its all because your mama is a gosh darn scientologist birch.fuckin thetons.tom.cruise.kakah!

Mixes

( -_-)旦 ~ Good morning Skylab Radio

@LenaWillikens's mix is nothing short of a magical trip through an auditory kaleidoscope, so, turn on, tune in, and drop out. 🍄

The jewelry released with this mix is inspired by Lena's fascination and love for all kinds of mushrooms. She believes that mushrooms rule the world – silently and without wars. In many ways, mushrooms can help humans grow mentally and find a more respectful way to treat each other and the environment.

Visit www.forge.fm for more information and to explore more. :)

Lena Willikens

Command D summons the gods of the deep to have us completely submerged in a world of interdimensional dub techno, traversing us through an hour and a half of infinitely looped reflections and subaquatic soundscapes. 

@commandd

Q. This certainly feels like one of your most immersive mixes to date, deeply contemplative and full of dreamy dub techno atmospherics. What inspiration did you draw upon, and what type of setting or situation could you imagine it being enjoyed in? 

A. I started to get into this sound when I was putting together my mix for the Moonshoe mix series. I didn’t know what to call it at the time but I found all of those tunes and tied them together with a certain feeling that was really inspiring me then, it was very organic and that is still one of my favourite mixes. You can hear dub elements scattered throughout that whole mix.

As I started incorporating more dub elements into my productions I discovered artists like Stephen Hitchell and Rhythm & Sound that had created a kind of music that was really extremely satisfying for me to listen to, especially considering my developing love for hi-fi and larger sound systems. I incorporated those artists into my FHUO mix which was a much more considered exploration of the style. Looking back on the process of making the mixes and how much I enjoyed them really assures me that the deep and contemplative sound is a big part of who I am.

For this mix I’ve taken inspiration from the MDC series itself which I’ve been listening to for years. I wanted to add little hints of deep house sounds as a nod to the mixes of the past. I personally think mixes like this are the best to listen to when you’re travelling and looking out a window, otherwise maybe sitting at a desk on a rainy day doing some work. I’d like people to listen to this in a time where they won't be distracted by something else or feel the need to skip forward, I’d want people to just throw it on and let it play, drifting in and out of the tracks and their own thoughts.

Q. Are there any songs in the mix that are especially close to your heart, and what is it about these tracks that resonate with you so much?

A. My favourite tracks in the mix are Saftig Komposition by Rasmus Hedlund and Sedlec Ossuary by Persuasion. At a base level I love these tracks because they take a more modern approach to a dub techno track with tight production. Going deeper, the thing that really resonates with me is hard to put into words and best left unsaid. I think this kind of music (along with many other kinds) allows the listener to feel emotions that aren't able to be put into words, part of why I love it so much. I find that dub techno specifically can feel sad and happy at the same time like lots of jazz ballads. That to me is a really beautiful sound that kind of encapsulates life in general.

Q. Tell us about the development of your live set, and where things are currently at with it? Do you feel like you’re able to explore different shades of your sound when playing in a live setting?

A. Putting together my first live set was an awesome experience. I got to play it all around Australia from clubs to rainforests. I’ve put the current live set to bed for now and am starting to work on a new one with a slightly different setup. Although it was a challenging experience, I loved making a live set because often when I would dig for tunes to play out I’d think ‘I wish I had a song like this’ and writing a live set meant that I could bring those ideas to life and curate a set exactly how I wanted. I think I’m really starting to settle into ‘my sound’ in production and DJing, but there are creative limitations in both like finding new music or learning new skills. Overcoming technical barriers in production allows me to get closer to my most true form of expression when it comes to what’s coming out the speakers so I’ve been really working on that recently. Hoping the next live set will be bigger and better : )

MDC.302 Command D

Svreca. Four To Eight / Berlin. 11/04/2015.

I recorded this mix sitting on the carpet of my partner and I's new home, pulling out some old records and enjoying the comfort of our new living room which now also houses my custom green monitors. Sundays to me have a naturally relaxed and positive vibe and it's the same day that I throw my event 'Park Dub'. The music at Park Dub is generally a mixture of electronic dub tracks and more rootsy dub reggae but I usually tell the DJ's playing that 'anything with enough reverb and delay is fine', haha. I tried to capture the spirit of Park Dub in the mix.

Tracklist:

Shebuzz, Akmuo and Heavenchord - Seashell Dreams (Grounded Mix)
Babe Roots - World Struggle (Ambient Dub)
Ghost Dubs - Thin Line
Cofaxx - Move 2
Dubmonger - Archive
Triangle - Mantra Dub
DJ Sports - Untitled (B2 NH6)
Full Bloom - Giesing Underwater
Akko - Rosh Sataan
Frenk Dublin - Erangel
Rasmus Hedlund - Verners Funk
V.I.V.E.K - Galactic Dub
Cousin - Overtime Dub (Feat. Tom G)
Frenk Dublin - Divide & Rule
Babe Roots - Ruff Out Dubwise
Jon & Hugh - Stillness (Rings Around Saturn Dub)
Lightning Head - Studio Don One
Roots Radics - Dangerous Match One
Jah Shaka - Prophet Dub
Ghetto-ology - Dub-ology
Mad Professor - Mother Nature Dub

@commandd

Follow us on social media:
@itsdelayed
linktr.ee/delayed
www.delayed.nyc
www.facebook.com/itsdelayed
www.instagram.com/_____delayed
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Contact us:
info@delayed.nyc



