitch to Ariana Grande and Jimmy Edgar - to help form a vivid sound palette of vibrant synths, frenetic Jersey Club-influenced rhythms and lush ambience.

PREMIERE: Jordan Stanley - Impossible [Bytes]

I like house music, latin trap. I waste my time in ableton!

🙏 🌏 Music From Planet Earth 🙏 🌏

If you'd like to send us demos, please email us at records@theransomnote.co.uk with a link to a private Soundcloud playlist.

Ransom Note is an online music, arts and culture magazine. We provide a home for readers and writers with boundless enthusiasm, esoteric knowledge, fierce opinions and impeccable taste.

With our core team immersed in all aspects of dance music, we publish news, articles, and interviews covering the greatest in innovative, underground culture from across the globe. We offer regular, exclusive music and mixtapes from our favourite artists, and publish features shining a light on everything from the freshest new artists to the untold tales from rave history.

Alongside this we offer musings on film, books, life, and art, generating some context and controversy as an antidote to the reheated PR that clogs up the internet. Our office is fuelled by Tunnock’s Bars, cat memes, hangovers and a ridiculous, never ending love for our culture.

We're always interested in getting new writers on board – feel free to get in touch if you’ve got a story to tell.

With love until the grave.

Tasty electronic music. Est. 2019. Big up @the-ransom-note! Likeminded artists please send demos to bytesbytes1@gmail.com