One of the greatest mixes of all time here

Such an epic journey this mix - timeless!

erringahruntdtenin' aohhaweebeteffeiyyh but very chilledoautn'nicerather amloiukenitsznice woowo'ohlowwv. sadbutgoodnicenye hhehhehwwewbyeeeh. gwanyethehKitKatzsen gwanlChats n'derHuttszen. a nice deutsche word would be, as if they all aren't rather great if a wee bit rhetorical situanionists, woodbey,  "Gemutlichkeit" ooohyumfryerbunns watchyabassbinsahmtellinya. quod, qui Buenos veni supra vidi antiquias vici via n'allthaahtJazzum atellthee herald/ >/hesaid ISTHECAT'SMOTHER

All of a sudden, like a clap of thunder in a clear sky, house music exploded in Amsterdam. It was September 1988, the end of the summer that the British had already dubbed "The Summer Of Love," and the birth of a new era in the capital.

Shrouded in steam and smoke, lit by furious, flashing strobes, Eddy de Clercq stands behind the turntables at the RoXY. Beaded with sweat, in deep concentration and completely at one with the music, he builds a compelling, hypnotising soundtrack of electronic beats and basslines. Uplifting house tracks alternate with beautiful, vocal garage and abstract, futuristic Detroit techno. Waves of energy shudder through the crowd, who whoop and cheer with each subsequent track. Football whistles blare, a siren begins to wail. Can you feeeel it? The temperature reaches boiling point as the dance floor explodes in yet another ecstatic climax. But then the DJ makes a radical change in tack. The musical rollercoaster hurtles on into the depths of the night, driven forward by an intense, biting acid track that makes the floor shake. Strange and estranging and going so deep that we seem for a moment to step into an intoxicating dreamworld where time no longer exists.

In the late summer of 1988, over the course of only a few weeks, the RoXY, a stylish, former cinema on the Singel in Amsterdam, grew into a veritable house temple: the dazzling centre of the capital's young house scene and a club whose fame in the years that followed would take on almost mythical proportions. Not only because of the music, but also due to the extravagant clientele, who knew how to create an amazing party atmosphere.

[00:00] Rhythm Is Rhythm - Strings Of Life
[03:48] Djum Djum - Difference
[05:33] Nightmares On Wax - Aftermath
[07:06] ?
[10:27] 4 For Money - Its A Moment In Time (Rising High Dub)
[13:07] Liaisons Dangereuses - Peut Etre...Pas
[18:12] Jamie Principle - Your Love
[22:25] Pete Shelley - Witness The Change
[26:31] The D.O.C. - Portrait Of A Masterpiece (Hip Hop 12" Extended Mix)
[30:45] ?
[33:50] Master C&J - Face It 
[35:55] Reese - Just Want Another Chance
[39:22] Lovechild - Sweet Ambience (Deep Dub)
[46:50] ?
[42:54] Chapter 1 - Unleash The Groove (E-Funk Mix)
[48:58] Suburban Knight - The Art Of Stalking
[51:01] Tyree - Acid Crash
[56:15] Ron Trent - Altered States

Comments, hints and suggestions are always welcome!

Derrick May @ RoXY, Amsterdam   28.09.1990

A major electronic music pioneer from Detroit, Juan appeared behind aliases such as Cybotron, Model 500, and Infiniti releasing many classics of Detroit techno.

The 1982 electro track "Clear", recorded by Atkins and Rick Davis as Cybotron, is often considered the first proto-techno track. Continuing to the experimentation by fusing the extra-terrestrial funk of Parliament Funkadelic with the futuristic rhythms and hard math of Kraftwerk and the progressive dance theorems proposed by Giorgio Moroder, the Model 500 12"s on his own label Metroplex laid the blueprint for Detroit techno.

Along with the tracks made by two schoolmates from the grade below, Derrick May and Kevin Saunderson, Detroit techno quickly made its way across the atlantic and immediately sparked the emerging rave culture and soon after the entire global dance community.

Moving through the later 1980's as Model 500, Atkins continued as one of the most prolific and sought after producers of electronic music throughout the 1990's, culminating in the use of an Atkins' original as the musical bed for the 2000 launch of the Ford Focus 'Detroit Techno' automobile.

Packing clubs nationally from Detroit to NYC, internationally from London to Venezuela, Juan has mastered the art of soaking up new rhythmic elements from contemporary dance music while keeping his unerring, instantly recognizable sense of melody intact.

Much discussed and anthologized not only for his 20 years of production credit but also for his ability to rock a dance floor, Juan Atkins' music and DJ-ing is deified in Europe and embraced all over the world. Juan has also been prolifically releasing albums, remixes and collaborations on Belgium's R & S Records, Germany's Tresor, and others. 

Comments, hints and suggestions are always welcome!

Juan Atkins @ The Ark, Leeds, U.K.  15.05.1993

Buy this release here: https://lapsorecords.bandcamp.com/album/gsof-innerflux-lr004

Artist: Gsof 
Track: Thumbprint 
Album: Innerflux
Label: Lapso Records
Catalogue: LR004
Format: Digital
Release Date: 02.11.2025
Mastering: GFS Mastering
Artwork: rem_the_artist

Artist(s) links:
on.soundcloud.com/ZrozwZb4XZ4tYPCYlx
www.instagram.com/gavin.sofronski/

Gsof - Thumbprint [LR004]

Swedish dub-master ADILR is a Stockholm-based Techno producer whose sound lives in the space between atmospheric subtlety and hypnotic depth. His productions draw from the Scandinavian school of dub and deep techno, with a focus on evolving textures, airy pads, and understated yet persistent grooves.
Over the last few years, ADILR steadily refined his sonic signature, exploring long-form structures and sound design inspired by natural elements, especially wind and space. His style blends dub-infused rhythms with immersive ambient layers, always prioritizing gradual progression and sonic spaciousness.
ADILR has contributed to several respected underground imprints including Radiance and Point Nemo Records as well as a continuous flow of self-releases via his own Soundcloud channel. One of his productions is also found in our very first VA. We’re very happy to have him back on Fuxbau delivering an immersive full-length LP.

