xploring the intersection of storytelling and sound, this project breathes life into the shadows of indie horror. Following the 'Serenity' project with MemorysEnemy, this EP serves as a deep-dive into the mechanical and organic horrors of the Playtime Co. factory.  #PoppyPlaytime #Chapter5 #LillyLovebraids #ThePrototype #PoppyPlaytimeLore #IndieHorror #GamingMusic #Experiment1006

Wrong Side Out

Listen closely, "guest." If you can still hear the sound of your own pulse, treasure it. You’ve slipped through a hairline fracture in reality, and you’ve landed in the Backrooms.

Forget the comfort of gravity or the steady ticking of a clock. Logic was a luxury of the world above; here, it has been hollowed out. Down here, time doesn't flow—it stagnates like the air in these yellowed hallways.

Track List

The Yellow Monotony
Brooding synth pads and distorted bass open with sparse, pulsing darkwave beats, Layers of warped analog synths weave tense melodies above punchy electronic drums, Gritty effects and glitch textures amplify the nerdcore edge, with mechanical arpeggios intensifying each verse

Endless Halls, No Exit
emotional synth layers pulse over crunchy electronic drums, with deep bass warping beneath atmospheric pads, Arpeggiated synths and metallic textures add tension in verses, while choruses expand with dense, haunting melodies, Brief glitch effects punctuate mood shifts, driven by darkwave grooves

Submerged Dreams
nerdcore, vaporwave, dreamwave, dreamscape, horror, The "Underwater" sound "opens up" during the chorus to feel like you're breaking the surface, then "closes" during the verses as you sink back down

Middle Management
nerdcore, darkwave, with vocal Layering that sounds tired and monotone, but layered with a "choir" of whispered voices in the background.

Eternal Desk Of Nightmares
The song opens with pulsing and dark retro synth pads and crisp 8-bit arpeggios, setting an energetic synthwave-chiptune fusion, Tight, programmed drums drive the verses, layered with robotic vocal effects and playful game-inspired melodies, The chorus erupts with punchy analog basslines and glitched-out leads, incorporating call-and-response synth hooks, A mid-song breakdown features circuit-bent sound effects, fading into a soaring final section bursting with nostalgic synth layers and rapid-fire chiptunes

Exit Sign
The track opens with haunting minor-key synth pads and minimalist darkwave beats, Layered arpeggiators drive the verses, while chiptune textures punctuate the arrangement, The ballad-style chorus swells with lush, emotive synth chords and a brooding melodic bass

Composition/Loops/Lyrics: Thomas Hurley
Music/Mix: The Audible Exchange
Audio Samples: The Audible Exchange


Middle Management

The Yellow Monotony

Endless Halls, No Exit

Eternal Desk Of Nightmares

Submerged Dreams

A dark ambient and industrial-rock-inspired tribute to the world of Poppy Playtime. This collection of tracks delves deep into character-driven narratives, focusing on the transformation of humans into toys and the lingering guilt of the survivors. Best listened to in the dark.

The lyrics, music and cuts were done by me and another member of MemorysEnemy, some of the female vocals are AI remastered. The Mix and edits were done by The Audible Exchange & Thomas Hurley.

Step back into the decaying halls of Playtime Co. This EP explores the tragic lore of Chapter 5, diving into the shattered minds of those left behind and the mechanical god pulling the strings. From the porcelain isolation of Poppy to the bone-braided madness of Lilly, witness the consequences of Experiment 1006.

Tracklist:

The Girl Who Stayed (Poppy’s Song)
A melodic, eerie look at the doll who started it all.

Braids in Bone (Lilly Lovebraids’ Song)
The haunting descent of Miss Gracie into a sentient dollhouse nightmare.

The Masterpiece of Broken Things (The Prototype’s Song)
An industrial synth anthem for Experiment 1006 and the Hour of Joy.

The One Who Wasn’t There (The Player’s Song)
A synth-heavy exploration of survivor's guilt and the return of the Employee.

Genre: Electronic / Soundtrack / Dark Ambient
Metadata/Tags:
Primary Genre: Soundtrack
Secondary Genres: Industrial, Horror, Synthwave
Mood: Chilling, Atmospheric, Tragic, Aggressive

#MobEntertainment #HorrorGameMusic #PoppyPlaytimeChapter5 #Storytelling

About the Artist:
Exploring the intersection of storytelling and sound, this project breathes life into the shadows of indie horror. Following the 'Serenity' project with MemorysEnemy, this EP serves as a deep-dive into the mechanical and organic horrors of the Playtime Co. factory.

