Work Mixes

Booyahh

••__••

Hip, Pop, & RnB - 2

1. (Unknown)
(london-trk4)

2.(Unknown)
(manchester-trk1)

3. (Unknown)
(manchester-trk2)

4. (Unknown)
(london-trk2)

5. (Unknown)
(london-trk3)

6. (Unknown)
(london-trk5)

7. Powder Dry
(Overmono cover)

8. Pluralism
(Katsunori Sawa cover)

9. Leisure Techno
(AQXDM cover)

10. Ballad 002
(AQXDM cover)

11. Kritikal Thirst
(M.E.S.H. cover)

12. Furies
(C Mantle cover)

13. fang mark semantics
(N1L cover)

14. Unknown Number (M.E.S.H. Remix)
(Hyph11E cover)

15. Vot i vse
(Stanislav Tolkachev cover)

16. Set Goering
(Amish Boy cover)

17. Simple Dreams
(Break the Limits cover)

18. m11st lon
(user18081971 cover)

19. abundance10edit[2 R8’s, FZ20m & a 909]

20. Feel So Good
(2 Kilos ? cover)

21. Runaway Pain
(Patrick DSP cover)

22. Amenity
(Link cover)

23. stomper 101mod detunekik
(Caustic Window cover)

24. (Unknown)
(manchester-trk8)

25. (Unknown)
(manchester-trk9)

26. (Unknown)
(manchester-trk10)

27. Edge of Infinity
(Missing Channel cover)

28. Soundbwoy RIP
(Zomby cover)

29. Polynomial-C

30. Realistic Riot Ritual Routine
(Christoph de Babalon cover)

31. USINGIZI
(Slikback cover)

32. You Don't Matter
(Galaxian cover)

33. Delta C64 in-game tune
(Rob Hubbard cover)

34. Gunman (IQ VIP Special)
(Marvellous Cain cover)

35. choirDrilll
(AFX cover)

36. Ten Grand Dub Plate
(BMW cover)

37. (Unknown)

38. Backyard
(Steinvord cover)

39. (Unknown)

Source: https://www.setlist.fm/setlist/aphex-twin/2019/mayfield-depot-manchester-england-7b9c320c.html

https://youtube.com/watch?v=961uG4Ixg_Y&feature=share


#aphextwin #live #warehouseproject

Aphex Twin - Warehouse Project / Manchester // 20.09.19

friday at sustain-release 2021, 12-2am. thank you karen nicole for the photo :)

thank you @sustain-release-nyc

livwutang @ Sustain-Release Year 7

@ccl-url blasted us all into space in their closing set atThe Grove on Saturday night.

Campout Mix Series: CCL

Recording of Martyn's set at Dekmantel Festival 2023.

Martyn at Dekmantel Festival 2023

@Call-Super's mix, named Mermaid Leap, in inspired by Alfred Lord Tennyson's poem of the same name. The Mermaid appears towards the end of the session, stay tuned and enjoy.

The jewelry released with this mix is inspired by Call Super’s infatuation with the form and purpose of kettles/teapots. He finds their purpose deeply satisfying and universal in a way that makes him feel calm, soft, and at one with the world.

Visit www.forge.fm for more information and to explore more. :)

Call Super

Eazy-breezy dancefloor eclecticism from the DC wonder duo... 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/beautiful-swimmers/episodes/beautiful-swimmers-6th-december-2024

Beautiful Swimmers 061224

Love to all the friends and new faces dancing right up front and beyond with me during my set. Was a pleasure to play my style of music at peak time before https://soundcloud.com/ccl-url shut down the sup.

Shouts to the Golden Plains organisers for creating such open minded and fun festival!

Zjoso Live @ Golden Plains Festival March 2025

My set (with crowd noise) from the Grove Saturday Night 1-3am, after Djrum, before Identified Patient. 

Out to all the sexy witches of the forest, thank you to everytone there + entire crew @sustain-release-nyc :)

<3 Mastered by the best @wordcolour

CCL @ Sustain-Release Year Ten

The MFM Mix series continues with Istanbul-born, Amsterdam-based multidisciplinary artist Deniz Omeroglu (@loradeniz), who released her debut album 'SUN SHONE' with us earlier this year. Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Welcome to the series Deniz. Being from Turkey originally, what did your musical upbringing look like? 

LD: There was always music playing in our house - we even had speakers in the bathroom. My dad really enjoyed listening to music; he had an open mind and a great collection of CDs and records. It brought together Western influences, world music, and local sounds. That diversity really shaped my ears and sense of sound from early on. My brother played the piano, so classical music was also part of the atmosphere. I guess I grew up listening to almost everything except electronic dance music. That came into my life later - after graduating from the conservatory and going through my own personal rebellion. 

MFM: Comparing to West-Europe, where you live now, do you feel there's difference in how music plays a role culturally? 

LD: Totally. I think we, as a culture, tend to experience and express emotions more intensely - both internally and outwardly - compared to Northern European countries. So you can often feel that emotional depth and variation in our melodies and rhythmic forms. Just the other day, I found myself wondering... what kind of music would I be making now if I had grown up listening to Chicago house at home?

