einer aus Berlin...     schöne gute Zeiten ✨

TECHNO 2

Following a remix on Kynant in 2018, IORI returns with the kaleidoscopic ‘Andromeda’, phasing DJ ammo in ‘Transit’ and ultra-deep sonics in ‘Under The Water’. Fellow Tokyo-based artist Wata Igarashi delivers a remix in his unique, mind-bending style.

Available on 12” vinyl and digital from May 14, 2021.

A1 Andromeda 
A2 Transit
B1 Under The Water
B2 Under The Water (Wata Igarashi Remix)

Mastered by Giuseppe Tillieci (aka Neel) @ EnissLab Studios, Rome.
Artwork by Christopher Honeywell
Distributed by N.E.W.S.

B2 IORI - Under The Water (Wata Igarashi Remix)

TIKITA013
Shoal - Irama EP
Mastering by Neel at Enisslab 
Artwork: Kais Dhifi
Release date: 20/10/2023

Shoal - Irama

V/A - Nord1 - Sagas

A.1  Skymn - Memory
A.2 Nobody Home - Speglar
B.1  Fjäder - En Liten Saga
B.2 Korridor - Somnolence

Visionary art; Birdie
Graphic design; Johanna Krikonenko Hepp

A2. Nobody Home - Speglar

Unfolding is the sound of time, stretched and breathed into.  It is the sound of ideas given space.  Across four expansive tracks - Aether, Particles, Serenity, Solstice - Butane & Julio Aguilar deliver a collaborative work that resists commercial impulses to compress and conform.  Instead, the pieces drift with intention, evolve patiently, and reward those who listen without expectation.  Unfolding isn’t about destination; it’s about duration, resonance, and exploration.  Music that unfolds, like all meaningful things, in its own time.

https://linktr.ee/butane

Unfolding

Butane & Julio Aguilar - Particles [Extrasketch 063]

The DJ had to find ways to communicate with these new species

New Planet ☆Remixed

MMV003 | Ritvik Neumann - Sephirot EP (Artefakt remix)
Label: Mental Modern
Release: january 2016
Distributed by Re.Birth Distribution
Mastered by Gianluca Meloni at Space Echo Studios 

In stock at:
http://www.decks.de/t/ritvik_neumann-sephirot_ep/c6b-fb
http://www.deejay.de/MMV003_-_Ritvik_Neumann_-_Sephirot_Ep_…
http://www.juno.co.uk/…/ritvik-neumann-sephirot-…/593585-01/
https://mentalmodern.bandcamp.com/album/mmv003-sephirot-ep
http://www.rebirthdistribution.com/records/sephirot-ep/

Ritvik Neumann - Sephirot (Artefakt Remix)

Marco Shuttle - Sing Like A Bird

The sharply defined lines of Brutalist architecture, the infinite starry expanse of the cosmos, the industrial automation of the factory floor, the endless virtual worlds that make up the alternate universe of cyberspace: what do each of these things have in common with the new EP from Wata Igarashi on The Bunker New York? All are essentially a distillation of the grand, overarching spirit of modernity embodied by techno music.

Wata Igarashi is a lifelong musician and professional sound designer by trade. His decades of experience composing music for TV, web, live events, and beyond taught him the ins and outs of electronic music production — the mood of his machines — and led him to develop mind-bending techno timbres that recall the similarly hypnotic artistry of Rrose or Donato Dozzy, alongside a certain ineffable quality that makes his work uniquely his own. “Japanese people like to refine things,” suggests Igarashi. “There’s definitely some kind of particular ‘Japanese thing’ in electronic music — some Japanese producers are so detailed, carefully looking after the smallest elements,” he adds. Certainly, Igarashi himself falls in that cohort.

The last several years have been fruitful for Igarashi, with hotly tipped records on Peter Van Hoesen's Time to Express record label, the Berlin-based Midgar, and Spanish minimal techno specialists Semantica. A chance meeting at Berghain in February 2015 led Igarashi to connect with Bryan Kasenic, the man behind The Bunker New York, who already knew and loved his music. The pair developed a fast friendship based on mutual respect, and Kasenic was honored to welcome Igarashi to The Bunker New York family.

For his debut on The Bunker New York, Igarashi presents Mood of the Machines, a pristine techno record so perfectly composed, so tightly woven, that it simply speaks for itself. Each of the four untitled tracks offers a different bassline groove paired with slowly unfurling cosmic sound design, featuring synthesizer leads that sound like an aural glimpse into the inner workings of your brain. Techno is a universal language, and The Bunker New York is proud to share Wata Igarashi's latest dancefloor declaration with the world.



Wata Igarashi - Mood Of The Machines Part II (preview clip)

this beatless version of "Way" is a hidden vinyl-only bonus track and can be found on Gravitational 002.