Sundays are for... Command D

This is the 53rd recorded instore session. 
Mixed and compiled by the Zenker Brothers from Munich.

www.publicpossession.com

PP INSTORE #53 (ZENKER BROTHERS)

Recorded on Wiradjuri land, NSW
Sunday 8pm - 1030pm

@ameliaholt
https://www.instagram.com/ameliaholt/
~
Photo credit: Distorted (IG distorted.__/)

Amelia Holt at Soma Festival 2024

DJ, producer and Kapsela label head Objekt comes by for a visit. 

https://www.instagram.com/objekttt 
https://www.soundcloud.com/keinobjekt



Objekt @ The Lot Radio 05-12-2025

The first time we'd ever heard of Carlos Souffront was in 2006, when Derek Plaslaiko was encouraging us to book him for our first 3/03 acid party (alongside Mark Verbos).  Derek would not shut up about a party in Detroit where Carlos just played Aphex Twin (and his many aliases) vinyl all night long and demolished the place.  So it only followed that we should invite him to play an all acid set on 3/03.  Carlos of course was phenomenal that night and has been a regular guest at The Bunker ever since.  Earlier this year, when Aphex Twin began uploading a seemingly endless stream of unreleased tracks to Soundcloud, it was Derek once again who called us and said: you HAVE to ask Carlos do a mix of this stuff for The Bunker Podcast.  Carlos obliged and did this mix for us live in one take (after a surprise practice session on RBMA radio).  Enjoy!

The Bunker Podcast 98 - Carlos Souffront

Bousaada (la cité du bonheur)

Buy on bandcamp

Sim's & Nebat Drums - Bousaada (la cité du bonheur)

buyyy

Chicca Leaf - AR Count  [Paul's Boutique]

All vinyl mix from our friends who go by the name Sfire!

ULTRAMAJIC MIX VOL. IV SFIRE

Hugo Ball co-founder and Smart Bar resident Eris Drew recorded this ecstatic vinyl rave mix in anticipation of her show with Kim Ann Foxman and Mazi at Smart Bar on Saturday, January 30, 2016.  The mix features ecstatic breaks and ecstasy-culture house from the early days of the U.K. acid and hardcore movement, until today.

1.  Bizarre Inc. - Love in Motion (Hot Tracks Remix) (Hot Tracks 1993)
2.  Tessela - Helter Skelter (Poly Kicks 2013)
3.  KLF - Make it Rain (KLF Communications 1991)
4.  Radio Slave - Children of the E (Running Back 2014)
5.  SLF - Show Me What You Got (NDL Edit) (Warriors Dance 1988)
6.  Cartouche - Feel The Groove (Underground Frank De Wulf Mix) (ZYX 1990)
7.  Marco Bernardi - Finite Space (Mathematics 2015)
8.  Digital Domain - I Need Relief (Rabbit City 1992)
9.  Rhythmatic - Rhythmatix (Network 1992)
10. Cowboy Rhythmbox - Latin Sex Change (Phantasy 2015)
11.  Brothers and Systems- One Voice (Dub Mania and Philth Vers) (Nettwerk 1992)
12.  The Sound Vandals - Extasy (What is it?) (Nu Groove 1990)
13.  Dreamlogicc - el en (MDS001 2014)
14. Meat Beat Manifesto - Radio Babylon (PIAS 1990)
15. Strange Audio Dreams - Error Design #1 (Art - Aud 2015)
16. NJOI - Malfunction (RCA 1991)
17. SL2 - The Noise (XL Recordings 1991)
18. The Operator - Entity (I'm a Cliche' 2015)
19. Altern-8 - Reel Time Status (Network 1990)
20. Frankie Bones - Rise Up (Freestyle) (Breaking Bones 1990)

Eris Drew - Make It Rain Mix

Download, bio, infos ---> http://www.lesyeuxorange.com/mixes/lyo059-bill-converse/

LYO#059 / Bill Converse

RobertAshley'sPrivateParts (LiveAtDeepBlueVancouverNov18)

Interview + Download: http://truantsblog.com/2019/truancy-volume-240-batu/

Soundcloud: @batuuk

For our 240th Truancy Volume, we have the great honour of hosting Bristol-based luminary Batu in the mix. Emerging as one of our favourite producers, DJs and curators in dance music over the last few years, Omar McCutcheon released the first compilation from his brilliant label Timedance in 2018: Patina Echoes highlighted some of the label’s regulars as well as new talent, also featuring individual releases by Laksa, Lurka and Ploy. After a packed few months for Batu himself with releases on other labels including R&S and XL Recordings, this week marks a return to his own imprint with his new EP, False Reeds. False Reeds consists of three percussion-driven cuts for the club, born out of vocal samples re-synthesized into new sounds as source. While it unmistakably sounds like Batu, with a thread of absorbing polyrhythms and a healthy injection of bass-weight, the EP is deliberately more in line with the warmer end of the spectrum rather than techno this time around.

http://truantsblog.com

Batu

Truancy Volume 240: Batu

The Bunker New York has been producing live music events since 2003, operating a booking agency for many of our artists since 2006, and publishing their music on our two record labels since 2014. Operated by Beyond Booking, a 501(c)3 non-profit organization, The Bunker NY has grown into an established institution which is well known across the world.

WE ARE NOT ACCEPTING DEMOS

bookings: - michelle@thebunkerny.com

The Bunker Podcast 98 - Carlos Souffront

thebunkerny

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