MFM: You've produced the whole album yourself. Being a classically trained pianist probably helps a lot when creating and writing new music, right? How did you go about writing the songs?

LD: In the past, my creative process was often fueled by pain and drama. But now, I don’t need those emotions to create anymore. Maybe that used to be what made my music distinctive, but now everything feels a lot more free and in flow. Coming from a classical background actually caused years of writer’s block - I often had no idea what to do next. Being classically trained means you're expected to perform everything perfectly. It took a lot of unlearning to let go of that mindset and teach myself that there’s actually more comfort in imperfection. So, rather than being a pianist specifically, it’s more about having music theory to fall back on when I feel stuck - that’s what really helps. But honestly, the most important part of writing new music for me is taking care of myself. All the self work - that’s what keeps my creativity alive.

MFM: When does a song determine if it needs your voice incorporated? And how do you then decide whether its going to be in Turkish or English?

LD: When it comes to language, it’s not really a conscious choice - it just happens naturally. I dream in both Turkish and English, and even while answering these questions, I find myself thinking in both. Sometimes it’s just easier to express something in Turkish, and other times it flows better in English. As for when I decide to use my voice in a song, it really depends. Sometimes melodies come to me while I’m just humming, and other times I feel the need to actually say something. I think of my voice as a human oscillator - just another unique textural element. I use my voice to create percussive or synth-like sounds, layering it in the same way I would with instruments, to add something personal and distinctive.

MFM: Please can you tell us a bit about your mix? 

LD: I think this mix gives off a sense of melancholia but not too much, intimacy, and cerebral energy. It’s not really representative of what I’d play out at clubs, but it’s full of tracks I love listening to, my all time and latest favorites. There’s a lot of slow burners, ghostly sensuality, and a touch of leftfield sass. my intention was to record something as much for the body as for the head in the most mfm way possible. Something light, something fun and something genuine.

MFM Mix 053: Loradeniz

Sleep D are a pair of Australian producers and DJ’s who also run the prolific record label Butter Sessions which has become a home to an array of artists including the likes of Jennifer Loveless, Hybrid Man, Ewan Jansen and more.

The label is rooted in underground club music and has been in operation for over ten years and has remained a consistent presence.

The pair themselves make music which sits somewhat between genres drawing upon elements of early trance, acid, downtempo, house and techno. It’s always raw and rugged, at times progressive in places but definitely rooted in clubland.

This mix is a stellar representation of the pairs musical outlook which is broad and fierce. It goes very deep and as such the length reflects the diversity and strength of narrative in the style of sets they tend to perform and play.

This one is a tour de force.

Sleep D: The Ransom Note Mix

If you’ve spent any time on Seoul’s dance floors lately, chances are you’ve come across the name ffan. And if you haven’t? Well, you’ve got some catching up to do.

ffan has carved out a reputation for his intricate and high-energy sets, navigating seamlessly through genres with a flair that is perfectly controlled. Whether he’s behind the decks or deep in the studio, ffan brings a wild, magnetic energy.

His sharp focus has led him to become a key figure in Seoul’s bubbling underground scene. As the founder of club Nyapi Seoul and Studio Namsan, ffan’s voice shimmers through all projects he touches.

There’s no better time to get acquainted with what ffan is bringing to the booth.

Read more here: https://www.theransomnote.com/music/mixes/ffan-the-wednesday-alternative-mix/

ffan: The Wednesday Alternative Mix

Stars Of CCTV

Hard to Beat

In the age of over-information and over-exposure what control do we have over our public persona? It's all about the personality, all about our profile, incessant, endless posts to every medium we can lay our hands on.

After 25 years of DJing around the world,  the catchily title |-...-.|  seems like they've had enough of all that and switched to the exact opposite and put together a project with no real name, no real public persona or much else besides. But it's been getting noticed by the right people - Joe Muggs featured them twice in Bandcamp Daily this year, and their latest album "Deliveroo Studio Séances" is the piece that really caught our ear.

"This is all about music being judged on its merit rather than ego or identity, transcending the audiences potential preconceptions and focusing on a sonic and visual journey. "

The sound pulls from various places - you can hear bits of Aphex Twin, Burial, Daft Punk, and Weatherall in there. It's genre-fluid stuff that doesn't fit neatly into boxes, which is probably why the likes of Trevor Jackson and Prosumer have been supportive.

The whole anonymous angle means the music has to speak for itself, which it seems to be doing. So it feels kind of counterintuitive to ask them any questions for this rather tasty mix they've put together of original material, intermingled with other beauties. But we'll do it anyway, hey.

