The Digital Divide Set 3

METAL

Beautifull music, melodic music, great music from all places and all genres, all original music, new and old one. This list and No. 2 are updated constantly and both with different works that I like.

Beatiful Music 1 - All Places All Genres

Instrumental-2

Chilling... ■■■check out this solid tracks■■■

The Pretty Good 4

chill...

Seasons Change

REVENGE THE FATE - PEMBALASAN

Composition : François Gelin
Violoncelle : Guillaume Bongiraud

She Was Born At Midnight

SEEING RED

This track is from the album Illumination and is available for purchase on CD Baby here: http://www.cdbaby.com/cd/billwhitfield4

Destiny

This track is from the album Solace and is available for purchase on CD Baby here: http://www.cdbaby.com/cd/billwhitfield3

Tenderness

From A certain point onward,there is no longer any turning back_
That is the point that must be reached_  FRANZ KAFKA
                                                                                 

Bipolar DisordeR_160/162 bpm (Demo cut)

All Hope Is Gone

Psychosocial

Ritual - Loosened Rules

An orchestral soundtrack inspired by the Forest biome in the computer game Minecraft by Mojang.

As the first rays of the morning sun break through the emerald leaves, peaceful beings come out to warm up in the golden light. Drips of dew glisten on the trees. A magical atmosphere exists throughout the forest...

Special thanks to Youtuber aypierre for mentioning me in one of his videos! That's not really how you pronounce my name though!

--
Please contact me if you want to use it.

EPICMC Collection

Domain of the Elves

Chaos...Et peine sans fin

https://soundcloud.com/varazslo
https://soundcloud.com/varazsombor
https://soundcloud.com/absurdus
https://soundcloud.com/init-preset
https://soundcloud.com/rizomorf

losted project between friends :D reworked waves time to time :)

sømetimes it's just nice tø høld sømeøne xxx

RomeoDark X VaráZsombor X Init Preset X Rizomorf - Alareas Erelath (vip)  [Hi-Tech/Dark Psy]

Time Of Madder Replice（茜色の時）

This is a short progression I did as a demo of Output Arcade.  This was during participation of a  beta group for the app pre-release.  All sounds are from Arcade except for the Drums synth pad and the High tine piano. Those are from Reason 10 and Arturia for the synth pad that comes in on the second verse.

Ambient Guitar groove -(Demo - using Output Arcade)

Rev 2 uploaded 11/24/18.  My cousin Pete DeMarzo did a couple guitar riffs for me, I also added some flugelhorn. 

Summer night Cruise Top down. Convertible style

Summer Nights

on the frog clip

All Out Life

Buy our first album, "Even though you're gone":
https://fanlink.to/EVENTHOUGHYOUREGONE

Come say hi: 
http://www.soundcloud.com/echosofficial
http://www.instagram.com/echosofficial
http://www.twitter.com/echosofficial
http://www.facebook.com/echosofficial

Lyrics:
Welcome to the room I hide in
I’d invite you in to stay but I’m tryna
Get out of here

The windows see my pain they feel it
The curtains know my name they scream it
Get out of here

I don’t know why I can never leave
When all that I’m left with are memories
I guess I want your ghost as my company

This house is full of the things we did
But you’re still ringing in my empty head
I can’t let go of the way we left 
I can’t let go of you

And now I’m hanging on by a thread
But you’re still ringing in my empty head
I can’t let go of the way we left
I can’t let go of you

To the left and down the hallway
Pictures hang from crooked nails
Get out, get out
I can’t get out of here

The doors keep falling off I feel them
The rooms have twisted thoughts and I hear them
Get out of here

I don’t know why I can never leave
When all that I’m left with are memories
I guess I want your ghost as my company

This house is full of the things we did
But you’re still ringing in my empty head
I can’t let go of the way we left 
I can’t let go of you

And now I’m hanging on by a thread
But you’re still ringing in my empty head
I can’t let go of the way we left
I can’t let go of you
And this house is full
Of the things that we did
And my bed has known 
Every inch of your skin
Well I can’t let go 
Of the way that we left
Now my bath it floods
With your silhouette 

This house is full of the things we did
But you’re still ringing in my empty head
I can’t let go of the way we left 
I can’t let go of you

And now I’m hanging on by a thread
But you’re still ringing in my empty head
I can’t let go of the way we left
I can’t let go of you

