At Field Maneuvers 2023, Optimo (Espacio) played the final set in the Sputnik tent as part of the Watching Trees takeover. "We expected everyone to be on their final reserves of energy," they said. "But it was instantly apparent that there was electric energy in the tent. It ended up being one of the most joyous, life-affirming gigs of [the year]."

@optimo-music @fieldmaneuvers

Find out more about Field Maneuvers 2024: https://ra.co/news/80472

RA Live - Optimo (Espacio) - Field Maneuvers, UK

The MFM Mix series continues with Istanbul-born, Amsterdam-based multidisciplinary artist Deniz Omeroglu (@loradeniz), who released her debut album 'SUN SHONE' with us earlier this year. Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Welcome to the series Deniz. Being from Turkey originally, what did your musical upbringing look like? 

LD: There was always music playing in our house - we even had speakers in the bathroom. My dad really enjoyed listening to music; he had an open mind and a great collection of CDs and records. It brought together Western influences, world music, and local sounds. That diversity really shaped my ears and sense of sound from early on. My brother played the piano, so classical music was also part of the atmosphere. I guess I grew up listening to almost everything except electronic dance music. That came into my life later - after graduating from the conservatory and going through my own personal rebellion. 

MFM: Comparing to West-Europe, where you live now, do you feel there's difference in how music plays a role culturally? 

LD: Totally. I think we, as a culture, tend to experience and express emotions more intensely - both internally and outwardly - compared to Northern European countries. So you can often feel that emotional depth and variation in our melodies and rhythmic forms. Just the other day, I found myself wondering... what kind of music would I be making now if I had grown up listening to Chicago house at home?

MFM: You've produced the whole album yourself. Being a classically trained pianist probably helps a lot when creating and writing new music, right? How did you go about writing the songs?

LD: In the past, my creative process was often fueled by pain and drama. But now, I don’t need those emotions to create anymore. Maybe that used to be what made my music distinctive, but now everything feels a lot more free and in flow. Coming from a classical background actually caused years of writer’s block - I often had no idea what to do next. Being classically trained means you're expected to perform everything perfectly. It took a lot of unlearning to let go of that mindset and teach myself that there’s actually more comfort in imperfection. So, rather than being a pianist specifically, it’s more about having music theory to fall back on when I feel stuck - that’s what really helps. But honestly, the most important part of writing new music for me is taking care of myself. All the self work - that’s what keeps my creativity alive.

MFM: When does a song determine if it needs your voice incorporated? And how do you then decide whether its going to be in Turkish or English?

LD: When it comes to language, it’s not really a conscious choice - it just happens naturally. I dream in both Turkish and English, and even while answering these questions, I find myself thinking in both. Sometimes it’s just easier to express something in Turkish, and other times it flows better in English. As for when I decide to use my voice in a song, it really depends. Sometimes melodies come to me while I’m just humming, and other times I feel the need to actually say something. I think of my voice as a human oscillator - just another unique textural element. I use my voice to create percussive or synth-like sounds, layering it in the same way I would with instruments, to add something personal and distinctive.

MFM: Please can you tell us a bit about your mix? 

LD: I think this mix gives off a sense of melancholia but not too much, intimacy, and cerebral energy. It’s not really representative of what I’d play out at clubs, but it’s full of tracks I love listening to, my all time and latest favorites. There’s a lot of slow burners, ghostly sensuality, and a touch of leftfield sass. my intention was to record something as much for the body as for the head in the most mfm way possible. Something light, something fun and something genuine.

MFM Mix 053: Loradeniz

In the age of over-information and over-exposure what control do we have over our public persona? It's all about the personality, all about our profile, incessant, endless posts to every medium we can lay our hands on.

After 25 years of DJing around the world,  the catchily title |-...-.|  seems like they've had enough of all that and switched to the exact opposite and put together a project with no real name, no real public persona or much else besides. But it's been getting noticed by the right people - Joe Muggs featured them twice in Bandcamp Daily this year, and their latest album "Deliveroo Studio Séances" is the piece that really caught our ear.

"This is all about music being judged on its merit rather than ego or identity, transcending the audiences potential preconceptions and focusing on a sonic and visual journey. "

The sound pulls from various places - you can hear bits of Aphex Twin, Burial, Daft Punk, and Weatherall in there. It's genre-fluid stuff that doesn't fit neatly into boxes, which is probably why the likes of Trevor Jackson and Prosumer have been supportive.