Tracklist and full interview here: https://www.theransomnote.com/music/mixes/the-shine-a-light-on-ransom-note-mix/

@4lob1c66csdd

TRACKLIST AND IVW

|-...-.| The 'Shine A Light On' Ransom Note Mix

Ghetto Love

Anything (feat. Next)

Still Ghetto

Fabulous (feat. Tha Rayne)

Just in Case

Put That Woman First

Chunk of Change

Sleepyhead

Falcon Jab

Ratatat

Seventeen Years

Wildcat

MARK FLASH UR078 - DETROIT TECHNO MIX : http://www.electronique.it/podcastA811C10_Podcast_Mark-Flash_E-P-038
              
TRACK LIST:
1.  Mark Flash - Intro
2.  Gerald Hanson - Convextion [Matrix Records]
3.  Kenny Larkin - Chasers [Distance]
4.  Evelyn Jean - Chateau Noir [Dig It International]
5.  Zed Bias feat. Randolf - Mighty Dub [ITH Records]
6.  G. Flame - Lower [Bush]
7.  Julius Papp - Primtive future(Kemal's Main Mix) [Soulfuric Deep]
8.  Mark Flash - Guarana (A Day In Brazil) [unreleased]
9.  Polar Pair feat. Atlantis - This Is What Happens(Mark Flash Remix) [Botanika]
10. Mark Flash - Cachasa [Underground Resistance]
11. Shawn Rudiman - Metronie [Matrix Records]
12. DJ Cadet - Voodoo Lakey[ROCit Records]
13. Peter Horrevorts - Oorsprong [Kanzerlaramt]
14. Prince - Sexy [White Label/AMG001]
15. Mark Flash - Hot Timbales [Upstart Records]
16. A Night With Dick - The Eye Tattoo [Max Trax]
17. Mystery Track #1
18. Mark Flash - Orpheus[unreleased]
19. Mystery Track #2

UR078 Underground Resistance (DETROIT TECHNO MIX)

Step back, this is a big one. 

Across the past couple of decades there have been very few who can attest as much influence as that of Joakim, a singular producer who has been charted as an influential figure by many of the leading producers and disc jockeys in the present.

The French outsider has amassed a notorious reputation for his eclectic style as a disc jockey and producer having released music on the likes of Versatile, Kitsuné Music, Life And Death, Crosstown Rebels and beyond. As the founder behind Tigersushi Records and Crowdspacer he has been responsible for leading a new generation of talent into the dance and has played a key role in the future development of dance and electronic music. 

As an individual his own take on music is wide and vast, not one to shy away from the alternative or experimental he has done well to channel a sprawling array of style, genre and sound across his own lengthy career and in all honesty Joakim continues to surprise and intrigue with delight. 

A Dj's dj, he is a firm favourite and we welcome him as part of the series.

Read & Download

Joakim: The Ransom Note Mix

Another Round

Finding My Way Back

Cold air hangs thick in the early days of December, winter is here and we have a soundtrack to accompany the tone. 

Calibre is regarded as one of the most innovative and prolific producers within electronic music, over the years he has become a definitive figure in Drum & Bass, having elevated the genre in a way in which is celebrated and adored. Originating from Belfast he has recorded music which has tugged at the heartstrings, encouraging a new chain of thought associated with the sound. Albums like "Musique Concrete" and "Second Sun" remain some of the most crucial and important pieces of work to emerge from the Northern Irish producer and he is widely considered to be one of the most significant electronic artists of the past twenty years. 

At the tail end of last week Dominick Martin released a new album through his own imprint, Signature Records. It showcases a change of pace for the producer as he focusses on ambient textures and the poignancy of life. It was recorded across a four year period following the passing of a close friend and as such a sombre, humble sense of honest self expression runs throughout. Titled "Planet Hearth" the album was written in Valentia on Ireland's west coast. It's a beautiful record which highlights his own approach to music and offers an insight into the soul of a musician who has contributed so much. 

We are hugely honoured to be able to present a mix from Calibre which showcases ambient music, past and present.

Calibre: The 'Monday Is Okay' Mix

untitled 
signal to noise 
untitled 
untitled 
untitled 
days of atlantis 
meaning potential 
untitled 
untitled
potential life

recorded and arranged at home
kit: juno G, tr707, nava 909, tr8, acidlab miami, volcaFM, waldorf blofeld, soundcraft signature, mfc-42, microverb 4, zoom h4n, ableton
cut from a longer jam

John Heckle live session (beyond the crowds II)

Ransom Note is an online music, arts and culture magazine. We provide a home for readers and writers with boundless enthusiasm, esoteric knowledge, fierce opinions and impeccable taste.

With our core team immersed in all aspects of dance music, we publish news, articles, and interviews covering the greatest in innovative, underground culture from across the globe. We offer regular, exclusive music and mixtapes from our favourite artists, and publish features shining a light on everything from the freshest new artists to the untold tales from rave history.

Alongside this we offer musings on film, books, life, and art, generating some context and controversy as an antidote to the reheated PR that clogs up the internet. Our office is fuelled by Tunnock’s Bars, cat memes, hangovers and a ridiculous, never ending love for our culture.

We're always interested in getting new writers on board – feel free to get in touch if you’ve got a story to tell.

With love until the grave.