1216

The final movement of the Grimm Sins Suite is a Passepied that retells the story of Hansel and Gretel. It starts off with just the father melody alone. Then the children Hansel and Gretel enter. And everything is in a major light, but with the introduction of the step-mother's line the music grows minor, and after a pass of the melody, the father theme is devolved into the step-mother's and the minor feel becomes stronger. Then the mother and father themes disappear entirely and the children are left alone, in a minor key and in a slower rhythmic tempo. then the witch begins to entire the scene, slowly. Until she fully comes in as a variation of the step mother's theme and grows even more sinister as it turns to the half-diminished scale.  Gretel is left alone as her brother Hansel is removed from the scene, until she outwits the witch in her gluttony and pushes her into the oven, which is signified by a terrible screaming figure. Then Gretel finds Hansel and they continue to find their way home, finally reuniting with the father bring it back to the original melody figure from the beginning of the piece.

Grimm Sins Suite IX. Passepied (Hansel and Gretel)

ILLENIUM:
@illeniumofficial | facebook.com/illenium | twitter.com/illenium

Bahari:
@bahariofficial | facebook.com/baharimusic | twitter.com/bahari

Lyric Video: https://illenium.lnk.to/Crashing/YouTube
Buy/Stream: https://Illenium.lnk.to/Crashing

Lyrics:
Intoxicating your kiss
Intoxicating your lips
Nobody does it like this
I find it hard to resist, oh-ooh
Feeling out of control, beautifully sold
What’s coming over me?
It’s a total eclipse of rationality

I don’t usually say this
I don’t usually play this game
Yeah, I know I’m not faded
But it kinda feels that way
I don’t usually say this
But I think I should let you know
That baby, baby I don’t, I don’t wanna go

How could I go home
When I feel like I belong in your arms
It’s like Champagne, feel it pouring in my veins
Yeah, I got myself too drunk on you to drive
So I’m crashing here tonight
Tonight, tonight
So I’m crashing here tonight

Hey, are you really this good?
Damn, are you really this good?
Baby, you’re just like a drug
I’d bottle you up if I could, oh-ooh
Feeling out of control of your chemicals
What’s coming over me?
It’s a total eclipse of rationality

I don’t usually say this
I don’t usually play this game
Yeah, I know I’m not faded
But it kinda feels that way
I don’t usually say this
But I think I should let you know
That baby, baby I don’t, I don’t wanna go

How could I go home
When I feel like I belong in your arms
It’s like Champagne, feel it pouring in my veins
Yeah, I got myself too drunk on you to drive
So I’m crashing here tonight
Tonight, tonight
So I’m crashing here tonight

How could I go home
When you’re all I wanna know?
Come on, let me see your bed
It’s too late for this to end
Yeah, I got myself too drunk on you to drive
So I’m crashing here tonight

How could I go home
When I feel like I belong in your arms
It’s like Champagne, feel it pouring in my veins
Yeah, I got myself too drunk on you to drive
So I’m crashing here tonight
Tonight, yeah I’m crashing here tonight
So I’m crashing here tonight

Buy/Stream

ILLENIUM - Crashing (ft. Bahari)

Subterranean Blues is a collection of 10 compositions stitched together to form a compilation of various artists from around the world. 

This project draws its inspiration from the Blues, a movement with its root in African musical tradition, whose musical form has become ubiquitous in various forms of contemporary music including jazz and rock and roll, with its impact on modern music tradition reflected in various spaces of electronic music as well. 

Subterranean is a reference to an inconspicuous mode of message delivery, the importance of the message over the messenger. 

Subterranean Blues is a tribute to isolated and uncommunicated artists, that continue to create and consistently transfer positive energy into our existence.

10 - Umber Vamber vs Gollu - Subterranean Blues

Day49～Prologue(leaveing winter)

Reggae Classical Guitar - Song originally By: Bob Marley. Arrangement by: Delmonia..
"One good thing about music, when it hits you, you feel no pain" Bob Marley..

Classical Reggae

Romantic Reggae

Please welcome to join Syntaleta community on https://www.patreon.com/syntaleta
Remastered by Houman (https://soundcloud.com/houmans)

Show your support

Mesmerized

Diamonds

https://www.youtube.com/watch?v=7jqJhDro5kE

shimo(Incomplete)

Piano solo with electronic elements.  Guitar in the Chorus. 
Guitar work courtesy of Mr. Jim Kennedy. Head to the Coast and Chillax!