Artist: ADILR
Label: Fuxbau Records
Album: Cuts / Bruises LP
Catalogue: FUXB003
Format: Digital
Genre: Electronic
Style: Techno
Release Date: 31st October 2025

Mastering: Achat
Artwork: Achat

Artist links:
Bandcamp: https://adilr.bandcamp.com/
Soundcloud: @adilrpn
Instagram: https://www.instagram.com/adilr.official/

Label links:
Bandcamp: fuxbaurecords.bandcamp.com/
Soundcloud: @fuxbau-records
Instagram: instagram.com/fuxbau.records/

Buy it here: fuxbaurecords.bandcamp.com/

Support

ADILR - Mountain [FUXB003]

Richie Hawtin provides RA's 100th podcast.

RA.100 Richie Hawtin

MODESELEKTOR – ESSENTIAL MIX BBC RADIO 1 (08.10.2011)

Tracklist:

01. Surgeon – Dark Matter
02. Beasty Respond – Syncopy (Blawan’s Trecther Mechanica)
03. Bambounou – Alpha
04. Zomby – Mosaik
05. Lorca & Visionist – Holdback
06. Tom Bulwer & 2Deep – London Nights
07. Benjamin Damage & Doc Daneeca – Creeper
08. Björk – Dullflame Of Desire (Modeselektor’s Remix For Girls)
09. Moderat – Rusty Nails
10. Radiohead – Morning Mr. Magpie (Modeselektor’s Good Evening Mrs. Magpie Remix)
11. Marcel Dettmann – Shatter Proof
12. Radiohead – Bloom (Blawan Remix)
13. Ossie – Creepy Crawlies
14. 2562 – Flashback
15. Dark Sky – Speeding Blue
16. Brodinski, Djedjotronic, Noob & Havard Bass – Extreme Compote
17. Toadally Krossed Out – Go
18. Fis-T – Ultra Night Hunter
19. Plastikman – Spastik
20. Cosmin TRG – Izolat
21. Anstam – Baldwin
22. Untold – Stop What You’re Doing (James Blake Remix)
23. Instra:mental – Thomp
24. Robert Hood – Range
25. Alex Cortex – Hyendo Pt.2
26. Equalized 04 – B
27. Substance – Relish Bonus
28. Vainqueur – Lyot (Maurizio Remix)

Modeselektor – Essential Mix

Like us on Facebook: www.facebook.com/theclassicmixcdseries
Buy it here: www.discogs.com/sell/release/9458?ev=rb

Massive shout out to Scott from Tillicoultry in Scotland for the share on this one. Epic recommendations mate!

Decks, EFX & 909

Buy on Discogs

261 - Richie Hawtin - Decks, EFX & 909 (1999)

UNDERGROUND RESISTANCE - MARK FLASH -  ONE LOVE MIX

Download the set here: 
http://corenews.me/helena-hauff-essential-mix-2017-12-30-essential-mix-of-the-year/
Tracklist over here:
http://tracklists.thomaslaupstad.com/helena-hauff-essential-mix-2016-12-30-essential-mix-of-the-year-tracklist-playlist/

Core News - http://corenews.me/

Helena Hauff - Essential Mix 2016-12-30 Essential Mix of the Year

Like us on Facebook: www.facebook.com/theclassicmixcdseries
Buy it here: www.discogs.com/sell/release/13834?ev=rb

Luke Slater

578 - Luke Slater - Fear And Loathing - Disc 2 (2001)

set de 9 heures de Laurent Garnier pour le jour de l'an 2009 à Londres !

Laurent Garnier @ The End - London 31.12.2008 - 9 Heures de Set

Hey, Gareth here, I'm a graphic designer who start designing for clubs, parties, and labels in the late 90s. Back then, mix CDs were the holy grail of both design and music. I loved them.

But I wasn't the only one, mix cds were the soundtracks of our nights, our days, our afterparties and lives, for everyone. Yet in today's internet age, the art form has been lost (or just changed) to 2-3 hour online mixes and streaming videos, which just don't create the same magic your CD collection did. Just 60 minutes of music and incredible artwork.

The Classic Mix CD Series celebrates these discs, their soundtrack, their box art and your memories. We hope you enjoy it.

---

Also, we try to help you find and buy them again by sharing Discogs links on all featured CDs and or direct links to labels where possible.

* We fully support labels and artists. If any disc creates a copyrighting issue let me know and it will be immediately removed. 

---

About Gareth:
Digital creative type, gamer, music lover and occasional DJ. Currently living between Dubai & Seoul after setting sail from Sunderland in 2010. As a young designer, club and music culture was the driving force for his work, producing artwork for local club nights and record labels in the North East of England. In particular, DJ mix cds and their packaging were always his 'holy grail of design', especially those from Renaissance, Global Underground and Good Looking Records. It's a pleasure to share these discs back with people and they still influence our tastes to this day. 

For any CD recommendations, bookings, mixes or feedback you can catch me as @asapgareth on Instagram. Or you can check our my design work at www.acid.works

578 - Luke Slater - Fear And Loathing - Disc 2 (2001)

The Classic Mix CD Series

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