The whole anonymous angle means the music has to speak for itself, which it seems to be doing. So it feels kind of counterintuitive to ask them any questions for this rather tasty mix they've put together of original material, intermingled with other beauties. But we'll do it anyway, hey.

Tracklist and full interview here: https://www.theransomnote.com/music/mixes/the-shine-a-light-on-ransom-note-mix/

@4lob1c66csdd

TRACKLIST AND IVW

|-...-.| The 'Shine A Light On' Ransom Note Mix

I-F b2b Intergalactic Gary at Time is the New Space for Intergalactic FM XXL Summer Edition.

Bookings I-F | Beverly Hills 808303, Intergalactic Gary and Intergalactic FM club and festival hostings: carlos@pontoonbookings.com

I-F b2b Intergalactic Gary at Intergalactic FM XXL Summer Edition 09.08.25

A section from my set at Magic Waves Summer Festival, Berlin, July 2015,  featuring the more accessible synth end of the kind of stuff I play at my occasional So Low night in Glasgow. So Low 2 x LP compilation in hand screen printed sleeve coming February 2016 via Vinyl Factory.

JD Twitch Live at Magic Waves Summer Festival, Berlin 2015 (Part 1 - So Low Synth NRG set)

🌐 Refuge Worldwide is a radio station and community space based in Berlin-Neukölln.
➡️ More info, more music: www.refugeworldwide.com

Help us stay on air by donating to our fundraiser: https://www.gofundme.com/f/help-refuge-worldwide-community-radio

Neurotiq Erotiq Takeover - Simon TK & Activator - 04 Sep 2025

It is our pleasure to share our latest podcast, this time from Full Circle’s Alexis Le-Tan.  The mix is a live recording taken from Bakk Heia at The White Hotel earlier this year. Alexis began playing around 3am, just as the club had reached capacity. Energy that was simmering under the surface began to be released, the initial hustle and bustle was over and people had found their place on the floor. As such, this mix expertly demonstrates Alexis’ ability to hook dancers in, giving them a playful push before engaging them into full mind melt mode. Starting with genre defying mid-tempo dubby sludgery, it moves into angular strains of new beat adjecent trancers before unleashing the Goa dragons on the rapturous mass of entranced bodies.   

Enjoy this trip friends :)

Bakk Heia Podcast 006 - Alexis Le-Tan (Live from Bakk Heia @ The White Hotel)

Sax Afrikana (Long Play)

Buy On Bandcamp

Simon Sim's & Fantasia - Sax Afrikana (Long Play)

***FREE DOWNLOAD***

A screaming 🔥hot🔥 rave track!!! Listen to those nasty synths! Let me know what you think in the comments! If you enjoy it, please hit the like button! Or even share it! 👾👾👾

⚡️ https://www.beatport.com/release/2-many-hoes/4262726 ⚡️


2 Many Hoes

La Rioule des Compagnons du Monde

Ce groupe haut-savoyard de musique néo-folk se définit comme « un groupe qui invente une musique narrative mêlant tradition et modernité et qui vous invite à la fête ou plutôt à la “rioule” ». 
La Rioule des Compagnons du Monde
Il est né en 2016, à l’occasion d’une réunion de huit musiciens bénévoles lors des Grandes Médiévales d’Andilly. 
Le nom initial « La Rioule » a été enrichi en « La Rioule des Compagnons du Monde » pour marquer les thèmes du rassemblement, du voyage et de la mixité. 
Leur premier album, Autour de la lanterne, est paru en 2019 ; depuis ils publient d’autres projets tels que Le voyage d’Andrin (2023) et Les Voiles de l’Amarante (2025). 
Leur univers mêle chants anciens, réinterprétations, créations originales, percussions, vielle à roue, mandoline, flûtes, etc. 
Ce sont les « Compagnons du Monde »: Yoann Pesenti, Louise Anthoine, Lucile Anthoine, Didier Anthoine, Julie Bouchet, Adrien Hage, Zoran Mirodatos, Yann Pegaz, etc. 
En résumé : un groupe festif, enraciné dans la tradition médiévale/folk, mais ouvert au voyage, aux mélanges culturels et à la modernité.

Les Monts Rieurs

Cette compagnie basée en région PACA (à Sainte‑Anastasie‑sur‑Issole, France) se consacre à la création, production et organisation de spectacles vivants, notamment d’arts de la rue. 
Elle existe depuis 1998. 
Son imaginaire est décrit comme « débordant et créatif », avec une énergie joyeuse, et ses productions incluent musique originale et univers visuels marqués. 
Elle se produit partout en France, en Europe, et a notamment emmené ses créatures fantastiques les « Tanarucks » à Macao en 2014, puis à Taiwan en 2020. 
Elle propose aussi d’accompagner des événements culturels pour des communes, associations, festivals, avec prestations sur-mesure. 

