Incredible.  My current favorite house producer's take on my all time favorite musical artist.   Nicely done!

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Silvio Rodriguez - La Masa (Ōme edit) Free Download

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Unofficial remix
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Lisa Gerrard & Pieter Bourke -  shadow magnet (Jack Essek edit)

"Uska Dara" ("A Turkish Tale") is a 1953 song made famous by Eartha Kitt, and also recorded by Eydie Gormé. It is based on the Turkish folk song "Kâtibim" about a woman and her secretary traveling to Üsküdar. On early American recordings, this adaptation is credited to Stella Lee.

Kitt first heard the song "Kâtibim" at a local bar when she was in Istanbul as a member of the Katherine Dunham Company, and began performing it herself; the song received abundant play in Ankara Radio and became a hit. She then recorded "Uska Dara" with Henri René and his orchestra at Manhattan Center, New York City, on March 13, 1953. The song was released by RCA Victor Records as catalog number 20-5284 (in USA) and by EMI on the His Master's Voice label as catalog number B 10573. Kitt's recording sold 120,000 copies when it was first released by RCA Victor in 1953. Kitt later performed the song in the 1954 film New Faces, and included the song in her cabaret act, in which she culminated the number with a belly dance. The song appears on her albums RCA Victor Presents Eartha Kitt (1953) and That Bad Eartha (1955).

The 1978 disco song "Rasputin" by Boney M uses part of the melody of "Kâtibim", and mimics the line "Oh! those Turks" (as "Oh! those Russians") at the end of the song.

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calismaalani

Eartha Kitt - Uska Dara (Jack Essek Edit)

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Rokia Traore - Ka moun Ke (ORKIDZ EDIT)

Waro is a traditional ceremonial song from the Yawanawa tribe, carried through the voices of Ninunihu & Yaka Yawanawa. Rooted in the joy and deep spirituality of Yawanawa culture, Waro invites listeners into a collective experience of dance, celebration, and connection to nature.

This song is a transmission from the forest — a reminder of what human beings have always done across all cultures and times: to sing, dance, and offer music as a prayer of gratitude to creation. In the Yawanawa villages, ceremonies are participatory, uniting body and voice in a shared field of awareness. That feeling is summed up in the phrase “Só Alegria” — only joy.

Waro reconnects us with the ancient essence of ecstatic dance — not as something invented, but as something remembered. A sacred act of communion with the living world, echoing the original purpose of art, music, and ceremony: to honor life and give thanks.

With deep gratitude to Ninunihu & Yaka, the Yawanawa people, and to Raio for inviting me to collaborate on the production, this song is an offering to all who are listening — a call to remember who we are and what truly matters in these times of transformation.

Só Alegria.

P.S. Purchasing this song directly supports the indigenous people of the Yawanawa Tribe in Brazil!

Art by @adriancallejas

WARO (Ecstatic Mix)

In the stillness between reason and creation, hidden syntax awakens. Order breathes through chaos, revealing the sacred proportion behind all form. Within that silent geometry, thought becomes light, and light becomes law.

Celestial Equation

Marques Prata & Steve Warren  - Beating (Radio Edit)

À la frontière du rêve et du réel. L’espace s’étire, le temps se répète.

L'Entre Deux Mondes

Oumou Sangare - Ah Ndiya feat. Hernan Ripoll (PAAX Tulum Edit)

Afro Vibes from San Basilio de Palenque, Colombia.

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Simon Mejía - Majaná (AIWAA Remix) [Free Download]

Rokia Traore - Sabali (J.Pool Edit)

In search of new music ethnic, world, folk, electronic

Lisa Gerrard & Pieter Bourke - shadow magnet (Jack Essek edit)

The Deeper Cave

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