Used Ableton Live for this one. Derived seven stems from the source tracks, two additional effects tracks far in the background.

Released under a Creative Commons license (c) the bell mechanical 2015
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Disquiet Junto Project 161: Netmix Relabel
The Assignment: Create a new track from three tracks from three different netlabels.

These are the steps:

Step 1: Create a new piece of music by using nothing but the following segments of the following songs:

The first 15 seconds of “Dog Kiss” by Chtin Mara off the album Animus Animal Anima (Enough Records), available for free download at: http://goo.gl/iWcJJs

The first 10 seconds of “Qif Kiff” by Ayato & Natalia Kamia off the album Cluster (eg0cide Records), available for free download at: https://eg0cide.bandcamp.com/album/eg0-131-ayato-natalia-kamia-cluster

The first 10 seconds of “Espasmo” by Lingering Last Drops (Bump Foot Records), available for free download at: https://lingeringlastdrops.bandcamp.com/

Step 2: Upload the finished track to the Disquiet Junto group on SoundCloud.

Step 3: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This assignment was made in the evening, California time, on Thursday, January 29, 2015, with a deadline of 11:59pm wherever you are on Monday, February 2, 2015.

Length: The length of your finished work should be between two and four minutes.

More on this 161st Disquiet Junto project — “Create a new track from three tracks from three different netlabels” — at:

http://disquiet.com/2015/01/29/disquiet0161-netmixrelabel/

This track includes material from the songs “Dog Kiss” by Chtin Mara off the album Animus Animal Anima (Enough Records), “Qif Kiff” by Ayato & Natalia Kamia off the album Cluster (eg0cide Records), and “Espasmo” by Lingering Last Drops (Bump Foot). More on Enough at enoughrecords.scene.org. More on eg0cide at eg0cide.com. More on Bump Foot at bumpfoot.net. All work used courtesy of a Creative Commons license allowing for derivative use.

More on the Disquiet Junto at:
http://disquiet.com/junto

Join the Disquiet Junto at:
http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:
http://disquiet.com/forums/


a carnival of beats [disquiet0161-netmixrelabel]

Are there any invisible friends who would like to communicate?

http://freeimprovstory.blogspot.se/

Working in mixed media...fieldrecordings, analog soundgenerators homemade "tossekasser" creating soundscapes, a,bi & non tonal pieces with or without instruments. Graduated with a degree in (electric) guitar from the Carl Nielsen Institute in Odense, Denmark in 2000.
Masters degree in Electronic Music Composition from DIEM, Aarhus Denmark
Work among others with Acustic Laptoist Tore Honore Boe - saxophonist Peter Brem, soprano Ge-Suk Yeo, poet Richard J. Rizzi, Thomas Jakobsen, drums






Quando eu morrer batam em latas,
Rompam aos saltos e aos pinotes,
Façam estalar no ar chicotes,
Chamem palhaços e acrobatas!

Que o meu caixão vá sobre um burro
Ajaezado à andaluza...
A um morto nada se recusa,
Eu quero por força ir de burro.

Mário de Sá-Carneiro

"It matters not how strait the gate, 
 How charged with punishments the scroll, 
 I am the master of my fate: 
 I am the captain of my soul."
 Invictus - William Ernest Henley

[more or less] acoustic 
covers of songs I love
and revisits of songs I made.

https://www.youtube.com/channel/UCDg8wa0LdOt2dQOsNrwURew
Composer, Pianist, Synthesizer, WFluetist, Stamp Sculpture 
Wakana Kohsaka
Piano : Yamaha grand C3

Violin scrapings with ambient rumblings. Viola drones with harsh noise. Harsh noise with ambient rumblings. Drones with viola scrapings. Violin scrapings. Drones. Viola rumblings.  You can also find me at Mhenwhar Huws...

I tinker with musical toys. sometimes they behave and sometimes they don't. sometimes they run and tell lies to their mom about what I called them. in the end we always make up and laugh about it.

I release music as colab; through collaborations; and by remixing/producing other artists’ music from my home studio in Toronto, Canada.

if you like what you hear, send me a message and perhaps we'll be able to collaborate on something. assuming I'm not too busy drinking. 

which has been known to happen.