#PoppyPlaytime #Chapter5 #LillyLovebraids #ThePrototype #PoppyPlaytimeLore #IndieHorror #GamingMusic #Experiment1006

Enjoy,
MemorysEnemy & The Audible Exchange

Credits:
Lyrics/Concept: Thomas Hurley/The Audible Exchange
Inspired by: Poppy Playtime by Mob Entertainment
Visuals: Original album artwork featuring Poppy, Lilly Lovebraids, and other characters from Poppy Playtime the Game.
Poppy Playtime is a registered copyright of Mob Entertainment, I do not own, nor did I create anything to do with the game, I just write music. My music does not express the views, ideas, or concepts of the original creators of the game/Mob Entertainment, nor was it developed in collaboration with them. This is strictly a fan project.

The Masterpiece of Broken Things

A dark ambient and industrial-rock-inspired tribute to the world of Poppy Playtime. This collection of tracks delves deep into character-driven narratives, focusing on the transformation of humans into toys and the lingering guilt of the survivors. Best listened to in the dark.

The lyrics, music and cuts were done by me and another member of MemorysEnemy, some of the female vocals are AI remastered. The Mix and edits were done by The Audible Exchange & Thomas Hurley.

Step back into the decaying halls of Playtime Co. This EP explores the tragic lore of Chapter 5, diving into the shattered minds of those left behind and the mechanical god pulling the strings. From the porcelain isolation of Poppy to the bone-braided madness of Lilly, witness the consequences of Experiment 1006.

Tracklist:

The Girl Who Stayed (Poppy’s Song)
A melodic, eerie look at the doll who started it all.

Braid in Bone (Lilly Lovebraids’ Song)
The haunting descent of Miss Gracie into a sentient dollhouse nightmare.

The Masterpiece of Broken Things (The Prototype’s Song)
An industrial synth anthem for Experiment 1006 and the Hour of Joy.

The One Who Wasn’t There (The Player’s Song)
A synth-heavy exploration of survivor's guilt and the return of the Employee.

Genre: Electronic / Soundtrack / Dark Ambient
Metadata/Tags:
Primary Genre: Soundtrack
Secondary Genres: Industrial, Horror, Synthwave
Mood: Chilling, Atmospheric, Tragic, Aggressive

#MobEntertainment #HorrorGameMusic #PoppyPlaytimeChapter5 #Storytelling

About the Artist:
Exploring the intersection of storytelling and sound, this project breathes life into the shadows of indie horror. Following the 'Serenity' project with MemorysEnemy, this EP serves as a deep-dive into the mechanical and organic horrors of the Playtime Co. factory.

#PoppyPlaytime #Chapter5 #LillyLovebraids #ThePrototype #PoppyPlaytimeLore #IndieHorror #GamingMusic #Experiment1006

Enjoy,
MemorysEnemy & The Audible Exchange

Credits:
Lyrics/Concept: Thomas Hurley/The Audible Exchange
Inspired by: Poppy Playtime by Mob Entertainment
Visuals: Original album artwork featuring Poppy, Lilly Lovebraids, and other characters from Poppy Playtime the Game.
Poppy Playtime is a registered copyright of Mob Entertainment, I do not own, nor did I create anything to do with the game, I just write music. My music does not express the views, ideas, or concepts of the original creators of the game/Mob Entertainment, nor was it developed in collaboration with them. This is strictly a fan project.

The Girl Who Stayed (Poppy's Lament)

Braids in Bone

The One Who Wasn't There

The Audible Exchange will now feature work from MemorysEnemy my old band. I have reconnected with 2 of the original band members, and through a lot of online collaborations we are writing music together again. 

MemorysEnemy was a product of the late ninety's and early 2000's with a heavy focus on guitars and more of a rock/country/grunge sound. The Audible Exchange has no become part of the group by adding the talented voice work, and some of the acoustic and raw guitar from myself (Thomas Hurley), Omar L. is the main person behind the drums, working with SUNO and other electronic mixing kits he is very adept at creating intense beats, or just the right back beat or percussion section to make a song work. John is creating bass lines, and guitar solos for mixing into the AI and remastering with SUNO and MUREKA both are great at remastering track pieces and entire tracks.

All of the lyrics are written by Thomas Hurley, and a large majority of the vocal model for the MemorysEnemy tracks are based on Thomas' voice and vocal tracks. These models are used to train the AI to sound more like what it should and hopefully improve the overall recording.

The Audible Exchange is still here, but joint projects will be happening a lot more often, so I hope everyone enjoys the new sounds, group and music. Enjoy and thanks for the support!

Note: That a lot of the early work from The Audible Exchange was written and made by Thomas Hurley using raw stems, AI systems, mixing, recording and other methods of sampling in order to create the original tracks, the vocals were AI generated using Personas or based on original recorded vocals, all lyrics were original and not generated, female vocals are entirely generated, and not based a person or based off of a voice or vocal model. Some of the newer tracks feature a female vocal persona we have refined from a performer we are still training. She prefers to rename out of the spot light for now, so she is our silent singer so-to-speak. More new stuff to come, keep listening.

The One Who Wasn't There

The Audible Exchange

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