Capital city: Moscow.
If you’re in India, don’t spend under 5Rs in a transaction.
I wanna go to Reno..
Goal: CAD to INR, 1:1.
USA->CAN & IND<-SRI. 
Collaboration from Tax-free citizens
Tip to Elon Musk: Recycle the rockets through the bores.
Just asking people to go to Dhankar hospital, Jhunjhun, Rajasthan..

https://www.instagram.com/henderson_nzx

Andrew Noseworthy (he/him/his) is a multidisciplinary artist whose music reflects upon the acceptance/rejection of “locality,” while addressing ideas of post-regional spaces and questions of accessibility for the musical voices within them. His genre-fluid projects coalesce wide-ranging styles and distinct artistic practices, while building sustainable relationships through communal collaboration. Recent collaborators include The Metropolis Ensemble, The 21C Guitar Conference, Angie Moon Dance Theatre, Saman Shahi, India Gailey, Yang Chen, Tim Brady/Bradyworks, Phong Tran, Adam Cuthbért, SlowPitchSound, Greg Bruce, The St John’s International Sound Symposium, Bekah Simms, Tanea Hynes and Andrea Lodge. He is a member of the experimental hardcore duo this place is actually the worst (with Aeryn Jade Santillan), post-genre duo laydøwn (with Yaz Lancaster), Toronto-based contemporary ensemble ContaQt, and co-runs people | places | records.

Described as ‘sublimely articulate,’ the music of award-winning Toronto-based composer August Murphy-King blends the expressive energy of popular music with the technical and structural complexities of more traditional concert music. He placed second in the 2016 Land’s End Composer’s Competition and was also a 2017 winner of the SOCAN Foundation’s Godfrey Ridout Award. In 2017, his work Simul won the Ann H. Atkinson Prize in Electroacoustic Composition at the University of Toronto. His current focus is scoring for picture, with several projects currently underway. His recent credits include the Canadian short film "Bonding,” and the Irish-Canadian feature film “The Winter Lake.” He completed his Doctorate of Musical Arts at the University of Toronto in 2020.

"When the bass is heavy & slaps ya in the face,
but it's still mellow, it's ticklin' ya down under."

Our core roots run deep in Kamloops, BC. 
Curators of Deep Roots Music Festival. 
Showcasing the Heavy Mellow side of Bass Music.
Deeply-root•ed in Soundsystem Culture.  

We love low-end sub bass, hiphop, flips & everything from sweet, smooth & sexy - to weird, wild & wonky. Our crew is ever-expanding as we find other (gn)homies spreading the good word of bass & joining the movement.
 
@Benevolent_HMM
@thtsrghtmusic
@adekn_bass
@lunadialect
@jayrohdub
@neechetunes
@chipzdubz

Do you push that heavy mellow sound? Send us a ~30 minute mix, or for HMM Takeover bookings & other inquiries: heavymellowmovement@gmail.com

Producer, DJ 📍 Toronto | @uprecords2 @tdesu2
Bookings & Inquiries: tdesu.world@gmail.com

Tdesu, full-time music producer and DJ based in Toronto on Up Records' artist roster, has gained international attention for his remixes of timeless classics and current-day hits blending ear-catching melodies with dance genres from around the world. At over 1 million streams, his tracks have been featured on major platforms such as Boiler Room, Apple Music, Soulection, Rinse FM, On The Radar, & Aimé Leon Dore. Always reading the room—from high-octane dance floors to late-night lounges to daytime functions—his sets are a combination of intentional preparation and purposeful improvisation, shifting through elements of club, R&B, hip hop, jazz, soul, the Neptunes sound and in-the-pocket grooves to curate the best vibe at every moment. Across 9 years of djing and 12 years of music production, he has toured numerous cities including Los Angeles, New York, and Montreal. In 2024, he completed his 3rd Canadian tour and a Central American debut in Mexico City and Costa Rica. He was also the sojourn Festival contest slot winner and released his 4th volume of edits and remixes.

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