Tines and tides

Coralie from Hikarilife

Un titre qui exprime le souvenir d'une rencontre !

Photo by Andre Hunter on Unsplash

Coralie

Solway Firth

GMR498 - Tolex - Midnight City 
@tolexdj @gmafiarecords @gmafiadwld @gmafiamixes @gmafiarepost
✔️ Follow G-Mafia Records
open.spotify.com/user/gmafiarecords
instagram.com/gmafiarecords
facebook.com/gmafiarecords
▶︎Demos Only Via: goo.gl/RWjUuv
▶︎Repost Your Music: goo.gl/TJ4H2F

Tolex - Midnight City (Original Mix) [FREE DOWNLOAD]

FREE DOWNLOAD

We Are Not Your Kind

Nero Forte

Fragment 3

Winter bear (2019)

Produced by Hiss noise, ADORA
(Hiss noise, V, RM, ADORA)

String Arrangement – Pdogg
Guitar – YOUNG
Mellotron – Pdogg
Synthesizer – Hiss noise
Bass – nobody
Violin – 주소영
Cello – Ji Park
Background Vocal – Marcus McCoan
Vocal Arrangement – Pdogg
Digital Editing – Hiss noise
Recording Engineers – Pdogg @ Dogg Bounce, 김초롱 @ Big Hit Studio
Mix Engineer – 박진세 @ Big Hit Studio
Mastering Engineer – Yang Ga @ Big Hit Studio
Photo by Vante

She looks like a blue parrot
Would you come fly to me
I want some
Good day, good day, good day
Good day, good day
Looks like a winter bear
You sleep so happily
I wish you a
Good night, good night, good night
Good night, good night

Imagine your face
Say hello to me
Then all the bad days
They’re nothing to me
With you

Winter bear

Sleep like a winter bear
Sleep like a winter bear

2019.08.10

Winterbear

Winter Bear By V Of BTS

Instrument R&B style track. Reminiscent of the Bygone smooth jazz era.  

Here's the Vibe: Watching the sun rise in the first light of the morning dawn. .Sax work Courtesy of Ken Sanders.

New Dawn

Made In Berlin...….recording: Berlin.... 12-8/18-8- 2019

Made In Berlin

Under The Trees Of A Cityheart(Berlin Serenade)

Under The Trees Of A City Heart (Berlin Serenade)**FREM

Music & Lyrics: Jan Schonander

Standup bass, Trumpet, Baritone Sax, Mix & Mastering: Damon of tZDIQ https://soundcloud.com/tzdiq
Guitar: Davy Vance https://soundcloud.com/skub1955
Vocal, Piano, Stinger Bass, 7-piece Brass Section, Trombone, Drum Programming: Jan Schonander https://soundcloud.com/thegats

Huge thanks to Damon and Davy!

THE MONEY

She floated across the street
Red dress slit straight up to heaven
Looked straight at me 
Flashed a pearly white smile
Blonde hair to my dreams

Aahh, she teased me then she
Strutted her way to the bus stop
Mmhh, I blushed and and then
I stumbled across the sidewalk

She said honey
You ain’t got the money
Gotta live my life
Can’t be just any man’s wife
I’ve gotta make the climb
I’m in my prime
You ain’t got a dime
Don’t waste my time

Aahh, so close and so far 
Cut short by a red light
Mmhh, so close and so far
My checkbook stuck in red

I cleaned up my dirty act
I payed up for a haircut
Every last dollar and cent
Candlelight dinner
Just to be there, with her

She said honey
You ain’t got the money
Gotta live my life
Can’t be just any man’s wife
I’ve gotta make the climb
I’m in my prime
You ain’t got a dime
Don’t waste my time

She floated across the street
10 years later straight from nowhere
She looked in my eyes
Flashed a pearly white smile
Stepped into my dreams

She said honey
I don’t need the money
Gotta live my life
Can’t be just any man’s wife

She said honey
You’re the money
Come be my life
Let me be your wife

The Money

The Money | tZDIQ, Davy Vance & TheGat(s)

Fortunately, there are many good mothers and increasingly also good fathers in the world. However, there are exceptions to this rule. In the case of fathers, these exceptions have been seen for some time and violent fathers in particular are sanctioned more quickly and the affected children are better protected from them. 
Violent mothers are still a big taboo topic. This may have something to do with the fact that they usually express their violence more covertly and subtly than violent fathers. 
The following song is based on numerous experiences of children who have become victims of maternal violence. Representative for this is a story told by a 12-year-old boy who fled from his violent mother to his father (both parents had been separated for a long time).   

