Caribou Vibration Ensemble Featuring Marshall Allen
Live At All Tomorrow's Parties Monticello, New York, Sept 13th, 2009

Marshall Allen plays alto saxophone, EVI
Ahmed Gallad plays drum kit, percussion, vibraphone
Andy Lloyd plays bass and sings
Brad Weber plays drum kit
Brandon Cunningham sings
Colin Fisher plays tenor saxophone
Dan Snaith plays fender rhodes, drum kit, electric guitar and sings
John Schmersal plays electric guitar and sings
Kieran Hebden plays electronics
Koushik Ghosh plays moog, vibraphone and sings
Kyle Brenders plays soprano saxophone and bass clarinet
Luke Lalonde plays guitar and sings
Peter Mitton plays drum kit, congas, woodblocks, gong and percussion
Rob Piilonen plays flute
Ryan Smith plays electric guitar, mood and fender rhodes
Steve Ward plays trombone

Recorded live by Rob Christiansen on behalf of WFMU on Sept 13th, 2009 at Kutshers Country Club at All Tomorrow's Parties festival curated by the Flaming Lips
Live sound by John Rubuliak
Mixed by David Wrench
Mastered by David Wrench
Cover image by Jane Eastlight
Special thanks to The Flaming Lips, Barry Hogan and everyone at ATP Festivals, Jeremy Greenspan, Michael Parker, Adam Notman, Tim Dempsey and Kathryn Bint.


Melody Day

Tosca - Chocolate Elvis

Ben Smith return with a raft of solo material after his debut release on NuNorthern Soul back in 2012. The Movedrill projects saw Ben weave between rock and folk roots and this latest projects sees Ben push the folk sound he has become known and respected for. Renown as a multi instrumentalist B.J. Smith is perhaps best known for his wonderful ‘Dedications to the Greats’ release which have seen him cover Mos Def, The Pharcyde and OutKast in his own unique style, Ben is also half of Balearic super duo, Smith & Mudd and one third of White Elephant with Jim and Chris from Crazy P.

This release forms part of a series of x3 12”s and will include mixes from Jonny Nash and A Man Called Adam.

Between Ship and Shore is a selection of folk songs that Ben has been crafting between his London home and summers spent in Cornwall and the results speak for themselves. One man and his guitar and his tales of time spent by the wonderful coastline of the South West of the UK and a hint of the Scottish Highlands.

JJ Cale, Terry Callier and John Martyn all influence and inspire Ben, and this is apparent in his subtle yet powerful tales.

'Hold On To It' utilises Ben's harmonious vocals and guitar playing skills to set the mood and building towards the main body of the track which unleashes a barrage of drums and percussion, the calm before the storm one might say, while the nagging vocal refrain of ‘Hold On To It’ urges the listener to do just that… 

'We Can Sail’ once again see’s Ben show his great vocal skills, this sublime relaxed outing washes around the listeners like the gentle waves lapping the shore. Ben adds brass stabs and harmonies that take this tracks soaring into the blue skies and adding plenty of space to allow it to soar and swirl like a gull on the sea breeze.

Jonny Nash takes ‘Hold On To It’ and adds his unique and prestigious style to proceedings, creating an ambient journey of early morning fog bound coastlines with haunting guitar work that ebbs and flows like the tide and adding off kilter, muted vocals to create the erie ambience of solitude and calm.

B.J. Smith Hold On To It Jonny Nash Remix [NUNS007A]

cry wolf tech ins

Final Eclipse

Art in the Age of Automation

Endless

From the album Gentle Spirit by Jonathan Wilson.  Released on Bella Union 2011.

Desert Raven

Matias Aguayo -  Rollerskate

Mock & Toof - Farewell To Wendo

Mo`Horizons - Dance Naked Under Palmtrees

Buy album: https://LateNightTales.lnk.to/aloudersilence
"Subtly stunning jazz-soul" The 405 https://www.thefourohfive.com/music/article/leifur-james-presents-a-subtly-stunning-jazz-soul-ode-to-his-past-in-mumma-don-t-tell-405-premiere-153

Leifur James will release his debut album 'A Louder Silence' through Late Night Tales’ artist label Night Time Stories. The album is both spacious and thought-provoking, energetic yet restrained, brimming with nuanced electronic instrumentals, dubby synths, and jazz breaks — creating an array of rich textures, complemented occasionally by James’ own soulful vocals. 

Tracklisting:
01. Alpine 
02. Time 
03. Suns Of Gold 
04. Argonaut 
05. Mumma Don’t Tell 
06. Uncle Blue 
07. Night And Day 
08. Salaninam 
09. Red Sea 
10. Osho

https://www.facebook.com/leifurjames 
https://twitter.com/leifurjames 
https://soundcloud.com/leifurjames
http://www.nighttimestories.co.uk 
http://www.latenighttales.co.uk

Buy album

Leifur James - Mumma Don't Tell

The Comet Is Coming has possessed an air of inevitability almost from the word “Go”! Much like the trail-blazing name they originally lifted from a BBC Radio Workshop record, the trio has participated in a kind of Big Bang. Its immediately relentless sound demands a sense of being present in the moment yet lost within it, much like how visceral punk rock, interstellar jazz blasts, deepest dance-floor trances and real-time technological breakthroughs do. Octavia Butler once wrote that, “There is nothing newunder the sun, but there are new suns.” And on their third album, Hyper-Dimensional Expansion Beam, synthesist/studio-magician Danalogue, drummer-producer/intuitionist Betamax, and saxophonist/spiritual riffologist Shabaka bring her verses to life. They burn brightly, directly and confidently, soundtracking our epoch of change in ways their contemporaries simply aren’t trying to. Like great artists throughout the recorded century, they possess, in Shabaka’s words, “a sensitivity to the zeitgeist,” channeling their sound into both a mirror to our times and a potential healing process for it. If that seems like asking a lot, The Comet Is Coming is uniquely qualified. Because even by their own telling, that other-worldly power was almost instantaneous.

On Hyper-Dimensional Expansion Beam, they turn it back onto the listener. Wish us all luck!