Same issue on minute 25.... wonderful mix so far!

this stops around the 24 minute mark .any chance of a re-up?

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About the CD:
This CD's quality is 100% undisputed. It's memories to my early 20's is unrivalled. Moulding the laid back sounds I started listening to by mixing laid back house, downtempo, hip hop, soul and plain and simple incredible music into one cd. For me, it really is a seminal mix and one which holds endless memories of lazy weekends of Sunderland. Enjoy and share x

015 - Back To Mine - Everything But The Girl (2001)

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About this CD:
This episode features a cd which further cemented my love of all things Groove Aramada, especially their earlier work. The unforgettable intro of 'Fly Me To The Moon' sets up a mix which flows between house, soul, disco and hip hop with ease. It was another education into all things 'eclectic' although that word does get on my tits some what. It's just 'playing whatever great music you feel like' isn't it.

Special shout out the the inclusion of Mr. Fingers - Can You Feel It, which I'm sure holds a special place in everyones heart and sets up the ending for another brilliant CD. (Not forgetting a nice bed time story ending from Patrick Moore). So turn it up, and enjoy the mix!

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049 - AnotherLateNight - Groove Armada (2002)

ESSENTIAL MIX - JAN 2009
Uploaded on 17.01.10 and exclusive to SoundCloud. Available for the first time without voiceovers and jingles,12 months on from original Radio 1broadcast on 17.01.09.


EMAILSHOT A FEW DAYS AHEAD OF MIX BEING AIRED:
2009 kicks in for me this weekend with my first gig of the year for Udio (1st birthday) at The Gramaphone Club in Shoreditch, London on Friday night, which coincides with the airing of my only just completed in the nick of time Essential Mix on Radio 1, made up of 43 tracks in just under 2 hours.

Given that the 5th anniversary of my DJ comeback has only just passed, I decided to take the opportunity to make the mix totally representative of this period, with all the selections being amongst the biggest tracks I’ve played since I made my second debut at Music Is Better in Manchester.

Five years represents a significant package of time, a fixed point from where I can reflect on what’s been a continually snowballing sequence of events, set in motion when Danny Webb asked me to appear in Manchester on that December night back in 2003.

There were less than 100 people there that night, but they were the right people, and I was taken aback by the response to my return, both on the night itself and during subsequent days, when people who were there began to post on the forums. I’d never expected all the feedback be so totally positive!

I’d figured that I’d play that night, using the combination of laptop and reel-to-reel for the first time, then go away and think about what worked and what didn’t before I made my next move. I would never have believed that things could come together so immediately, it was as if I’d hit a completely unexpected hole in one, especially when two of the people who were there, Ralph Lawson, DJ from Back To Basics in Leeds, and one of my fellow DJ’s that night, Richard Hardcastle (Solid State) from Society in Sheffield, both asked me to play at their nights no sooner had I finished my spot.

One thing kept leading to another and, in Sheffield, I was approached by Tony Daly to play at the now legendary Tyneside Cinema party in Newcastle, a bespoke event where he took on the substantial risk of presenting me in a city I’d never DJ’d in previously (unless you count the 1983 TV appearance on The Tube, which was filmed in the Tyne Tees studio). Then, of course, there was London, where Steve Kotey and Bill Brewster booked me for their parties, bringing me to the capital within the first few months of my return for Ouch and Low Life.

The bookings kept coming, and I found myself driving up and down the country on an increasingly regular basis. Later in 2004 I was approached by Sav Remzi, from Tirk / Nuphonic, with the idea of putting together an edits album, which would be issued the following year as ‘Credit To The Edit’. This would help bring my name to the attention of people outside the UK. There was soon a need to step things up further, now that I was receiving enquiries from Europe, and so began a fruitful relationship with my agent, Matt Johnson (Matty J), who’s done a wonderful job of representing me during recent years.

The last few months have been, to say the least, manic for me, with 25 flights, including 6 long haul, taking me to gigs in the US, Japan, Australia, Brazil and Europe. From a personal perspective I still find it remarkable the way everything has developed, pretty much organically, since I made the decision that I was going to be a DJ once again – had I concocted some sort of comeback masterplan, it could never have worked out anything like as well as it has. It’s definitely been a case of ‘from small acorns’.

It still never ceases to amaze me that people from another continent are interested in my DJ past. Back in the early 80’s, before I went into retirement for 20 years, the furthest I travelled (with the exception of the appearances I made in the South of England as part of The Hacienda Review in late ’83) was to places like Birmingham and Nottingham, when I played at All-Dayers, so to find myself in clubs on the other side of the world is pretty nuts!