Mother Violence

Glassy eyes, frightened look
Pale face, far removed from happiness

Early adult, was never a child
Was mother's slave, repressed whirlwind

His own will was broken, forbidden to resist
Every no from him was punished 
Futile pleading

Subtle, hidden and cold
Mother Violence

Neighbors all look the other way
Just hands off the dirt

Remember, moms are just sweet
Violence never comes from mothers, the fathers are the swines
Step up to the lying club, come in, let the doubt be, don't want to be Outside, otherwise you will become the swine

Locked up in the cellar, deportation arrest.
At night on the street, so scared to death

Top-Secret blows, was always to blame
Always mental torture, day-to-day turmoil

One day he broke out from home, fled to his good father
Seemed liberated, but next morning a hangover came 

Subtle, hidden and cold
Mother Violence

Outwardly quite sweet and nice, she pulled her spider's web 
Around his exile
Youth Welfare fell for her, saw only her saint`s shine

The blind choir sang: 
Only fathers can be perpetrators, mothers are so weak and small. 

Subtle, hidden and cold
Mother Violence
Subtle, hidden and cold
Mother Violence
Subtle, hidden and cold,
Mother Violence

Mother Violence

After the Harvest

This was a guitar improvisation of mine some years back.  Unfortunately my guitar playing is always subpar, so the recording was cast aside until I met Richard John.   
Knowing he is a seasoned guitarist, I sent him my file to enlist help.  Without much being said, Richard just came back in a couple of days later with a professional rework of my ragged track and with new touches as well.   This is what I'm sharing here today.

Richard, you had really lighted up my song.  Thank you so much. 

[CREDITS]
Guitars / Arrangement  :  Richard John
Music : Michael C. Lynn

Richard John is a singer/songwriter/guitarist from England who is also on Soundcloud.   Do check him out.
https://soundcloud.com/richardjohn-1

An October Morning   (feat.  Richard John)

A short electronic melodic piece. Takes you there here and back. Happy go lucky feeling.

Interlude

NOW AVAILABLE ON iTUNES AND AMAZON.

Please follow the following link to see Kites Over Malvern, the short film.
http://www.youtube.com/watch?v=MXw3XPWpkmg

Hui Jin (tenor), Brno Philharmonic Orchestra conducted by Mikel Toms.

Music by Andrew Webb-Mitchell
Words by Joanna Boulter

“In Songs of Awe and Wonder, Andrew Webb-Mitchell has created a stunning set of symphonic songs on a grand scale. The music is full of passion and heroism, with glorious harmony and beautiful textures. The orchestration is beautifully detailed and the vocal writing creates a soaring line that carries the listener right through the vast canvas of the cycle. The work is dedicated to Mahler but, although the scale of the work is comparable to a Mahlerian song cycle, the music is in no way derivative and Andrew Webb-Mitchell has his own unique style and sound-world.”

Tasmin Little, violinist

Kites Over Malvern pays tribute to the English composer Edward Elgar, depicting him pursuing his passion for flying kites over the Malvern Hills. As he stands on the hillside, the kites are reeling in the cosmic symphony that he feels all around. He watches the kites soaring skywards and holds himself in readiness to transcribe this enigmatic artistry.

One of the pre-eminent musical figures of his time, Elgar bridged the nineteenth and twentieth centuries as the finest English composer since the days of Handel and Purcell. Elgar's most fruitful period was the first decade of the twentieth century, during which he wrote some of his noblest, most expressive music, including the Symphony No. 1 in A flat major, Op. 55 (1907-1908), and the Violin Concerto in B minor, Op. 61 (1909-1910). His best-known works from this period, however, are the first four of his Pomp and Circumstance Marches (1901-1907); the first of these, subtitled "Land of Hope and Glory," became an unofficial second national anthem for the British Empire.

Kites Over Malvern offers a glimpse of the man in his earlier years before public recognition, drawing inspiration from his love of the open countryside and consolation for his artistic isolation.

Buy on iTunes

Kites Over Malvern - Brno Philharmonic Orchestra, Mikel Toms

Genres:  Chill, Downtempo  & Ambient electronic,  Soundtrack and Instrumental Rock. 

Music composed arranged and produced by Vic DeMarzo.  Other artists are noted in the song description if applicable 

Enjoy music for what it truly is "The Universal Language"...