Death To The Planet

Start Running

لغايات موسيقية، بطبيعة الحال

In the beginning was pure goofiness, reckless fun just for the fun of it. After impacting head-on with this fast-paced, modern, dehumanizing world, a smiley-face with fangs, heavily compressed down to less than a pinpoint in hyper-dimensional volume, imploded to become the artist Spastic Goofball.

Influences:
Muddy Waters, The Rolling Stones, Weapon of Choice (MegaNut), NIN, New Order, Frank Zappa, Depeche Mode, Ministry, Talking Heads, Metallica, Rage Against the Machine, Babes in Toyland, Jesus & Mary Chain, Miles Davis, My Woshin Mashin and others....

~variety is the spice of life~

Check out these curated playlists of all genres.

I started all the ridiculousness I will put on here during the end of May 2013 and have continued off and on since then. I basically have no idea what the hell I'm doing when it comes to music and producing it, these are just the sounds I make when I need to vent a little. 

If you're into weird shit like me you just might like some of it...at this point most of what I will upload will be unfinished or demos.

The Comet Is Coming has possessed an air of inevitability almost from the word “Go”! Much like the trail-blazing name they originally lifted from a BBC Radio Workshop record, the trio has participated in a kind of Big Bang. Its immediately relentless sound demands a sense of being present in the moment yet lost within it, much like how visceral punk rock, interstellar jazz blasts, deepest dance-floor trances and real-time technological breakthroughs do. Octavia Butler once wrote that, “There is nothing newunder the sun, but there are new suns.” And on their third album, Hyper-Dimensional Expansion Beam, synthesist/studio-magician Danalogue, drummer-producer/intuitionist Betamax, and saxophonist/spiritual riffologist Shabaka bring her verses to life. They burn brightly, directly and confidently, soundtracking our epoch of change in ways their contemporaries simply aren’t trying to. Like great artists throughout the recorded century, they possess, in Shabaka’s words, “a sensitivity to the zeitgeist,” channeling their sound into both a mirror to our times and a potential healing process for it. If that seems like asking a lot, The Comet Is Coming is uniquely qualified. Because even by their own telling, that other-worldly power was almost instantaneous.

On Hyper-Dimensional Expansion Beam, they turn it back onto the listener. Wish us all luck!