Jason, the third of four Brampton Brappers to tag the A141 bridge over the A1.

Jason

The final track from the album "Life Through Multicoloured Boxes", Fresh and just released by God's Azolla. Check out Last.fm for free downloads of this album and all previous other music/ http://www.last.fm/music/God%27s+Azolla
Thanks for listening!

Sodium

Morning sounds from the Amazon Rainforest recorded by Richard Ranft.

British Library Reference: 1CD0170969

Image Reference: https://pixabay.com/en/tree-tropical-jungle-foliage-143627/

Amazon Rainforest Atmosphere - Morning

Afternoon sounds of the Amazon Rainforest recorded by Richard Ranft.

British Library Reference: 1CD0170969

Image Reference: https://pixabay.com/en/rainforest-palm-trees-moss-78516/

Amazon Rainforest Atmosphere - Afternoon

Lyrics:

I play everyday for't same team,
Every string on my shelf has a knot and seams,
I take chestnuts piled by the heap,
In shallot vinegar, none must seep.
And all I care about is twine and violence,
And a heavy fast strike is my kind of freelance.
Everybody says that I'm king of the hits,
But every now and then my hand seems to slip.

Some children play with conkers,
I get mine from't Trees
I've been playin' me whole life
There's nothin' lazy 'bout these.
Some people play for spoils, but I just play to be
I've been playin' my whole life
There's nothin' lazy 'bout these.

Conkers.

I say the best fall from a tall beam,
Prep my hands with some E45 cream,
Never once been tempted to cheat,
Smashing theirs to bits for an honest treat.

Their conker just hit the floor now...

And one of these days, I'll win a contest
but I'll have to fights them kids from't north west,
Ain't anybodys I can't pit,
Come and try me, yours'll get split.

Parody is Legal

Conkers

Conkers (Dizzee Rascal cover)

More info here: https://crackm.ag/2PYTZqf

Crack Magazine

Best of Aphex Twin’s Soundcloud Dump – Mixed by EOD

Dirty Owl - Veltro

Special Box limited (4 x Green vinyl ! – only on this website!)
https://wemerecords.com
PRE-ORDER! WILL BE READY FOR SHIPPING 3rd  June 2020

WeMe060 UNDIAGNOSED B1 "Neurolaxicine"

Since emerging in the early 2000s with releases on the seminal Merck label, Proswell (Joseph Misra) has proven to be one of the most original voices in IDM. People Are Giving And Receiving Thanks At Incredible Speeds (PAGARTAIS), his debut on Sheffield’s Central Processing Unit, is another Proswell record which overflows with creative energy. Containing five widescreen electronic epics, PAGARTAIS showcases some of the most ambitious work in the discographies of both artist and label.

The core sonic palette of PAGARTAIS is one schooled in the IDM and electronica sounds of imprints like Rephlex Records, B12 and Skam. These tracks are helmed by thick washes of keys, an array of playful synth tones and drums so deft it’s sometimes hard to tell whether they have been programmed or played live. However, across almost forty minutes of music here Proswell explodes preconceptions about genre and form, his music gleefully jumping from one new sound to the next while assimilating electro, prog, computer game music, post-jazz and pretty much everything in between.

Opener ‘PAGARTAIS I’ sets the tone for the rest of the record. This is a track which never sits still - beginning with a distorted melee of drums that comes off like a strange new version of breakbeat, ‘PAGARTAIS I’ moves through some thrillingly idiosyncratic takes on Rephlex-school IDM, stargazing Detroit electro and The Comet Is Coming’s futurist electronic jazz across its near-ten-minute runtime. Following number ‘PAGARTAIS II’ is no less impressive, referencing the hyper-modern computer sounds of Iglooghost and Kai Whiston while containing a driving opening section which could have soundtracked one of the legendary Wipeout games.

Although this fabulously unpredictable record often zips along at high speeds, Proswell is also able to dial things back when he needs to. Indeed, the second half of PAGARTAIS finds him slowing down a tad in order to deliver some of the album’s most atmospheric material - ‘PAGARTAIS III’ blends cutting-edge electronics with sonorous jazz harmonies and fizzing improvised lead lines, the mysterious ‘PAGARTAIS IV’ is a sort of freeform variation on the maximalist, colourful electronica of Galaxy Garden-era Lone, and the slinking computerised Braindance number ‘PAGARTAIS V’ recalls Calum Gunn’s recent CPU drop Addenda.

Really, though, none of these comparisons quite do justice to the inventive capacity of this music - Proswell’s in a lane of his own here. An incredibly innovative fusion record that takes in IDM, prog, computer music, electro and plenty more besides, People Are Giving And Receiving Thanks At Incredible Speeds (PAGARTAIS) is the sound of a unique musical mind in full flight.

RIYL: Calum Gunn, Kai Whiston, Iglooghost, Rustie, Bogdan Raczynski

Proswell - People Are Giving And Receiving Thanks At Incredible Speeds (PAGARTAIS)

Finally the reissue

2 x 12"  remastered, repackaged

Artwork by Al White

Mastering by Analogcut

Expected April 23rd,            Distributed by Kudos UK

Distributed by Kudos UK

Likemind 06 - Nuron / Fugue

A group of simple Yorkshiremen (from Essex) having a gentle not-for-profit laff. The foremost authority on Pop music oop North, translating the nation's favourite pop songs into a proper accent since 2012.



Influences:
John Shuttleworth

Conkers (Dizzee Rascal cover)

The Yorkshire Popular Music Council