Way (Rewalked)

Track from NE42 Anthony Linell – Emerald Fluorescents 2xLP

Pre-order: http://northernelectronics.bandcamp.com

Mastered by Neel at EnissLab, Rome

Anthony Linell – Fractal Vision

EE12 - Marco Shuttle - Oscillate ep
release date 5 December 2017

Marco Shuttle - Kinshasa Decadence

Longtime resident of the label Stefan Vincent offers up Dynamic Reflection’s 37th vinyl, a four tracker consisting of three distinct original mixes from Stefan’s own hands and a remix by the fellow Dutchmen Artefakt. 

For everyone who has heard of Stefan Vincent and his music before, it’s no secret that he favors the use of melody and melancholy to bring purport to his tracks and The Spaces Between Time is no exception. While peculiar parts of sound design do their job by keeping things in motion at all times, lush pads find their counterpart in the familiar sounds of vintage drum machines that lay the foundation of these contemporary pieces of techno.

Add to that a very dreamy yet effective remix by Artefakt on the A2 and the tone is undeniably set. DREF037 is the kind of patiently evolving and expanding techno that crowds just will not get enough of, guaranteed.

The Spaces Between Time

Stefan Vincent - Synesthesia (Artefakt Rework)

Released on Delsin Records 2018 - 

Available at: https://www.delsinrecords.com/release/6029/artefakt/falling-into-the-light

Falling Into The Light

Stroboscopic Artefacts returns with another strong addition to its Totem series, a unique set of releases pressed on transparent 10” vinyl, capturing the essence and effusiveness of multidimensionality of club culture. Bridging the gap between the worlds of sound and material objects, Totem is a series that aims to meld the artistic resonance of each forthcoming release into an emblematic representation of the sounds that are to be presented, clearly within the grooves seen and heard on the 10”. Stepping up for the third release in the series is Berlin legend Efdemin — bringing a three-track journey that is unequivocally enduring and flexible for journeys on-and-off the dancefloor.

While each track shares the same title, the textures and traits are different — with the A1, “Circles” setting things up with pertinent percussion and staccato synth lines; as Efdemin sways towards another side with “Left” — a heady, hedonistic thumper with exuberant melodic bursts; followed by a therapeutic sequel with “Right” — closing out the release with a melange of spacious efficacy, something the Berlin-based producer has been known for throughout his near-two-decade career. Between releasing for the likes of Ostgut Ton, Curle, Dial, and his own imprint Naïf; Efdemin takes on the challenge of Totem’s conceptual subjugation and subverts it with his emotionally honest take on a stimulating and subdural sonic experience within three parts. Narratively dense and expertly-paced, the Totem series carries on with another outer-worldly insertion to its catalog. 

All tracks (w)&(p) by Phillip Sollmann
Graphic concept by Ignazio Mortellaro [OA]
℗ & © Stroboscopic Artefacts 2018
Cat. No SATOTEM003 – all rights reserved
www.stroboscopicartefacts.com
info@stroboscopicartefacts.com

Pre-order

A1 - Efdemin - Wrong Movements (Circles) [SATOTEM003]

Track from NE64 Evigt Mörker – Krona 2xLP
Out on 2xLP and digital September 27th.

Following up his pair of cryptically luminous EPs for Northern Electronics in the past years, Evigt Mörker presents his debut album, Krona.

With a shuffling atmosphere that’s hard to pin down, the album chronically fixates on the degradation and construction of rhythmic drills with finely rendered parts and patterns. Spiralling the listener through a set of stormy soundscapes, Krona keeps placing the horizon just ahead, and just out of reach. The unease that Evigt Mörker invites us into is electrically charged and threatening to crack. For all its syncopation we are relentlessly swerving through the works, afraid of teasing an arcing static shock from the blistering commotion. The album’s propulsive tracks are settled against a pair of stunning ambient compositions that capture some of the tension from a distance. Technical dexterity and perfectly pitched intensity stakes out Evigt Mörker’s debut album as an impressive statement.

Recorded by Evigt Mörker in Stockholm, Sweden 2018.
Mastered by Neel at EnissLab, Rome.
Artwork by Jonas Rönnberg

Evigt Mörker - Etisk piska

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The Bunker New York has been producing live music events since 2003, operating a booking agency for many of our artists since 2006, and publishing their music on our two record labels since 2014. Operated by Beyond Booking, a 501(c)3 non-profit organization, The Bunker NY has grown into an established institution which is well known across the world.

WE ARE NOT ACCEPTING DEMOS

bookings: - michelle@thebunkerny.com

Wata Igarashi - Mood Of The Machines Part II (preview clip)

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