Anyhow, I’d like to wish everyone all the best for 09. Big thanks to all the promoters who booked me and everyone who danced to the tunes I played during ’08 in Adelaide, Barcelona, Belfast, Berlin, Birmingham, Blackburn, Brighton, Bristol, Dublin, Dundee, Edinburgh, Fukuoka, Glasgow, Hamburg, Leeds, Lisbon, Liverpool, London, Los Angeles, Manchester, Melbourne, Milan, New York, Newcastle, Nottingham, Paris, Porto Alegre, San Francisco, Sao Paulo, Sheffield, Sydney, Tokyo and Warsaw. Also the festivals and special events that I appeared at - Bestival (Isle Of Wight), Big Chill (England), Camp Bestival (England), Garden Festival (Croatia), Ibiza, Lovebox (England), Notting Hill Carnival (England), Rockness Festival (Scotland), Sonar (Spain) and the Southport Weekender (England).

Hope to see you soon.

Greg


FORUM POST DURING FOLLOWING DAYS:                                                        
Thanks for all the positive words. The feedback has been pretty phenomenal, far exceeding what I’d hoped for, especially on the BBC page, where I’d expected that some people would criticize the amount of older music included - the Radio 1 audience is used to current stuff ('in new music we trust'), so I’d anticipated a more mixed reaction. What’s particularly pleasing is that they were all made without the people seeing what each other wrote (they all came online at once, having been checked first by whoever moderates the BBC pages, I presume for swearing etc following the Ross / Brand controversy).

You always hope something you've done will be well received, but the response to this has blown me away.

Greg


ANSWER TO POST RE MIXING PROCESS:                                                      
It was quite a laborious process. Before I could start the actual mixing part I had to edit every track to a coherent length of around two and a half minutes average, inclusive of in and out points. I had a pool of about 90 tracks that fitted the criteria I'd set (a representative selection of the biggest tunes I've been playing during the past 5 years). It wasn't as straightforward as just editing the 43 tracks I ended up featuring - in order to have the necessary options once I started to piece the mix together I needed to have all the tracks at my disposal, just as I would have if I was out deejaying in a club, so the only thing to do was edit all 90 to the required length, even though I knew that only half would make the cut .

Once that was finally done they were all taken across into my laptop, enabling me to vari-speed them via PCDJ whilst I recorded across to my home computer into Cool Edit Pro, where I put the mix together track by track, before adding overdubs (fx, samples, textures) in a similar way to what I do live using the Revox (reel to reel).

I could quite easily have spent another day, tweaking bits here and there and adding more overdubs (the older I get the more finicky I become), but I had a deadline to work to, so, as it moved ever nearer, it became a race against time, with me doing as much as I could before the cut off point arrived.

Greg
                       

Greg Wilson - 2009


ESSENTIAL MIX (by greg wilson for bbc radio 1 2009)

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095 - AnotherLateNight - Zero 7 (2002)

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Simply... the first down tempo CD I bought, one which fundamentally changed the music I went onto buy and love. Seminal stuff indeed :D

117 - Back To Mine - Danny Tenaglia (1999)

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158 - Groove Armada ‎– Doin' It After Dark Vol.1 (2004)

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244 - Back To Mine - Morcheeba (2001)

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Back to Mine

395 - Back To Mine - Underworld (2003)

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Late Night Tales

399 - Late Night Tales - Jamiroquai (2003)

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Another Late Night: Fila Brazillia

565 - Another Late Night: Fila Brazillia (2001)

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About the CD:
005 of the 'Classic Mix CD' collection brings a much slower affair. From the superb 'Back To Mine' CD series. The first I purchased was actually Danny Tenaglia's disc, which I bought out of curiosity being a fan of his house DJ sets. That disc almost made it here, but it was the Groove Armada release which really got hammered on my old Sony stereo. No other disc reminds me of lazy summer sundays more than this. And it was really the first musical selection that steered me towards collecting and playing a mix of music all together. Going from A Tribe Called Quest, into Barry White's incredible "Playing Your Game Baby" then house and other genre's coming in.... really resonated with me and elevated the way I put music together. Both listening to and playing out. A truly seminal release.

005 - Back To Mine - Groove Armada (2000)

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Mix cds were the soundtracks of our nights, our days, our afterparties, our lives. But in the internet age, the artform has been lost to online mixes which simply don't create the same magic your CD collection did. The Classic Mix CD Series celebrates these discs, their soundtrack, their box art and your memories. We hope you enjoy it.

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GarethisOnit / Mode 7:
Digital creative type, gamer, music lover and occasional DJ. Currently living in Dubai after setting sail from Sunderland in 2010. As a young designer, club and music culture was the driving force for his work, producing artwork for local club nights and record labels in the North East of England. In particular, DJ mix cds and their packaging were always his 'holy grail of design', especially those from Renaissance, Global Underground and Good Looking Records. It's a pleasure to share these discs back with people and they still influence our tastes to this day. 

For any CD recommendations, bookings, mixes or feedback you can catch me as @GarethisOnit on Gmail, Twitter, Instagram & Facebook. Thank you

015 - Back To Mine - Everything But The Girl (2001)

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