En résumé : Les Monts Rieurs sont une compagnie de spectacle vivant / arts de la rue, aux univers féériques très construits, qui réalise des spectacles et animations partout en France et au-delà.

Unofficial remix
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free download

La Rioule des Compagnons du Monde & les Monts Rieurs - gloire aux moutons (Jack Essek edit)

This Was Belgium 1987-89 - 2 hours of New Beat favourites

New Beat was born and initially exploded in 1987, went supernova (in Belgium) in 1988 and then the formula morphed a bit and was declared dead in 1989. It was slow and initially all about the atmosphere with industrial strength beats - the main form of rhythmic propulsion being the pounding kick and heavy snare. It was often mainly instrumental and when there was lyrical content it often became more about slogans and giving commands - "Move Your Ass And Feel The Beat!", "Let There Be Brightness!", "Shout Out Loud!". While not really New Beat, it's no surprise Technotronic's "Pump Up Jam" was produced by a crew who had produced a ton of New Beat gems.

In 1989 one of New Beat's founders, Marc Grouls said "New Beat is atmosphere, beats, no lyrics, and sure as hell not commercial!!!!!" But, it was already too late. A zillion bandwagon jumpers had diluted the music and flooded the market with too many sub standard 12" singles. New Beat temple, the legendary Boccaccio nightclub, in Destelbergen, near Ghent, had been closed down and it looked like it was all over, but really, it was just the beginning. New Beat morphed into Hard Beat (many of the tracks on this mix are from the Hard Beat era) which quickly morphed into Belgian Rave, which was huge and hugely influential in the UK and is an often overlooked part of the DNA of UK Hardcore, and all that came after. Then from Ghent, R&S Records established itself as thee European Techno label and a huge wave of incredible Techno records emanated from it and many other mighty Belgian labels, but that is another story. 

New Beat arrived just as I first started DJing and I played a lot of it in my DJ sets and built up connections with several of the leading Belgian labels who would send me 12" singles so I had records nobody else here had any idea even existed. I would compile New Beat charts for the music paper The NME which may have given the impression there was a thriving New Beat scene in Scotland. The reality was very different; people here, many of whom would embrace the rave just a little while later never really took to it in a big way.

This mix is comprised of many of my personal favourites that I have loved since they came out (and two I missed at the time and only heard later). I think the tracks have aged like a fine wine, often sounding as good if not better today as they did then. There is definitely a faint whiff of fromage and a big dollop of stoopid in several of these tracks. Of course, it is not all about the cheese and many of these adhere to the "atmosphere, beats, no lyrics, and sure as hell not commercial" rule mentioned above. Some of the best programmed 303 Acid basslines ever made can be heard here along with transcendental hypno synths and those Belgian beats going on and on....! Slow and low, from under 100bpm up to 116, New Beat doesn't chug, it swings in a very distinct way. If you get to see any videos of Belgian clubs of the era, the way people moved to this music is incredible and so different to any dancing we see today.

Many of these tracks are made by the same people under various aliases, which will perhaps be audibly evident. Most of the names have been forgotten, if they were ever even known outside their native Belgium at all, but all are legends to me. 

This mix isn't any kind of attempt to tell the story of New Beat but rather a mix 33 of my favourite 12" singles from that era showing many of the various strains of the New Beat and Hard Beat sound. A lot of love went into this and I hope someone somewhere discovers this music for the first time and falls in love with it as I did way back when. This was Belgium!

This Was Belgium 1987-89 - 2 hours of New Beat favourites

Ransom Note is an online music, arts and culture magazine. We provide a home for readers and writers with boundless enthusiasm, esoteric knowledge, fierce opinions and impeccable taste.

With our core team immersed in all aspects of dance music, we publish news, articles, and interviews covering the greatest in innovative, underground culture from across the globe. We offer regular, exclusive music and mixtapes from our favourite artists, and publish features shining a light on everything from the freshest new artists to the untold tales from rave history.

Alongside this we offer musings on film, books, life, and art, generating some context and controversy as an antidote to the reheated PR that clogs up the internet. Our office is fuelled by Tunnock’s Bars, cat memes, hangovers and a ridiculous, never ending love for our culture.

We're always interested in getting new writers on board – feel free to get in touch if you’ve got a story to tell.

With love until the grave.