@jefferybenavidesw: I must already be quite famous, else I wouldn't have you to comment here.

A sincere effort is now being put forth to bring to fruition an album of mine which shall actually require a significant degree of skill, and precision on my part. The most vexing aspect of which must have been the daunting task of personally designing a becoming - and actually decent - album cover.                      The cover will be subject to slight changes, although it is fast approaching completion; the overall volume levelling will also be better adjusted, and tracks will be cut slightly(where there is no sound).

Zenith And Nadir

The Sun Road drives space travelers to the edge of summer.

Visual: www.instagram.com/celada_illustration/

Sun Road

To be released on my upcoming album; sounding halfway between Milan and Moscow, this song deviated wildly from my original intention... nevertheless, it is inspired by the hauntingly-sweet sustain of a beautiful dulcimer: the Yangqin.

Blossoms In The Breeze Pt. I

A brusque song, inspired from among the unfortunate happenings of late.              *I have now increased the total length of the song by approximately 20 seconds. In addition, I have added melodic elements where they were needed.                                                                                                         
 It is now much more emotional near the ending sections, while the ending itself is now intentionally unresolved(to literally convey a deep sense of yearning).

Forever We Yearn

Looking out of the window, morning mist is promising a silent day.

Morning Mist (comp. & perf. michael spielmann)

I've decided to make this song the first - the frontispiece - of my upcoming album, Zenith And Nadir.                                                                                            
 My forays into neo-classical electronica appear to have paid off! I now return to my older style, which is now, perhaps, better than ever.

Ultima

Written and produced by Skye Wolff

From the Album 'The Lost Moons'

Copyright 2021

Support Skye Wolff:
@skyewolff
skyewolff.bandcamp.com
www.facebook.com/OfficialSkyeWolff
www.youtube.com/channel/UCT028T251n75LFP4VWKHQsw

A special thanks goes out to my good friend Martin P Cox for his amazing art work!

Paragon

Run For It!

Written and produced by Skye Wolff

From the upcoming Album 'Silhouettes on the Horizon' - Coming this New Year

Copyright 2018

Support Skye Wolff:
@skyewolff
skyewolff.bandcamp.com
www.facebook.com/OfficialSkyeWolff
www.youtube.com/channel/UCT028T251n75LFP4VWKHQsw

Silhouettes on the Horizon

Winter in a Seaside Town

Phantoms of the Ether

Step Backwards From: HikariLife

Un titre qui évoque le temps qui passe le "retour en arrière" comme regarder dans un rétroviseur pour voir une rétrospective de sa vie !

Photo by Rick L on Unsplash (retravaillé par hikarilife)

Step Backwards

"Feast At The Country" is a dancing suite for woodwinds-quintet I began to compose in 2019 and finished now.
The instruments are flute, oboe, clarinet, horn, bassoon.
The five parts are
0:00 Einladung zum Fest (invitation to the feast) (bourree)
2:22 Taenzchen (little dance) (waltz)
4:25 Galopp
6:13 Auf ein Glas, Gevatter (let's drink, bro) (polonaise)
7:12 Nach dem Fest (after the feast) (pavane)

Midi-realisation 07/2020

pic taken from pixabay (morris-dancers-3492788_1280)

Fest Auf Dem Lande (Tanz - Suite in 5 Saetzen, comp. michael spielmann)

OUT NOW ON BOXON RECORDS: http://beatport.com/s/t4KTOf
http://www.myspace.com/hiddencat
http://www.facebook.com/hiddencatmusic

Hidden Cat - The Superfuture

Lost Moons Of The Solar System (Single Version)

A richly detailed, melodic, chromatic, and extremely mercurial electronic piece with several very distinct phases.  Featuring, simpler, delayed percussion that does not interfere with the melody, and emphasizing all parts equally. The rapturous finale is a Passacaglia inspired cadence.

Ventus A Veni

A slightly more long-winded, melodic "ambient" song;  featuring prominent synth modulation, dynamic tempo variance(at certain key moments) and the peculiar chromaticism that my newer works might exemplify. Particular emphasis  - several, challenging hours - was placed at around the 1:39 - 1:47 mark; the textural elements there are essentially gleaming, while also vexing my counterpoint to the very limit of my capability. All synths were modified to sound as they do from presets; it merely so happens that some sound like different acoustic instruments, as they have some of the most harmonious textures. Extensive use of a diffusion generator creates a dramatic reverberation, and subtle, pitch detuning that does not detract from the overall harmony.

Odyssey

Hello, and be welcome.  





                                                                     
I derive diverse influences from a wealth of artists such as 

Jean-Michel Jarre, 




Giorgio Moroder, 




Vangelis,

 


The Dregs,

 


Orlande De Lassus,

 and many more.   





I see them as though musical Gods I must placate; peering over my shoulders, so I shouldn't upset too many of them at once.                                                                                                                     
                                                                                                                             
     

In my mind, these pieces—my sacrificial offerings—were good enough for their ears, and passed their exacting standards. Are they good enough for yours?                                  
                                                                                                                                 
    For those who can appreciate, I rarely disappoint.

Forever We Yearn

TheDanceInitiative

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TheDanceInitiative

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